Sound Tue, 14 Aug 18 23:32:13 -0600 Sound en-CA Best indoor mic for under $1,000? Mon, 29 Jul 2013 22:19:53 -0600 acuriousman 7630@/talks/discussions I'm going to get some serious gear soon and I have to upgrade my current shotgun.

I'll be shooting a lot of interior diagloue shots in small to medium sized rooms. From what I've been told, a shotgun mic like the MKH 416 is terrible for indoors, correct?

What's the best indoor mic for $1,000 and under?

Zoom F8n Mon, 09 Apr 2018 16:47:32 -0600 Vitaliy_Kiselev 19419@/talks/discussions image

Do not see any mention or press release, only our team photo.

Zoom F8 - 8 track audio recorder Tue, 14 Apr 2015 18:04:33 -0600 Vitaliy_Kiselev 12806@/talks/discussions

Rode SC6-L Mobile Interview Kit Thu, 02 Aug 2018 13:34:08 -0600 Vitaliy_Kiselev 20178@/talks/discussions

Cinegear 2018: Deity SMic Original 2 Wed, 06 Jun 2018 02:34:43 -0600 Vitaliy_Kiselev 19826@/talks/discussions

Boya BY-TM7 Digital Dual Transmitter Wireless Mic System Mon, 30 Jul 2018 23:03:38 -0600 halfmac 20158@/talks/discussions How would like a digital dual transmitter wireless mic system for two people that is reliable and easy to use? With the Boya BY-TM7 all you do is put in the AA batteries, put the mic on you talent, turn on the transmitter and receiver and it does the rest. No setting frequencies, adjusting mic levels and no pairing. Now you are ready to do a two person interview.


I used this system for a lecture that was given in my area for sound support. I put the transmitter on the lecturer and the introducer and the receiver on the speaker system. I had the system on for over 2 hours with no drop outs and very clear sound. The lecturer was able to mute himself until the time he was ready to lecture and the introducer muted themselves after the introduction.

This new digital dual transmitter wireless mic system from Boya is well built with rugged aluminum construction. The system used dual channels that automatically scans channels to pair the transmitter to the receiver when turned on. It uses the transmission method of TDMA. What we get is very clear voice with a high signal to noise ratio.


The use these units, take them out of the nice case that is provided. Put 2 AA batteries in each transmitter. Open the transmitter by using two fingers to push locking release on the battery compartment and it slides open and comes out. The symbols for the direction of the batteries. Close it back up by sliding it back in and clicking. The transmitter is small and weighs 159 grams with batteries. (111 grams without)

Clip the lavaliere mic on your talent and plug it in to the locking connector on the transmitter by turning the ring on the 3.5mm mic cable, clockwise to lock. Do the same for the second transmitter. The mics have small windscreens provided for out door use.

Put two batteries into the receiver which has a cold shoe for mounting on a camera. It has a 1/2 inch hole for mounting on a tripod. To do this, push the back of the receiver up at the arrow and the cover slides open. The AA batteries are the installed in the direction indicated on the battery compartment. Slide the cover back on until it stops and clicks. It weighs 128 grams with batteries. (80 grams without)

The next thing you need to do to be ready to use these units is plug in the proper cable to the receiver. The system comes with two cables, on with a male XLR plug and one with a 3.5 plug on it. On the other end that connects to the receiver is a Mini TA3F XLR connector. Plug the right cable in and the other end into the mixer, PA system, camera or recorder.

Because of the automatic pairing all you do is turn it on. The units tell you that the system is paired with blue lights on the units and on the easy to read LCD display on the transmitters. The transmitters have a big Red Power button on the left side of the unit. Push it in and the transmitter powers on. The LCD lights up and the pairing light turns red. The LCD indicates the battery level and signal strength. It show Tx when not paired. Do the same for the other transmitter.


Turn on the Power switch on the right side of the receiver by pushing it up and the power indicator light turns red. When the unit automatically pair the power turns off and the blue pair light comes on the receiver and the transmitters.

Now you are ready to go. The two transmitters are on the same channel so two people can talk and it will be heard on the audio channel you plug into. The only way not to hear one of the people is to mute that transmitter by pushing the /Pair/Mute switch on it or turn it off.


After the lecture all I had to do is hold for two seconds the Red Power button on the transmitter to power them off. To power off the receiver, slide the power switch down.

If the units don’t pair there is a Pair button on each of the units all you do is push them to repair them.

This Boya BY-TM7 is very easy to use and provides good, clear, reliable sound without much fuss.

Aputure Deity Shotgun Fri, 06 Jan 2017 09:03:37 -0700 Vitaliy_Kiselev 16292@/talks/discussions

Expensive, and do not see any reason to prefer it to MXL and alikes.

Zoom H1n Digital Handy Recorder Wed, 10 Jan 2018 12:48:33 -0700 Vitaliy_Kiselev 18712@/talks/discussions image


Zoom H6, first modular audio recorder presented Wed, 10 Apr 2013 11:45:53 -0600 Vitaliy_Kiselev 6657@/talks/discussions

Some specifications

  • 6-channel portable recorder equipped
  • 4 XLR/jack mic inputs
  • two microphones are included
  • you can attach two additional jacks (making it up to 6)

Available at:

Marantz PMD-750 Digital Wireless Tue, 13 Feb 2018 20:43:58 -0700 IronFilm 19005@/talks/discussions image

Has a low low price of US$399

2.4 GHz Digital Transmitter (like RodeLink, no need to worry about what frequencies are legal)

All info on the top, which is nice. But perhaps my favorite feature: "Receiver Can Pair to Two Transmitters". Handy!

Annoyingly the input is a 4 pin XLR, which doesn't match up with any transmitters I own currently.

Unfortunately it is not shipping yet, and there are no reviews of it online, but it looks like a product to keep an eye on!

Rode Stereo VideoMic Pro Wed, 18 Jan 2012 06:02:45 -0700 Vitaliy_Kiselev 2044@/talks/discussions image image

Price: about $250

Available at:

More info:

Zoom F4 with six inputs and eight tracks (is like a new low priced F8!) Tue, 06 Sep 2016 08:18:03 -0600 IronFilm 15665@/talks/discussions image



My blog post on this news: (some of it repeated below)

I thought the Zoom F8 when it was announced was a groundbreaking new recorder in what it brought to a new low price point for soundies.

Now the F4 is even cheaper ($650 vs $1K), and has nearly everything the F8 has! Except for most notably the lack of extra XLR inputs (8 vs 4, thus the names: F8 vs F4. The "F" = field recorder, "H" = handheld recorder such as H1/H4n/H5/H6) and the lack of an app for the F4 to mix on a tablet like you can with the F8. Oh, and in a more minor point the F4 has a monochrome screen vs the 4 color screen of the F8.

But everything else (such as pre amps, and time code) is basically exactly the same as the F8!

Some specs

Designed to provide big Hollywood sound on an affordable indie budget, Zoom F4 is a 6-input / 8-track professional field recorder featuring super-low-noise preamps and timecode with pinpoint accuracy. The unit provides recording and playback resolutions up to 24-bit/192 kHz with impressive audio specs including an extremely low noise floor (-127 dBu EIN) and high gain (up to +75 dB), with +4 dB line-level inputs. The on-board temperature-compensated crystal oscillator (TCXO) generates timecode at 0.2 ppm accuracy and supports all standard drop-frame and non-drop formats, as well as jam sync for external devices.

The advanced on-board limiters provide overload protection for all inputs and outputs, which lets you capture audio in a wide range of environments. Limiting can be applied simultaneously at full resolution with 10 dB of headroom and features controls for setting threshold, attack, and release.

The F4 offers four combo XLR-1/4" inputs, a 1/8" stereo input, and includes a Zoom mic-capsule input for recording six discrete tracks with an additional stereo mix, all at full 24-bit/192 kHz resolution. Additionally, inputs 5/6 can function as a camera return for audio monitoring only for confidence checks. The dual-SD card slot features simultaneous recording to both cards allowing you to make a backup or split recording with all eight tracks on one card and a stereo mix on the other. Each of the four XLR-1/4" inputs offers a dedicated preamp with gain control, phantom power, a six-segment LED level meter, plus a Record Ready and PFL switch. In addition to the 1/4" headphone output with a dedicated volume control, the F4 provides two main balanced XLR outputs, as well as two sub outs on a single unbalanced 1/8" stereo mini-jack, enabling easy connection to a camera. All timecode I/O is provided on BNC connectors and the unit includes a variable-frequency slate-tone generator to confirm levels.

An easy-to-read 1.9" LCD display is suitable for use in all lighting environments including dark low-light sets to bright sunlight. The on-board mixer not only provides user-adjustable level, pan, and input/output delay, but also offers high-pass filtering for noise and wind reduction, phase inversion, and Mid-Side decoding. The F4 ships with a camera-mount adapter, AC power adapter, and download codes for Cubase LE and Wavelab LE.

  • Six-input / eight-track multitrack field recorder with integrated mixer
  • Six discrete inputs, including four with locking Neutrik XLR/TRS combo connectors, a stereo 3.5mm input, and Zoom mic-capsule input
  • Compact and lightweight metal chassis, weighing just two pounds (without batteries)
  • High-quality mic preamps with up to 75 dB gain, less than -127 dBu EIN, and +4 dB line inputs
  • Support for up to 24-bit/192 kHz recording as well as 96, 88.2, 48, and 44.1 kHz, plus 47.952 and 48.048 kHz for HD video compatibility; 16-/24-bit resolution
  • Accurate timecode (0.2 ppm) I/O on standard BNC connectors; dropframe/non-drop formats with Jam Sync
  • Two different power supply options: 8x AA batteries or external DC battery pack with 4-pin Hirose connector
  • Dedicated gain control knob, 6-segment LED level meter, and PFL/Solo switch for each channel
  • Phantom power (+48V/+24V) on every preamp
  • Advanced on-board limiters for input and output
  • High-pass filter, phase invert, and Mid-Side decoder
  • Input delay of up to 30ms per channel / output delay of up to 10 frames per output
  • Compatible with all Zoom mic capsules; optional ECM extender cable enables remote positioning
  • Dual XLR balanced Main Outs plus 1/8" stereo mini-jack Sub Out
  • Dedicated headphone output (100mW) with front-panel volume control
  • 1.9” white, backlit monochrome LCD
  • Dedicated PFL display with viewable trim settings
  • Dual SD/SDHC/SDXC card slots, up to 512GB each
  • Records in BWF-compliant WAV or MP3 file formats
  • Support for extensive metadata (BWF and iXML); input time, date, project, scene number, etc.
  • Built-in tripod mount; camera-mount adapter also included
  • Use as a 6-in/4-out USB audio interface (@ 96 kHz)

Available for $650 at

BOYA BY-MM1 On Camera Small Cardioid Microphone Tue, 24 Apr 2018 09:47:02 -0600 Vitaliy_Kiselev 19536@/talks/discussions

Nice small microphone


Saramonic On Camera Microphones Sat, 14 Jul 2018 03:12:34 -0600 Vitaliy_Kiselev 20062@/talks/discussions

Saramonic SR-HM7 Microphone Tue, 03 Jul 2018 19:19:45 -0600 Vitaliy_Kiselev 20003@/talks/discussions image

IBC 2017: Zaxcom ZMT3-HH Handheld Wireless Microphone Tue, 10 Oct 2017 08:38:35 -0600 Vitaliy_Kiselev 17946@/talks/discussions

ZYLIA ZM-1 - Mike system with 19 mikes Sat, 19 Nov 2016 08:12:02 -0700 Vitaliy_Kiselev 16067@/talks/discussions

  • 19 microphone capsules
  • LED ring status indicator
  • 48 KHz / 24 bit recording
  • USB connectivity
  • Easy to deploy

VideoMic Me-L - microphone for iPhones Thu, 21 Jun 2018 18:55:40 -0600 Vitaliy_Kiselev 19945@/talks/discussions

Cinegear 2018: Boom Poles from Really Right Stuff Fri, 15 Jun 2018 09:23:13 -0600 Vitaliy_Kiselev 19886@/talks/discussions

Shotguns comparison Sat, 08 Nov 2014 07:02:41 -0700 Vitaliy_Kiselev 11724@/talks/discussions Sennheiser MKH416 vs Sennheiser ME66 vs. ME64 vs RODE NTG3 vs RODE NTG2 vs NTG1

CineGear 2018: Deity Vmic D3 Pro Mon, 04 Jun 2018 23:11:02 -0600 Vitaliy_Kiselev 19819@/talks/discussions

Boya BY-BM3030 On-camera Shotgun Microphone Fri, 27 Apr 2018 03:36:16 -0600 Vitaliy_Kiselev 19573@/talks/discussions

Microphone placement Fri, 16 Sep 2011 21:57:30 -0600 Vitaliy_Kiselev 968@/talks/discussions ]]> NAB 2018: Zaxcom ZFR300 and ZFR400 Portable Small Audio Recorders Mon, 21 May 2018 07:39:33 -0600 Vitaliy_Kiselev 19753@/talks/discussions

Saramonic SR-VRM1 XLR Recorder Tue, 03 Oct 2017 08:44:15 -0600 Vitaliy_Kiselev 17894@/talks/discussions

Sennheiser AVX wireless mikes Thu, 27 Aug 2015 22:04:18 -0600 MikeLinn 13619@/talks/discussions Setup

Mikes Difference


Tascam DR-40 Thu, 15 Sep 2011 14:15:37 -0600 skiandbike 951@/talks/discussions

•Handheld 4-track Portable Recorder
•Built-in cardioid condenser microphones, adjustable to XY or AB position
•XLR / 1/4” mic/line input with phantom power
•Record the built-in microphones with the XLR mic or line input for a four-track recording
•Dual recording mode captures a safety track at a lower level to avoid distortion
•Overdub mode allows recording along with a previous take
•Peak reduction automatically sets the ideal recording level
•15-hour battery life from three AA batteries
•Up to 96kHz/24-bit WAV/BWF or MP3 recording resolution
•2-second pre-recording buffer
•Variable speed playback from 50-150% speed without changing the pitch
•Adjustable limiter and low cut filter (40 / 80 / 120 Hz)
•Built-in speaker and chromatic tuner
•1/8” headphone/line output
•Playback EQ and level align
•Stereo Reverb effect
•Tripod mounting hole
•SD/SDHC card slot supports up to 32GB media (2GB card included)
•Locking Neutrik Combi jacks
•USB 2.0 jack and cable for transferring recordings to computer
•Powered by three AA batteries, AC adapter (optional PS-P515U), external battery pack (optional BP-6AA), or USB bus power


Order and pricing:

Pricing is $157.59

Missing some of the analog features of the DR-100, but control dial looks much better. Zoom H4n killer?

I have been going back and forth on the DR-100 and H4n for a few weeks. Anyone have insights into how this might compare?]]>
Going hard-wired with a lavalier mic? Wed, 28 May 2014 23:28:55 -0600 Sangye 10481@/talks/discussions So I've been looking for a good solution that'll allow me to use lavalier mics as wired units. I had previously been running my Oscar SoundTech TL-40 (it's a great mic, by the way) into a Tascam DR-05, which I planted on or near the subject. However, that setup doesn't let me monitor the audio, which is scary and very bad form. Worse, it has on occasion come unplugged. Nothing like telling a personal friend of the Clintons and a colleague of Joseph Campbell that she needs to repeat everything she said over the past 30 minutes. Yes, that happened.

Although one can find locking TRS extension cables, they apparently act like radio antennae, and the longer the distance the worse the distortion. Balanced XLR seems like the obvious choice, but that presents another issue: how to adapt a mic that requires 10v mic power, to an XLR cable that either has no power or has 12V / 48V phantom power.

After a little research, I bought a Provider Series PPA XLR to Sennheiser (threaded TRS) power adapter, to match my TL-40. The Provider Series PPA is small tube just larger than an XLR plug, that uses 48V phantom power from XLR on one end, to power any kind of lavalier mic on other end, and balances the signal at mic level for transmission through the XLR cable. By the way, I got a PPA with AUT plug on eBay for $1 with shipping (usually $90), and ordered a SENN replacement plug from Performance Audio for $29 -- but instead they sent me another PPA WITH a SENN plug: another $90 value!. Got lucky on both counts!

Anyway, I don't currently have an XLR recorder (I'm expecting a DR-60D in the mail on Friday), but I have been testing this new setup with my iRig PRE on my iPhone and on my DR-05. It works, but I'm a little surprised by how high the noise floor is, and how flat the sound is. I compare the recordings on the DR-05 with and without the iRig PRE / PPA adapters, and I get a MUCH cleaner and fuller recording plugging the lav mic directly into the recorder and turning mic power on. I was lead to believe that the iRig PRE is a decent pre-amp, with a low noise floor. Does that mean the Provider Series adapters are causing the degraded quality? Or maybe my iRig PRE is a lemon? Because of the error with Performance Audio I have two PPAs, and I get the same results using both of them. So I kind of doubt it's a bad copy, more likely the design is bad.

I will do more comparisons once the DR-60D arrives, and hopefully figure out which unit is the culprit. I'll post my findings here, but in the mean time, I wanted to know what everyone else is doing when they want to go wired with their lavalier mics.

Tascam DR-701D Wed, 18 Nov 2015 17:55:32 -0700 Vitaliy_Kiselev 14083@/talks/discussions image

NAB 2018: Boya BY-MP4 Audio Adapter/Mixer for Microphones Thu, 26 Apr 2018 12:07:46 -0600 Vitaliy_Kiselev 19561@/talks/discussions