Thank you!

highest possible careful tweaked settings for very high image quality with enough stability for short takes up to 5 - 8 minutes.

Improved for best low light noise and textures in all modes, perfect for high iso, and excelent image texture in good light.

Arri Alexa image quality inside the GH2, (just missing the Alexa dynamic range of course)

default version:

*SH and H slots are better for good light in low iso and for more detailed scenes in good light

*SH slot is higher quality and more stable with manual focus legacy lenses

*H slot more stable with native lenses with electronic contacts

*H slot also better for use with image stabilization

*hbr is better in good light than in low light

*default version is more stable in SH and H 720p and in HBR than the boson version

*24p 24H and 24L are the same of boson

*great quality in all modes

boson version:

*SH slot improved for low light textures and noise

*H slot better for good light in low iso, better for more complex details scenes in good light

*H slot is more stable for native lenses

*HBR does the low light / good light balance automaticaly for better noise in low light or better detail in good light

*24p has same noise quality in both good light or low light for constant image texture this keeps same random noise in all light conditions, good for intercut with SH

*a little less stable in 720p and HBR than the default version

*best quality in all modes

seta = workhorse default

setb = workhorse boson

setc = workhorse default lower datarate in SH and H for more stability in 720p and hbr

setd = workhorse boson lower datarate in SH and H for more stability in 720p and hbr

sete = same as seta, but the 24H and 24L are optimized to deliver sharpest image for steady complex detail scenes, it does the automatic adaptation in 24p for low light noise or good light steady complex detail scenes

setf = same as setc, but the 24H and 24L are optimized to deliver sharpest image for steady complex detail scenes, it does the automatic adaptation in 24p for low light noise or good light steady complex detail scenes

all tests performed in NTSC with the Sandisk 32GB SDHC Class 10 U1 45Mbps card.

transcode the original mts files to Apple ProRes 422 full range using the 5DtoRGB free software before editing to avoid the diagonal pattern rain problem. Try the ProRes HQ, normal and LT versions to perceive the best balance between quality/file size.

as of september 05 2014 all versions are modified flowmotion 2.02 with extensive careful tweaking

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Good patch for this use?

For my next music video project I'll be shooting scenes in 60p which will be processed using twixtor to emulate approximate speeds between 500-1000fps.

I have invested in some SanDisk Extreme Pro 95 MB/s cards and I've searched around similar threads but most other posters are using slower cards.

So, I'm wondering if anyone has had experience shooting with these cards and if anyone can give recommendations for the best hack to use in this instance. I would like to push the cards to their upper limit without sacrificing stability.

Some of the shots I have in mind will contain large amounts of detail - splashing water, dust, etc so the higher the bit rate the better. They will all almost all be locked off frames.

Other posters have suggested the Flowmotion 2.02 is good for this purpose but the bitrate maxes out at 95 MB/s for this patch and if possible I'd like to make the most of the cards' capabilities and record at a higher bitrate. Will I be able to use one of Driftwood's 176MB/s patches? Does anyone have any experience shooting at 60p with these?

Are there other factors that I need to consider here to ensure the best workflow through twixtor?

Thanks JB