Specifications:

• 1" CMOS sensor, 13.2 X 8.8mm, 20.9Mp
• BIONZ® X image processor
• 24-200mm F2.8 zoom, Carl Zeiss® Vario-Sonnar T*, 14 elements, 11 groups, 7 aspheric elements
• 26-212mm in movie mode (29-315mm in SteadyShot Active Mode)
• Video modes
  • 28M PS (1920 x 1080, 60p)
  • 24M FX (1920 x 1080, 60i)
  • 17M FH (1920 x 1080, 60i)
  • 24M FX (1920 x 1080, 24p)
  • 17M FH (1920 x 1080, 24p)
• Mikes - Built-in stereo microphone or external ECM-CG50 / XLR-K1M
• Adjustable audio level
• Headphone output
• Microhone jack
• OLED EVF
• 3.0” 1,228,000 dots tiltable LCD
• Histogram and Peaking (level and color selectable)
• Contrast-detect AF, 25 points
• Continuous Speed - 10 fps
• Wi-Fi and NFC
• Multi Interface Shoe
• 129.0 mm x 88.1 mm x 102.2 mm
• $1298 price
• 755 g

Preorder at:

• http://www.bhphotovideo.com/c/product/1009156-REG/sony_dscrx10_b_cyber_shot_dsc_rx10_digital_camera.html

• 24mp CMOS sensor
• may be last SLT camera
• Bionz X LSI
• 50-51200 ISO
• up to 12fps
• Video up to 1080p60 24Mp, AVCHD 2.0
• 79 AF points (15 points cross type)
• 1.2md 3" LCD
• 2.3,d OLED VF
• 1/8000 sec shutter
• Sensor based stabilization
• WiFi, NFC
• Weather resistant body
• $1199

Samples, links

• http://www.dslrmagazine.com/digital/camaras-reflex-monoculares-digitales/sony-a77-mark-ii-79-puntos-de-enfoque.html
• http://www.focus-numerique.com/test-1901/reflex-sony-a77-2-presentation-caracteristiques-1.html
• http://cameras.reviewed.com/content/sony-a77-ii-first-impressions-review-2
• http://www.dpreview.com/previews/sony-alpha-slt-a77-ii
• http://www.thephoblographer.com/2014/05/01/first-impressions-sony-a77-mk-ii/#.U2IOCsc98Zw
• http://www.photographyblog.com/previews/sony_a77_ii_photos/
• http://www.techradar.com/reviews/cameras-and-camcorders/cameras/digital-slrs-hybrids/sony-alpha-77-mark-ii-1040798/review

Available at:

• http://www.amazon.com/Sony-A77II-Digital-SLR-Camera/dp/B00K0BYLN6/ , Kit - http://www.amazon.com/Sony-A77II-Digital-Camera-16-50mm/dp/B00K0BYLNQ
• http://www.adorama.com/ISOA772.html, Kit - http://www.adorama.com/ISOA772K.html

Specs

• NEW advanced Auto Focus settings
• NEW menu, UI and extra feature settings
• 1" Exmor RS BSI CMOS Sensor
• BIONZ X Image Processor & Front-End LSI
• Internal UHD 4K Video & S-Log2 Gamma
• Zeiss Vario-Sonnar T* f/1.8-2.8 Lens 24-70mm (35mm Equivalent)
• Fast Hybrid AF System with 315 Points
• HFR Mode for Full HD Video up to 960 fps
• 0.39" 2.36m-Dot OLED Pop-Up EVF
• 3.0" 1.23m-Dot 180° Tilting LCD
• ISO 12800 and 24 fps Continuous Shooting

Hopefully, the YouTube compression won't be too bad. The original file looks great!

http://www.camerabeta.com/rumor/sony/sony-a7s-mark-iii-leaked/3380

English translated:

https://translate.google.com/translate?sl=auto&tl=en&js=y&prev=_t&hl=en&ie=UTF-8&u=http%3A%2F%2Fwww.camerabeta.com%2Frumor%2Fsony%2Fsony-a7s-mark-iii-leaked%2F3380&edit-text=

"【Suspect Sony a7S III specifications parameters ahead of exposure】 Beta to get a suspected Sony a7S III specifications parameters of the screenshots, and now share to you. The new machine will use 15 million pixel level BSI-CMOS with LSI, adjustable IR Filter can also be used as adjustable electronic ND filter, native ISO 100-102400, the maximum ISO is 409600, with 3-inch 1.2 million point flip LCD screen , Support 4: 2: 2 8bit 4K video recording."

This is a rumor.

Samples

https://dc.watch.impress.co.jp/docs/review/oldcamera/1113329.html

I managed to extract the firmware image for my Sony WX350 from the downloadable firmware update found here https://www.sony.co.uk/electronics/support/downloads/Z0005334 using this tool: https://github.com/ma1co/fwtool.py

Am I doing anything right here? How should I start trying to edit those files? Is there any sort of beginners' guide anywhere? I attached the tree output from the fwtool created folder, just for reference.

Thanks in advance, and sorry for my broken english. Giova

Specs:

• 24.3MP CMOS Sensor
• 3.0″ 922k Tilting Touchscreen LCD
• 1080p24/p30/p60 at 50Mbps
• 30 Minute limit (sic)
• Hybrid AF with 179 Phase-Detect Points
• Wi-Fi, NFC
• Focus Peaking, Zebra
• Body - $550, kit with 16-50mm f/3.5-5.6 Lens - $700

Previews:

• http://www.imaging-resource.com/PRODS/sony-a5100/sony-a5100A.HTM
• http://www.engadget.com/2014/08/18/sony-a-5100-hands-on/
• http://www.theverge.com/2014/8/18/6028777/sony-a5100-camera-announced-price-release-date
• http://www.dpreview.com/previews/sony-alpha-a5100
• http://www.dpreview.com/articles/4552168018/hands-on-with-the-sony-alpha-a5100
• http://www.thephoblographer.com/2014/08/18/sony-stuffs-everything-love-a6000-smaller-evf-less-a5100-body/#.U_GbYU0cSUk
• http://www.steves-digicams.com/camera-reviews/sony/a5100/sony-alpha-5100-a5100-review.html

Available at:

• Body - http://www.amazon.com/Sony-a5100B-Interchangeable-Camera-3-Inch/dp/B00MHPAES4/
• Kit - http://www.amazon.com/Sony-a5100L-16-50mm-Interchangeable-Camera/dp/B00MHPAFAG/

Samples:

• http://www.fotomagazin.de/test_technik/testbilder/SonyA5100_16_50mm.zip
• http://www.sony.net/Products/di/en-us/products/yre3/samplephotos.html?contentsTop=1

Specs, A7

• 24Mp CMOS FF sensors
• 14bit RAW
• E mount
• 100-51200 ISO
• Phase AF on sensor, 117 points
• Applications support
• OLED 2.4Mp EVF
• SDHC card slot
• Whether sealed
• 1/8000 shutter speed
• 1/250 flash sync speed
• Serial shooting - 5fps and 2.5fps modes
• Movie modes - 24p/60i/60p w/uncompressed HDMI output
  • PS - 1920 x 1080/60p@28Mbps
  • FX - 1920 x 1080/60i@24Mbps
  • FH - 1920 x 1080/60i@17Mbps
  • FX - 1920 x 1080/24p@24Mbps
  • FH - 1920 x 1080/24p@17Mbps
• Headphone Jack
• Microphone Input
• XLR adaptor kit available. Separate control of the left and right channel inputs is available via this adaptor.
• Tiltable 920kp LCD screen
• Focus peaking
• MIDI output compatible with 4K TVs (for photo only now)
• Wi-Fi, NFC
• Size - 127mm x 95mm x 48mm
• Weight - 474gr
• $1698 (or 1500 EUR)

Specs, A7r

• 36Mp CMOS FF sensors
• 14bit RAW
• E mount
• 100-51200 ISO
• Contrast AF only
• Applications support
• OLED 2.4Mp EVF
• SDHC card slot
• Whether sealed
• 1/8000 shutter speed
• 1/250 flash sync speed
• Serial shooting - 5fps and 2.5fps modes
• Movie modes - 24p/60i/60p w/uncompressed HDMI output
  • PS - 1920 x 1080/60p@28Mbps
  • FX - 1920 x 1080/60i@24Mbps
  • FH - 1920 x 1080/60i@17Mbps
  • FX - 1920 x 1080/24p@24Mbps
  • FH - 1920 x 1080/24p@17Mbps
• Headphone Jack
• Microphone Input
• XLR adaptor kit available. Separate control of the left and right channel inputs is available via this adaptor.
• Tiltable 920kp LCD screen
• Focus peaking
• Wi-Fi, NFC
• Size - 127mm x 95mm x 48mm
• Weight - 465gr
• $2198 (2100 EUR) body price

Preorder at:

• A7 body, best option - http://www.amazon.com/Sony-ILCE7-Full-Frame-Interchangeable-Digital/dp/B00FRDUZXM/
• A7r body, 36Mp - http://www.amazon.com/Sony-ILCE7R-Full-Frame-Interchangeable-Digital/dp/B00FRDUZUK/
• A7 kit - http://www.amazon.com/Sony-ILCE7K-Full-Frame-Interchangeable-Digital/dp/B00FRDV06I

was testing out the clear image zoom on the a6500 to reduce RS for some handheld but felt the quality was off.

So I did a comparison, static wide with the Sigma 30mm f1,4 and the Sony 16mm f2.8 with 2x CIZ. Both at f5,6, shot in 4k.

And the later was indeed awful, see attached snaps (SOOC). Top is 16mm+CIZ, second is 30mm.

This is not even close to the good results I've seen of others' tests online. Any setting I need to change?

Specs:

• 20.1 CMOS sensor
• 1080p30 video recording
• 1/4000 to 30 sec shutter speed
• 3" 460,800 dot LCD
• Built-in stereo microphone
• Dimensions - 109.6 x 62.8 x 35.7mm
• Weight - 210g for camera body
• Available in March 2014
• Price - $600 for kit with the 16-50mm zoom lens.

Available at:

• http://www.amazon.com/Sony-Alpha-a5000-20-1-Camera/dp/B00HNJWU3G/

Useful links:

• http://www.thephoblographer.com/2014/01/06/first-impressions-sony-a5000/
• http://www.photographyblog.com/news/sony_a5000_hands_on_photos/
• http://www.ephotozine.com/article/sony-alpha-ilce-5000-hands-on-preview-23853

Specs

• 1" BSI-CMOS sensor (13.2 x 8.8mm, 3:2 aspect ratio)
• 20.2mp
• 28-100mm (equiv), f/1.8-4.9 Carl Zeiss Vario-Sonnar T* lens
• ISO 160-12,800
• NFC, WiFi
• 10fps continuous shooting
• Tiltable 3" 1.2md LCD screen
• Steady-Shot image stabilization
• 1080p60 video (50p in PAL regions)
• Built-in stereo microphones
• 330-shot battery life (CIPA)

Available at:

• http://www.amazon.com/DSC-RX100M2-RX100M-Camera-Vario-Sonnar-Focus/dp/B00E3FYJ5K/
• http://www.adorama.com/ISORX100M2.html

Hands-ons and previews

• http://www.dpreview.com/previews/sony-cybershot-dsc-rx100-m2
• http://www.ephotozine.com/article/sony-cybershot-dsc-rx100-ii-hands-on-preview-22234
• http://www.digitalcamerareview.com/default.asp?newsID=5342&News=Sony+DSC-RX100+Mark+II
• http://www.engadget.com/2013/06/27/sony-rx100m2-rx1-hands-on/
• http://www.thephoblographer.com/2013/06/27/first-impressions-sony-rx100-m2/

Designed to increase sensitivity in low-light conditions and reduce overall picture noise, the new Exmor R sensor in the RX100 II camera is the world’s first 1.0-type back illuminated sensor ever developed. It is approximately 40% more sensitive in dimly lit situations compared to the existing RX100 model. The powerful sensor is paired with an exceptional F1.8 Carl Zeiss Vario-Sonnar T* lens to deliver exceptionally sharp, natural still images and Full HD video in any shooting condition – from bright daytime scenes to night-time landscapes and everything in between.

Additionally, the new RX100 II model is equipped with Wi-Fi capabilities and is also the first ever Sony camera to include NFC (Near Field Communication) technology, giving the extra convenience of instant, one-touch wireless transfer of content between devices. Its Smart Remote Control functionality lets users preview images and control shutter release directly from their connected phones or tablets.

A Multi Interface Shoe on the RX100 II model allows users to add optional accessories including an electronic viewfinder, powerful external flash and clip-on LCD monitor. A Multi Terminal lets users add a shutter-release remote control.

The camera features a bright, detail-packed 3.0-type White Magic™ LCD display that tilts upwards (up to 84 degrees) and downwards (down to 45 degrees), giving shooters greater freedom to compose shots from overhead and low angles.

Additionally, the RX100 II model has expanded Full HD video capabilities with the addition of 24p shooting for cinematically styled movies. Other refinements include a step zoom function that lets users instantly choose any of five popular focal lengths for handy scene framing. Shooters can select 28mm, 35mm, 50mm, 70mm or 100mm focal lengths using the camera’s control ring, giving them an intuitive and fast alternative to zooming in and out.

• 1" 20.1 mp stacked CMOS sensor
• 24-600mm lens, 25x optical zoom lens, f/2.4-4.0, Optical Steadyshot
• Tilting screen
• Electronic Viewfinder (XGA OLED)
• 14fps continuous shooting
• Electronic shutter (up to 1/32000s)
• 4K video recording (3840x2160), but only 30p, 25p, 24p •High speed video recording •Triple lens ring (focus, aperture, zoom) •Dust and moisture resistance •Wi-Fi / NFC connectivity
• 1051 g
• 133 x 94 x 127 mm
• $1500 at http://www.bhphotovideo.com/c/product/1242612-REG/sony_dsc_rx10m3_cyber_shot_dsc_rx10_iii_digital.html

Specifications

• 12MP CMOS sensor, without Phase AF
• 1080p24 and 1080p60 recording with 50mbps
• hdmi output - 3840 × 2160(30p/24p) / 1920 × 1080(60p/24p) / 1920 × 1080(60i),YCbCr 4:2:2 8bit/ RGB 8bit
• seems to be regional locked (PAL/NTSC versions)

Available at

We have few PAL Sony A7s bodies for European members. All of the cameras do not have any limits.

Price: $2589
Shipping: Price includes fast shipping for Western Europe/US/Canada/UK/Australia&NZ. Contact for any other regions.
I want to buy this camera.

• US, NTSC - http://www.amazon.com/gp/product/B00JIWXTXG/
• US, NTSC http://www.bhphotovideo.com/c/product/1044728-REG/sony_ilce7s_b_alpha_a7s_mirrorless_digital.html

PR

SAN DIEGO, April 6, 2014 /PRNewswire/ -- Joining the acclaimed alpha7 and alpha7R family of the world's smallest full-frame interchangeable lens cameras1, Sony's new alpha7S model puts extraordinary sensitivity, low noise and spectacular 4K video quality into the hands of professional photographers and videographers.

The innovative alpha7S camera features a newly developed, 12.2 effective megapixel 35mm Exmor® CMOS sensor paired with a powerful BIONZ X image processor, allowing it to shoot at a sensitivity range of ISO 50 – 4096002 with unprecedented dynamic range and low noise.

The new model is also the world's first camera to utilize the entire width of a full-frame image sensor in 4K video acquisition, and does this without cropping or line skipping as it can read and process data from every one of the sensor's pixels. This allows 4K video shooters to utilize all of the artistic and creative benefits provided by the unique sensor.

"The alpha7S gives Sony the most complete, versatile lineup of full-frame cameras in the market today," said Neal Manowitz, director of the interchangeable lens camera business at Sony Electronics. "Between the alpha99, VG900, RX1, alpha7, alpha7R and now alpha7S models, we have completely revolutionized what it means to be a 'full-frame' camera, bringing a new level of quality and portability to enthusiast photographers and videographers."

Wide ISO Sensitivity (ISO 50 - 409,6002) and Impressive Dynamic Range

Sony, the world's largest manufacturer of image sensors, has developed a unique 12.2 MP sensor with extraordinary sensitivity that allows the alpha7S camera to collect dramatically more light than traditional cameras and to produce beautifully detailed, low-noise images in even the darkest environments.

The camera also features a newly developed on-sensor technology that allows it to optimize the dynamic range throughout the entirety of the ISO50 – 409,600 sensitivity range. This on-sensor technology also broadens the range of tonal gradation in bright environments and minimizes noise in dark scenes, allowing the camera to deliver impressive results in these extreme conditions where other cameras (and image sensors) typically struggle.

World's First Full-Frame Camera with Full Pixel Read-out (without pixel binning) during Movie Shooting

With the new alpha7S camera, the high-speed read out of the 35mm full-frame image sensor combined with the high-speed processing of the BIONZ X processor enables significant improvements in video quality.

These powerful components allow the camera to process data from all of the sensor's pixels and output stunning HD and 4K (QFHD 3840 x 2160 pixels) video3 while utilizing the full-width of the sensor. In addition to the benefits for low-light shooting, the read out of all pixels frees the video from aliasing, moire and false color artifacts (as opposed to pixel binning) to achieve the highest quality video.

Additional Pro-Quality Video Functions

In video mode, the alpha7S can output 4K video at QFHD (3840x2160) to an optional external 3rd party 4K recorder, and can record full HD (1920x1080) at frame rates of 60p, 60i, 30p and 24p directly to a compatible memory card. Video modes can be changed from full-frame to APS-C (super 35mm equivalent) if desired, and in this crop mode, the camera can support high frame rate 120fps shooting at standard HD resolution (1280 x 720p), creating a 5x slow-motion effect.

The alpha7S camera is also equipped with S-Log2 gamma. Common to Sony's range of professional video cameras, S-Log2 expands the dynamic range by up to 1300% to minimize clipped highlights and loss of detail in shadows. Additionally, for the first time ever in a Sony alpha camera, the alpha7S adopts the workflow-friendly XAVC S recording format in addition to AVCHD and MP4 codecs. XAVC S format allows for full HD recording at a data rate of 50 mbps with lower compression for improved video quality.

Other specialist video functions on the new camera include a picture profile that can adjust settings like gamma, black, level and color adjustment, and can be saved for use in a multi-camera shoot. It also has Full HD and 4K base band HDMI® output, time code/user bit for easier editing, synchronous recording feature with compatible devices, various marker and zebra displays on both the LCD screen and viewfinder and can dual record XAVC S as well as MP4 (1280x720 @30p).

The camera also has a Multi-terminal interface shoe that is compatible with Sony's XLR Adaptor Microphone Kits (XLR-K1M plus a new model under development), allowing the use of professional microphone systems.

Low-light Shooting Advantages

The high ISO sensitivity range of the alpha7S camera is extremely effective for still image shooting, especially in low-light conditions, where the camera can shoot at high shutter speeds while keeping noise as low as possible. This is particularly useful for shooting indoor, dimly lit sporting events or other situations where most cameras typically struggle.

The camera is also equipped with the same high-precision Fast Intelligent AF system as the alpha7R camera, with drastically improved low-light AF sensitivity that can go as low as -4EV.

Expanding alpha Mount System and New Power Zoom Lens for Movie Shooting

Directly compatible with the growing family of E-mount lenses, the alpha7S camera can also be used with A-mount and others lens systems with optional adapters. Sony's complete alpha lens system now includes 54 total lenses for both A and E mounts, including several premium offerings from Carl Zeiss® and G Series Lenses.

As a whole, Sony's E-mount lens system is particularly well-suited for video shooting, with a variety of models containing "movie-friendly" features like smooth focusing, powered zoom control, and silent iris/aperture control. Building on this, Sony has announced development of a brand new, full-frame power zoom 28-135mm F4 lens E-mount lens that is an ideal match for the powerful movie capabilities of the alpha7S model.

Pricing and availability of the alpha7S full-frame interchangeable lens camera will be announced at a future date.

Currently, I seem to only be able to get to the 1920 X 1080 setting when I choose HD, but then it shoots in Frame Rate of 60fps.

Please advise.

Specs

• 20.2MP 1" Exmor R CMOS Stack Sensor
• BIONZ X Image Processor
• Carl Zeiss 24-200mm f/2.8 Lens (35mm Eq)
• 3.0" 1228K-Dot Tilting Xtra Fine LCD
• XGA OLED Electronic Viewfinder
• UHD 4K 3840x2160 at 30p/24p only
• Super Slow Motion 960 fps Video
• Built-In Wi-Fi and NFC
• Price at around $1200

PR

NEW YORK, Jun. 10, 2015 – Sony – a worldwide leader in digital imaging and the world's largest image sensor manufacturer1 – has today announced two of the most advanced, versatile Cyber-shot cameras ever to come to market, the compact RX100 IV (model DSC-RX100M4) and high-zoom RX10 II (model DSC-RX10M2) cameras.

The two new models both feature the world's first 1.0" type stacked Exmor RS CMOS sensor with advanced signal processing and an attached DRAM memory chip. The high speed signal processing and DRAM memory chip work together to enable more than 5x faster readout of image data and are responsible for a variety of standout features that have previously been available in only a select few professional-level video cameras. These impressive capabilities include 40x super slow motion video capture at up to 960 fps4,5, an ultra-fast Anti-Distortion Shutter with a maximum speed of 1/32000 second, high resolution 4K movie shooting and more.

"Utilizing Sony's decades of expertise in digital imaging, we've made it possible for everyday customers to enjoy a professional imaging experience with the new RX100 IV and RX10 II cameras. With the power of the world's first 1.0-type Stacked CMOS sensor packed into a compact, portable body, these new cameras bring the excitement and creativity of high frame rate shooting, 4K recording and a variety of other pro-quality features to a whole new audience." said Kimio Maki, Senior General Manager of Digital Imaging Business Group for Sony Corporation.

Kelly Davis, Vice President of Digital Imaging for Sony North America, added "The new RX100 IV and RX10 II models make a strong statement for Sony, as they break through all existing boundaries of compact cameras and will allow professionals, hobbyists and enthusiasts to capture images and video that they never before thought were possible."

Up to 40x Super Slow Motion Shooting

A first for Sony consumer cameras, the new RX100 IV and RX10 II both have the ability to record super slow-motion video at up to 40x slower than the standard rate, allowing users to capture and replay fleeting moments of action with incredible detail, resolution and clarity.

Prior to shooting, users will have the ability to choose among 960fps, 480fps and 240 fps frame rates and among 60p, 30p and 24p playback formats4,5 to optimize the recording to fit the speed of the moving subject, with the option to use the movie record button as a 'start trigger' to begin recording once button is pressed or 'end trigger' to record footage up until the button is pressed. The 'end trigger' mode lets shooting begin 2 to 4 seconds before the movie button is pressed, enabling shooters to capture the decisive moment with much more consistency and accuracy. For reference, two seconds of movie footage shot at 960 fps and 24p would take about 80 seconds to play back.

High Speed Shutter, High Speed Shooting

The impressive speed and power of the 1.0" type stacked Exmor RS CMOS sensor with an attached DRAM chip allows the new RX100IV and RX10 II to perform exceptionally well while capturing fast-moving subjects. Specifically, it's fast processing capability results in continuous speeds at up to 16 fps on the RX100 IV and up to 14 fps on the RX10 II for an extended period of time.

Additionally, the ultra-fast readout of the image sensor is responsible for the high speed Anti-Distortion Shutter (maximum speed of 1/32000 second), which allow the new cameras to capture sharp, crystal clear images with a wide open aperture at brightness levels up to EV197. It also minimizes the "rolling shutter" effect commonly experienced with fast moving subjects. This allows photographers and videographers to capture beautiful content with sharply focused subjects and defocused backgrounds under some of the most difficult, bright lighting conditions.

High Precision Direct 4K Movie Recording

The new RX100IV and RX10 II models are the first Cyber-shot cameras to offer the advantages of 4K (QFHD 3840x2160) movie recording6. The cameras utilize full pixel readout without pixel binning to ensure that all the finer details of 4K video are captured with minimal moire and 'jaggies'. These high-quality results are achieved through use of the XAVC S codec, which records video at a high data rate of 100 Mbps during 4K recording and 50 Mbps during full HD shooting.

The capacity for shooting 4K differs slightly on each of the two cameras, as the more professionally styled RX10 II can shoot 4K video at extended lengths (up to 29 minutes in the US), while the more casual, pocket-friendly RX100 IV can shoot 4K clips at up to about 5 minutes in length. Additional professional caliber video features on both of the new cameras include Picture Profile, S-Log2/S-Gamut, and more. Both cameras also have advanced dual video recording functionality, allowing shooters to capture 16.8 MP still images during 4K video recording in any of 11 different composition patterns simply by pressing the shutter button.

Versatility in Design, High Speed AF

The new RX100 IV maintains the compact, pocket-sized design of the RX100 family, and has a ZEISS® Vario-Sonnar T* 24-70mm (35mm equivalent) F1.8-F2.8 lens, while the new RX10 II maintains the same body design as the original RX10 and has a ZEISS® Vario-Sonnar T* 24-200mm (35mm equivalent) F2.8 lens.

Each of the cameras is equipped with a new high-contrast XGA OLED Tru-Finder™ with approximately 2.35 million dots of resolution, ensuring true-to-life image preview and playback functionality. The RX100 IV maintains the convenient retractable EVF with ZEISS® T* coating from the RX100 III model that debuted last year.

Both of the two new models feature an upgraded Fast Intelligent AF system that enables high-speed, high-precision contrast detection of a moving subject in as little as 0.09 seconds8. Sony's proprietary AF algorithm allows them to recognize and lock-in on a subject with a simple half-press of the shutter button at a much more efficient rate compared to previous models. The new cameras are also Wi-Fi® and NFC™ compatible and can access Sony's growing range of PlayMemories Camera Applications. Learn more at www.sony.net/pmca.

Aesthetically, both of the new models feature a variety of customizable controls and buttons to fit any shooter's style. The RX10 II adds dust and moisture resistance as well.

There is also a new stylish soft carrying case for, model LCS-RXG, that has been introduced. Made of quality natural leather and available in brown and black colors, it is an ideal complement to the sleek designs of all the RX100 series cameras including the new RX100 IV model.

Pricing and Availability

The new Sony Cyber-shot RX100 IV(model DSC-RX100M4) compact and RX10 II (model DSC-RX10M2) high-zoom camera will be available this July for about $1000 and $1300, respectively. Pre-sales for each model will begin on June 17th.

Vari ND Filter

E-Mount Lever Lock

REC2020 implemented

power LED next to the on/off switch.

There’s now a thumb screw on the grip arm extension.

10 assignable user buttons.

The XQD cards now stick out 4.3mm more than on the FS7 mark 1.

Improvements to the big viewfinder loupe.

The LCD attachment was improved.

US 10,000USD

Germany 11.200,-€ net plus VAT (outch) FS7 I still available at 7.059,-€ net

http://www.bhphotovideo.com/c/product/848144-REG/Sony_PMW_F3L_RGB_PMW_F3L_Super_35mm_Full_HD.html

I can tell it dropped from US$4,995 sometime in the last 48hrs based on Google's cache:

http://webcache.googleusercontent.com/search?q=cache:f3DRVKbhbYQJ:www.bhphotovideo.com/c/product/848144-REG/Sony_PMW_F3L_RGB_PMW_F3L_Super_35mm_Full_HD.html+&cd=1&hl=en&ct=clnk&gl=nz

I was hoping Archive.org could give me insight into the price history over the past year. But sadly the most recent copy it shares at the moment is from October 2014 when it was $14,995:

https://web.archive.org/web/20141006031730/http://www.bhphotovideo.com/c/product/848144-REG/Sony_PMW_F3L_RGB_PMW_F3L_Super_35mm_Full_HD.html

Adorama sadly doesn't sell it currently, just a kit for $13,800:

http://www.adorama.com/SOPMWF3G444.html

But it does have three in used condition (V condition $2,100, E- condition $2,400, E condition $2,575):

http://www.adorama.com/catalog.tpl?op=recommend&sku=US_VDCSOPMWF3

And on eBay I can see sold listings for US$2K. I believe if people look around at their local private sales they'll find it even cheaper, I picked up one myself three weeks ago for US$1.2K via that.

Incredible price drop from 2011 when the Sony PMW-F3 first came out and it was nearly $20,000! ($16K for the body plus initially US$3,800 for the firmware upgrade)

It has had a far faster price drop than similar cameras of that era (give or take a year) which were priced similar (or even cheaper than the F3 was), such as: Canon C300, RED Scarlet, RED One, Sony FS700, BMCC. They've all seen big price drops, falling half in price, or even more. But none have seen the price fall to a tenth of the original cost! (or even less!)

I wonder why. I've got a few theories, it is was a rather popular enough camera in its niche (TV / documentaries / etc). Thus lots of F3 cameras were sold, which is causing mismatch in supply vs demand. As there is low demand because it never caught on amongst amateur/indie filmmakers (because they too quickly got distracted by the next shiny item, such as RED or BMD), who'd be the people who could soak up the supply of F3 cameras on the second hand market. As professional TV crews wouldn't be buying up F3 cameras in large numbers, they'd instead be moving on to an F5/F55.

So why are there not more indies picking up these cheap F3 bodies? I'd say there are a few reasons: its bulk, it is "only 1080", no raw, PL mount (too pricey for many indies), and SxS cards are pricey. (last two reasons are non issues, as under that PL mount you've got the FZ mount, and there are dirt cheap adapters for SxS to use standard SD cards. But many people won't realise this initially, and just be put off from getting an F3)

Makes you wonder what camera now which are priced way outside our reach will then be very affordable by 2019?

Alexa Mini? Doubt it, it will still hold onto its popularity and prestige for a long time.

Sony F5? Well... is the one directly after the F3, kinda makes it the obvious candidate to keep an eye on. The F5 after all is already feeling pricing pressure from Sony's own cheaper FS7, URSA Mini and other cameras will keep up the pressure.

KineFinity KineMAX 6K? Doubt it will sell enough to create a future large supply vs demand in balance.

Sony FS7? Perhaps this is the one to watch for 2019 deals, but it is already starting from a very affordable point. So it surely will fall to a similar price point by 2019 I guess, but it certainly won't fall to being a tenth of its original price.

AJA Cion? Eh, I suppose it might... but I doubt I'd pick it over my own F3!

Other candidates? Thoughts?