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Crime/Drama 92min

Shot in the summer of 2014 in Toronto, Montreal, and Quebec City

Using 2x Red One MX camera's some hacked GH2, and a couple of shots on a Sony A7S.

Lenses: Zeiss Super Speed

I would like to present you our new movie. We had just four days for filming in swiss on 9 different locations. It was pretty amazing going up to 3000 meters and start filming with a drone. Everything was shot with an DJI Inspire 1 RAW with the X5R camera. Filming with this system is pretty nice but backup all the footage after made us go crazy. DJI is using their own data partition on the SSD and you are unable to just copy&paste via Mac or Windows. You have to use "Cinelight" which needs up to 4 hours to backup 350gb of footage. No way to do backups on the way.

Well, making this movie was fun and a great experience. We hope you like it.

Best

Lucas Dominicus

Handel’s arias form one of the core repertories for singers of 18th-century music, owing not only to the quality of the compositions but also to the variety of affects and styles present in his operas, oratorios and sacred music. The aria “Ombra mai fù,” known also as “Handel’s Largo,” is one of his best-known works; somewhat surprisingly, it comes down to us through a circuitous path. The original version was composed by Cavalli in the mid-17th century, then “borrowed” by Bononcini for his 1694 production of the opera Serse, then substantially revised by Handel for his own version of Serse which premiered in London in April of 1738. Handel's version retains the overall texture, scoring and melodic shapes of the original, but Handel reworks the vocal line and creates more interplay between the singer and the violins.

Ombra mai fù di vegetabile, cara ed amabile, soave più. —Nicolò Minato Never was the shade from any plant more dear, more lovely, or so sweet.

The Musicians and their Instruments Voices of Music performs on original instruments: hear the music played on instruments from the time of the composer. Lisa Grodin, baroque viola by Mathias Eberl, Salzburg, Austria, 1680 Kati Kyme, baroque violin by Johann Gottlob Pfretzschner, Mittenwald, 1791 Carla Moore, baroque violin by Johann Georg Thir, Vienna, Austria, 1754 Maxine Nemerovski, baroque violin by Joseph Gaffino, Paris, 1769 Elisabeth Reed, baroque cello, anonymous, 1673 Farley Pearce, violone by George Stoppani, Manchester, 1985, after Amati, 1560 David Tayler, archlute by Andreas von Holst, Munich, 2012, after Tieffenbrucker, c1610 Hanneke van Proosdij, baroque organ by Winold van der Putten, Finsterwolde, Netherlands, 2004, after early 18th-century northern German instruments Gabrielle Wunsch, baroque violin by Lorenzo Carcassi, Florence, Italy, 1765

Gear: 2xFDR-ax100 2xVitaliy-G7 2xCanon G10 2xMkh40 2xribbon mics 2xQTC30, recorded straight to DR680.

I used a GH2 with the Flow Motion patch, and the Lumix G Leica 15mm F1.7 lens. Let me know your thoughts, hope you all enjoy!

In advance of this year’s Tribeca Film Festival, Indiewire sent out brief questionnaires to all of the filmmakers (you can read their full answers in our Meet the 2015 Tribeca Filmmakers Series). As part of the questionnaire, we asked which camera(s) they shot on.

Their responses showed a wide variety of camera used – everything from drones to cellphones to the Swedish Ikonoskop, which is a digital camera meant to emulate the 16mm film look.

The most popular choices across the board were the ARRI ALEXA and RED Epic, as well as various models of Canon and Sony cameras. Almost all of the filmmakers produced their films digitally – the only films that specified having shot on film were "Franny," "Transfatty" and "Tumbledown."

We’ve arranged this master list alphabetically by camera – please note that some films used multiple cameras, so you’ll see a few repeats as you browse.

16mm (unspecified) "Transfatty"

35mm (unspecified) "Transfatty"

ARRI ALEXA "Anesthesia" "Ashby" "Backtrack" "Bad Hurt" "Bare" "Bleeding Heart" "Dixieland" "Down in the Valley" "Jackrabbit" "Maggie" "Meadowland" "Men Go To Battle" "Palio" "Slow Learners" "Stung" "The Survivalist" "Tumbledown" "The Driftless Area"

ARRI Amira "Down in the Valley"

ARRI III 35mm "Tumbledown"

Blackmagic "CODE: Debugging the Gender Gap" "Havana Motor Club" "Jackrabbit" "Maggie" "The Survivalist"

Canon 5D "Among The Believers" "As I AM: The Life and Times of DJ AM" "Crocodile Gennadiy" "Havana Motor Club" "Roseanne for President" "The Diplomat"

Canon 5D Mark II "Requiem for an American Dream"

Canon 5D Mark III "Autism In Love" "Down in the Valley" "dream/killer" "Shut Up and Drive" "Viaje"

Canon 60D "Play It Forward"

Canon 7D "Havana Motor Club" "In My Father’s House" "Orion: The Man Who Would Be King" "Play It Forward"

Canon C100 "Orion: The Man Who Would Be King" "Play It Forward" "Prescription Thugs"

Canon C300 "A Nazi Legacy: What Our Fathers Did" "Applesauce" "Autism In Love" "Crocodile Gennadiy" "Down in the Valley" "In My Father’s House" "In Transit" "Orion: The Man Who Would Be King" "Palio" "Peggy Guggenheim: Art Addict" "Requiem for the American Dream" "Song of Lahore" "The Armor of Light" "The Diplomat"

Canon DSLR "A Faster Horse"

Cell Phone (unspecified) "As I AM: The Life and Times of DJ AM"

Drone (unspecified) "Orion: The Man Who Would Be King"

EyeDirect "Requiem for an American Dream"

Gimp-Cam "Transfatty"

GoPro "A Faster Horse" "Havana Motor Club" "Palio"

Hi8 "As I AM: The Life and Times of DJ AM" "Jackrabbit" "Transfatty"

Hi-Def "Transfatty"

Ikonoskop "Come Down Molly"

Kodak PlayTouch "Roseanne for President"

Panasonic HVX "Tom Swift and His Electric Rifle"

Panasonic DVX-100 "Among The Believers"

Panasonic HVX-200 "Roseanne for President"

Panasonic VariCam "Song of Lahore"

Panavision 35mm "Franny"

RED Dragon "A Faster Horse" "Down in the Valley"

RED Epic "As I AM: The Life and Times of DJ AM" "CODE: Debugging the Gender Gap" "Crocodile Gennadiy" "King Jack" "Maggie" "Peggu Guggenheim: Art Addict" "Stung" "The Adderall Diaries"

Sony A7 "CODE: Debugging the Gender Gap"

Sony EX1 "A Courtship" "Roseanne for President" "Thank You For Playing" "Tom Swift and His Electric Rifle"

Sony EX3 "Havana Motor Club" "Orion: The Man Who Would Be King" "Roseanne for President"

Sony F3 "Gored" "Song of Lahore" "Tenured" "The Birth of Saké"

Sony F5 "A Nazi Legacy: What Our Fathers Did" "The Birth of Saké"

Sony PDW 800 "A Nazi Legacy: What Our Fathers Did"

Sony PMW 200 "In Transit"

Super 8 "As I AM: the Life and Times of DJ AM"

Unspecified "The Wannabe" "Uncertain"

VHS "Jackrabbit"

Z1 (tape) "Orion: The Man Who Would Be King"

www..com/2015/04/here-are-the-cameras-used-by-the-2015-tribeca-filmmakers-62795/

Shot it with a hacked GH2 +14-140mm lens yesterday in 24p. Yes, yes I know, ancient technology.

Riders: Emil, Harry, Joe, Oli, Philipp and Gunther.

Shot on a Sony A7s II, with a Sigma 24mm f1.4 ART, Rokinon 85mm T1.5, a DJI Phantom 4 Drone and a couple of GoPro's. Drone pilot Philipp Heck.

Color grading in Davinci Resove 12.5

follow me on twitter: twitter.com/gunmac

Let me know what you think and I am happy to answer any questions you might have!

Let me know what you guys think!

If you're interested, you can have a look at my work on gear video reviews here: YouTube: https://www.youtube.com/playlist?list=PLxnu1WwoCPfdwE2lQvNCNSJ3WvuW6fArX

Vimeo: https://vimeo.com/album/3828347

You can browse my profiles, I've also uploaded some short films that I made in the last years. Most of them (up to 2012) were made for a contest hosted on the now dead, hv20.com forum. I've done two short films for a contest on a facebook page, the first I shot never made it on time, but I finished it a couple months later. The last, a short film I won the first place, gave me a Kovacam Stabilizer as a prize. Not bad! I purchased the vest and arms to complete the kit, and eventually made my first video review!

Thanks for your time!

Any feedback is appreciated.

My very first showreel. A lot of old gh2 stuff here. Iphone 5s and blackmagic 4k also. Enjoy...