Official presentation now rumored to be delayed until CES in Vegas.

@cindy6 lol well as always it has more to do with the cinematographer and I have seen total crap and things of beauty from all the major players. I've even seen total inexplicable crap come out of Alexas so I would do a lot of looking before making any harsh judgements. That being said it is more than color science and it depends on the individuals need. Not all of us need everything the GH5 or future variants have to offer in video. Some want things Panasonic seems incapable of delivering. One of the things I like about the potential Fujifilm camera is it's larger sensor in partnership with it's reasonably priced and well regarded primes. The m4/3 sensor size makes one want to gravitate to very expensive wide aperture primes that are hard on the budget. Don't get me wrong I have owned Panasonic cameras since the GH2 and think they have done wonders thanks to a fire put under there ass by personal-view starting with the GH1. That fire of innovation is burning brightly and others like Fujifilm want to join the party Panasonic should take the competition very seriously.

Da one started the fire burned all big ass is a fan of fujifilm camera -;)

More stuff

• C4K at 60p, 150Mbps, 4:2:2 10 bit Long GOP
• 1080 at 240fps
• 10Mp sensor with up to 100.000 ISO

Wont 4k/60 @ 10/422 look fairly poor @ 150Mbps? Does that type of data require something in the 300-400 Mbps range?

Also, there are some schools of thought that the frame-frame deltas are smaller at higher bitrate so a good codec can get by with less bandwidth.

For 60fps increase of necessary bitrate is really small, especially for static camera or smoothly moved. Plus if you don't want to make heavy grading :-) Actually 60fps makes encoder work simpler, as changes are smaller and easy to track.

More specs from 43rumors

• 10,28 m43 sensor
• 12 fps serial shooting, but only RAW 12bit, 10 fps with 14bit
• 1/8,000 shutter from G9
• 1/16,000 electronic shutter
• 1/250 flash sync
• 1/25 – 1/6,000 video shutter
• UHD and C4K at 60fos, 150Mbit max, 422 10bit
• 1080p180 and 1080p240 modes
• 1728-zone multi-pattern metering system
• 1,62mdots LCD touchscreen
• Same old 3,68mdots OLED EVF
• 802.11ac Wi-Fi, Bluetooth 4.2
• Panasonic DMW-BLF19PP battery (GH5 one)
• Build in stereo mikes
• Monaural speaker
• Two memory card slots
• 4K photos
• HDMI Type A and USB 3.1 connectors
• Remote, TC in/out
• 138,5×98.1×87.4mm
• Dust-proof and splash-proof body
• $2499 price

I don't see much of an improvement over the GH5 specs, but I'm hoping for a greater dynamic range. If we can get 14 stops, then we'd have a mini Arri in our hands for $2500.

Also haven't seen any mention of an anamorphic mode for this new camera. Frankly, I was hoping to use that 6K potential, too.

If this new camera has a pro-level dynamic range and that anamorphic capability, I'm sold.

why there is no Multiaspect sensor in it? Is it left for GH5M for ¢3000? :)

Luke Neumann, which had one for testing, said that "It is not firmware".

No surprises. Via Nokishita / 43 Rumors.

I like Red Buttons!