http://filmcyfrowy.net/

So am I crazy for considering a shoulder mount camcorder?

No rigging required and seems like the ideal size/format to be filming with (even though I haven't filmed before).

Pain in the ass to lug around. That's a deal-breaker for most people, right?

Any thoughts about this model or shoulder mount camcorders in general would be appreciated.

• E-Mount
• AVCHD 2.0 (50p,60p modes, PAL/NTSC switchable)
• up to 28Mbit bitrate
• Two XLR inputs, as usual
• Comes with E mount power zoom (will be availabe separately)

Available at:

• http://www.amazon.com/Sony-NEX-EA50UH-Professional-Camcorder-18-200mm/dp/B00AK34WDS/
• http://www.amazon.com/Sony-NEX-EA50UH-Professional-Camcorder-18-200mm/dp/B009GKRQF2/
• http://www.bhphotovideo.com/c/product/887069-REG/Sony_nex_ea50h_Sony_NEX_EA50_Camcorder_with.html

**Some AC90 specs **

• 1080/60p, 60i, 30p, 24p, 480/60i. [50 Hz model]: 1080/50p, 50i, 25p, 576/50i.
• High sensitive BSI 3MOS sensor
• F1.5
• 29.8 mm wide angle / high powered zoom lens (12x)
• built in 5 axis hybrid OIS
• 3.5 inch lcd (touch) 1.150.000 dot resolution
• Dual SD Card Slots (support SDXC/SDHC/SD Memory Cards).
• 2 channel XLR audio inputs (MIC/LINE/+48V selectable).

• Audio CH1/CH2 with individual level controls and input selection.
• HDMI output, AV Multi output (D-connector, composite video and audio 2 channel), USB connector.
• Remote terminals enable remote operation of iris, focus, zoom, Rec Start/ Stop functions.

Available at:

• http://www.amazon.com/Panasonic-AG-AC90-Full-HD-Handheld-Camcorder/dp/B00AA2P9UE

In all the excitement with the GH3 (some 1200 replies in 5 days here only ) I wanted to start a new discussion, because I feel we (or at least some of us) have to face the reality. Should we buy the GH3 or start filming again with a camera that is made for it ?!

I have the GH2 for 2 years, have 3 different lenses and tried several hacks, I bought the Tascam DR-40 for sound (and other stuff). I needed a rig to hold everything, and now it looks stupid. If you are not doing fiction, (always) filming on a tripod, or in a studio and you also want to be fast and flexible (which is often necessary) it just doesn't work! (for me ;-)

Therefore I am considering a 'normal' video camera again. But which one? Next month the AG-AC90 will be available for only € 1800,= . I got it yesterday to try it out for 1 day. As there is no information (or footage) about the camera, I wanted to do some video comparison.

I compare footage of the AC90 with the GH2 (As we do not have the GH3 yet, but I don't expect it to be a miracle anyway ;-). It was not my intention to make good shots, but to put both cameras in 'hard' circumstances, such as high contrast, back light, movement, moire, rolling shutter effects etc. I did different tests and tried to keep equal settings, same shooting moments and movements, tripod / handheld, slow motion, rack focus / auto focus, daylight / low-light / dark, menu / settings. I only had the camera for a day (without a manual), so I don't know it well. Most images in standard settings were a bit too bright (but this can be adjusted in the camera).

The AC90 has a smaller sensor so less DOF (but in daylight can be achieved with a ND filter.) I didn't have one during testing (but I did use a ND in some shots with the GH2, so that is not a fair comparison). I expected the AC90 to do worse in lowlight but I am actually quite surprised!

The video is definitely not a 'scientific' pixel tweaking test. I know little about how to test GOP, I / P/ B structure, 4:4:2, peaking, dynamic range, AVCHD profiles, etc. But you guys do! @Vitaly_Kiselev @Driftwood @Ralph_B @cbrandin and others ?! I can put some original files online for some deeper analyses. What can you tell about the footage? GOP, I/P/B, etc? Is it hackable (or worth hacking ;-) to give it a bit more Mbs? etc?

I hope to open up the discussion (from the large sensor cameras such as the GH3) and look forward to hear everybody's opinion!

Ps1 Some shots in the end are only with the AC90 because it was too dark for the GH2 (with the 14-140 mm lens)

Ps2 I know YouTube is not good, but I also think it is only showing HD 25P as I rendered it 50P (and the orginal looks better and more smooth)

Ps3 Sorry for the stupid music (without sound was even more boring)

I am familiar with the GH3/GH4 capabilities, but wondered if there is a tangible advantage of the X70 for an amatuer who is just starting out with video production of stage shows. It is understood that the shooting will be done at 1920x1080 with a minimal post effort.

The X70 and the GH4 + a simple lens are about the same price - $2000 .

Perfect camera for 4K sports shooting and documentaries. I think it would be good for scenery videos as well since I'd love to use it for that.

Would be awesome if it is true!

A part of C300 and C500 mk2 (C100 mk2 was released some weeks ago), today we received (we not the only ones) a suspicius Press Release and photo of a Canon EOS C700 model.

Press release states that C700 includes a 35mm sensor, 4K 4:4:4 at 14Bit Some sites including canonrumours.com say that this is a fake, they think about a fake by the picture, but we believe that, if it is a fake is for the specs, as 4K at 4:4:4 and 14Bit is not available in any other camera of this size.

More than 12Bit requires go for a F65 or equivalent, but.. who knows ?

The PR cotinues explaining that new cameras will features a How Swap Compact Flash and Hard Disk Recording or 3x 2.5", so that conforms it is almost a 80% fake as 3 units of 2.5" size is not logical for a EOS form size.

But PR mentions some models: CTH-702 for the hard drives, etc .. Also New Metadata Extensions and a OPEN FORMAT EOS XML METADA SPECIFICATION 1.0

A few days remain for NAB so stay tuned, Who know, again, rememebr last years ? Canon annouced almost nothing new, so can they finally loose ots market, probably or not

Well, was rumores just one month ago, but today more news, so might be the C700x not a rumour - See more at: http://thehouseofvideo.com/c300-mark-ii-c500-mk2-and-eos-c700-the-new-4k-from-canon/#sthash.eQ9JDT5w.dpuf

http://thenewcamera.com/canon-cinema-c700x-image-and-specification/

Specifications:

• 35mm Full-Frame Exmor HD CMOS sensor(35.8 x 23.9mm)
• Approx. 24.7 megapixels
• Stills side identical to A99 (raw, etc)
• Shutter Speeds : Auto Control Range: 1/48-1/10000 (movie_24p) ,1/60-1/10000(movie_other)/ 30s-1/8000 (Still); Manual: 1/4-1/10000 (movie) , 30s-1/8000 (Still)
• HD PS:Approx.28Mbps/FX:Approx.24Mbps/FH:Approx.17Mbps/HQ:Approx.9Mbps/LP:Approx.5Mbps; STD HQ:9Mbps
• Gain Control : Auto/manual(0dB-30dB)
• 1080 24fps, 24Mbps
• 1080 60fps, 28Mbps
• Zebra, Peaking, etc
• Mic Level Control : Yes(31steps)
• XGA OLED viewfinder (with eye sensor!)
• LCD Type : 3.0 Xtra Fine LCD™ 270 degree swivel display (touchscreen!)
• No XLR (but is compatible with special Sony’s XLR mic kit )
• HDMI optput - clear, suitable for recording (including 60p)
• Battery Type : InfoLITHIUM® with AccuPower™ Meter System (V Series) NP-FV70/FV100 (about 3h on one good battery)
• Dimensions (Approx.) : Approx. 4 1/4in x 5 1/8in x 8 7/8in (WxHxD with including supplied NP-FV70 battery)
• It also comes with an A-mount lens adapter included (LA-EA3)
• Price: MSRP of $3299

Manual: http://pdf.crse.com/manuals/4436718111.pdf

Available at:

• http://www.amazon.com/Sony-NEXVG900-Interchangeable-Camcorder-Camera/dp/B0099HBYT6/
• http://store.sony.com/webapp/wcs/stores/servlet/ProductDisplay?storeId=10151&catalogId=10551&langId=-1&productId=8198552921666489355#overview
• UK: http://www.wexphotographic.com/buy-sony-nex-vg900-interchangeable-lens-high-definition-camcorder-body/p1532760

Reviews, previews:

• http://www.camcorderinfo.com/content/Sony-Handycam-NEX-VG900-First-Impressions-Review.htm
• http://www.engadget.com/2012/09/12/sony-nex-vg30-vg900-hands-on/
• http://www.focus-numerique.com/sony-annonce-2-camescopes-nex-capteur-news-3594.html

Videos and samples:

Key features

1. 4K (4096x2160) 50p or 60p shooting The camcorder provides extremely high sensitivity due to the back-illuminated Exmor R CMOS sensor. With 8 million effective pixels, the 1/2.33" sensor captures 4K images at 50p or 60p. The inbuilt high-performance G Lens offers maximum shooting flexibility, including a wide angle of 29.5mm (equivalent to 35mm) and 20x powerful optical zoom.

2. XAVC recording format at 4K 50p/60p, 4:2:2 10-bit at 500/600Mbps, HD at up to 223Mbps The PXW-Z100 uses Sony’s XAVC recording format first employed in the PMW-F55 CineAlta 4K camera. MPEG-4 AVC/H.264 compression is used for HD (1920x1080), QFHD (3840x2016) and 4K (4096×2160) content. Image sampling is 4:2:2 10-bit, with an intra-frame system that compresses each frame individually at a maximum bit rate of 500Mbps or 600Mbps during 4K 50p or 60p recording respectively and 223Mbps during HD 50p or 60p recording. The XAVC format is ideal for those looking to implement a high-quality, secure and worry-free workflow.

3. XQD Memory Card recording The XQD Memory Card is a new standard of solid state memory, which was recently defined by several industry leading companies. XQD uses the ultra-fast PCI Express interface and Sony’s unique camera processor to enable stable video recording at 500Mbps or 600Mbps. The PXW-Z100 features two XQD Memory Card slots. Multiple cards can be used in various ways, such as for relay recording. When the first card becomes full, recording continues on the second card without a break.

* The use of new S Series XQD cards (QD-S32E or QD-S64E which supports 180MB/s transfer speed) is recommended.

1. HDMI interface for 4K output and 3G HD-SDI interface for HD output The HDMI interface on the PXW-Z100 can output 4K as a 50p/60p signal. When the PXW-Z100 is connected to a Sony 4K-compatible BRAVIA TV, the recorded 4K image can be displayed in 4K 50p/60p quality. A future firmware upgrade is planned to provide compatibility with the new HDMI 2.0 standard and enable 4K 50p/60p output to a wider range of devices. Other features include a 3G HD-SDI interface that supports output up to HD 60p. It also supports HD output during 4K recording.

2. Paint function for more creative freedom The PXW-Z100’s paint function enables multiple image parameters to be adjusted including gamma curve, black level, skin detail and colour. The range of settings is similar to those available in the PMW-F55. Together with other setting options, parameter settings can be recorded as a camera profile onto a memory card. The recorded camera profile can then be used to set the same parameters in another PXW-Z100 to enable the matching of quality and image tones when using a multi-camera setup.

I am not used to this style of filming, which involves being a "fly on the wall", usually handheld and following some action unfold for long periods of time, with long takes which need to be in focus and correctly framed at least most of the time :) I'd be doing own sound, sometimes with a lav-mic on the subject plus a shotgun mic on the camera.

In the last few times I've been on this job, I've rented a C300 package with a handheld rig. I believe the client wants this sort of aestetic, i.e. not ENG or traditional small chip video camera.

The problem is that the places that rent C300 in my location are not very many or reliable, and I sometimes need to go out with little notice for only 2 hrs of shooting. So making sure I can find the camera and accessories, picking up, testing, setting up, returning, etc is quite a bit of hassle and expense every single time.

The only camera I currently own is a bmpcc and I have m43 glass. I tried using it with a loup, hand-held rig and an external field recorder. I've also tried it with the Retroflex, but it's still borderline unusable because it's just not stable enough handheld, even on wide lense. But I guess it's not impossible, but biggest challenge was monitoring sound on the external device, and anyone who knows the bmpcc also knows it's not an ideal tool for this, unless I can find good enough accessories to make it work?

I don't want to buy a C300 - although it has the ergonomics I need. Even the C100 doesn't seem like that good of a deal, especially since I don't own Canon glass and I don't do this type of filming all the time.

I'm wondering about either trying to buy the right accessories for the bmpcc, but I'm worried it's never really going to work, or perhaps get a GH4. Does anyone have experience using the GH4 in similar situations? How did you rig it?

Are there other options that I'm missing?

The mini 4K camera can also be attached to the MT-GB001 gimbal option; this may be used with a helicopter system for aerial shooting, with anti-shaking and anti-blurring technology ideal when used with a handheld system. So, while the mini 4K camera produces images suitable for cinematic applications, the system also has applications for broadcast news and could open a whole new world for broadcasters.

4k XAVC 60p on $16k F5 ....NICE!!! just with an unlock lol, not even hack.

F55 Owners should feel like cat on a goya saturnalf adaptation.

http://www.nex-hack.info/talks/discussion/267/sony-f5-pro-camera-4k-enabling#latest

A production that I am remotely connected to want's to get Sony EX1 for their work, fast paced documentary, semi run and gun. So an ENG style camcorder with audio, NDs, fixed lens etc. Something like EX1. They can pay somewhere around 5k but even 1-2K plus could be done.

I am not so informed on some more current cameras in that market, or some good alternatives, but not "cinema" digital cameras or dslr, just plain professional all in one camcorder.

Any advice is welcome so please share your opinion. I can google around, but I hope for some valuable insight from you guys here first.

So here i mixed hpx170 720p/108030p and GH2 720p footage most of the hpx footage has a weird look to it tho, is it because I did something wrong in fcp? like weird aliasing on edges ? I de noised an sharpened footage slightly too.

I've thought about Panasonic AG-AC90 (costs around 2000$) that seems pretty nice in terms of capabilities for its price. Any other options? And what about HDMI-SDI converters for about 500$? Help would be very appreciated.

At first I though maybe a cheap D16 / BMPCC competition? But nope, seems it will be a little too close to BMPCC pricing. Still, could be a good cheaper alternative for the hipsters lusting after a D16. But largely I'm mainly speaking 100% speculation here as info is very scarce on this.

This has the most info I've seen yet: http://rlfc.cocolog-nifty.com/rlfc/2014/02/chinon-31f1.html

About US$830 (80,000 Yen), which puts it too close to a BMPCC in price I think for this to be a competitive choice (unless Chinon manages something unexpected). Am hoping it at least has a CCD global sensor like the D16 which is its main competition? But I would take a guess it is more like to have a typical compact point and shoot camera sensor in it instead. Perhaps we should instead be expecting something more along the lines of the C mount modded GoPro in terms of what this Bellami HD-1 will be like?

Other info: Will go on sale in just a few weeks (mid March). Says D, C, CS, and M42 mount is supported? (with adapters)

The websites on this website illustrates just how tiny this will be in the hands of a user!

http://www.superheadz.com/bellami/ http://www.superheadz.com/bellami/bellami.php

Additionally take a look at the top with the "T" & "W" buttons! :-o Looks like zoom lenses will have this as a control, this kinda cancels out the thought this is going to be targeted at retro users with vintage lens? Instead more likely for the CCTV lenses that have this functionality? However, it could also be a digital zoom function. This is a cheap-stuff manufacturer after all.

http://en.akihabaranews.com/110816/camcorder/sony-hxr-nx30-a-compact-professional-grade-nxcam-from-sony

http://www.engadget.com/2012/04/02/sony-hxr-nx30-camcorder/

Specifications and info:

http://pro.sony.com/bbsc/ssr/product-HXRNX30U/

http://www.falconeyecnv.com/

Really interested in dynamic range between the two. I would assume the FS100 would still have the edge in lowlight performance (i.e. grain/noise) but what about other aspects like actual resolution tests/comparisons (lines resolved), Dynamic Range, Rolling Shutter, Moire, Slow-Mo, Codec, Grading Capability.

I would assume the GH3's 50Mbps would be far superior in color grading latitude and for Green screen compositing than the 24Mbps AVCHD of the Sony? Just be interesting to see if anyone knows of any video comparisons between the two. I've got a GH3 (and a GH2) just curious if the Sony's worth the extra few $K if you don't need XLR and Super 35mm DOF and extreme low light performance. I'd apreciate anyone who could share some insight on their observed differences between these two! Thanks!

Full HD MPEG-2 HD 422 50 Mbps recordings plus XAVC in the future

The PMW-300K1 uses an MPEG HD 422 codec, recording Full HD (1920 x 1080) at 50 Mbps in industry-standard MXF files, along with 24-bit 48 kHz, 4-channel audio. It is also capable of recording MPEG-2 HD 420 in Full HD (1920 x 1080) at 35 Mbps. Standard Definition options include MPEG IMX and DVCAM. The camcorder can also be upgraded in the future to support Sony’s revolutionary XAVC codec, extending the lifecycle of the product to ensure maximum return on investment*.

XAVC support for HD will be available in 2014.

Three 1/2-inch type Exmor™ CMOS Full HD sensors and low-light 3DNR technology for a wide range of shooting conditions

Interchangeable lens system with 14x Fujinon HD lens package option (PMW-300K1)

The PMW-300K1 features the same EX-mount interchangeable lens system as the PMW-EX3, making it compatible with a wide range of 1/2-inch and 2/3-inch lenses (with optional ACM-21 adaptor). The camcorder also comes with two auto-focusing zoom lens packages, one for a 14x (PMW-300K1) and the other a 16x zoom lens (PMW-300K2). Both lenses include a focus ring for quick switching between auto and manual focus.

Precision focusing with 3.5-inch colour LCD viewfinder

An enhanced HD-resolution 3.5-inch colour LCD viewfinder (960x540 pixels) enables precision focusing for HD camcorder work, while the 8-pin remote-control and multi-camera operation capability allows the PMW-300K2 to be used in 3D configurations and high-end camera systems.

Multi-camera operation with 8-pin remote control

The camcorder has a Genlock In and Timecode In/Out interface, so that it can link together with other cameras for multi-camera operation capability and 3D configurations. The 8-pin 700-Protocol remote control interface allows for remote adjustment from the RM-B170* or RM-B150** remote control, sold separately.

HD/SD-SDI and HDMI interfaces for integration with broadcast infrastructures

The PMW-300K1 has an SDI interface so that it can connect with broadcast infrastructures and professional equipment. It’s also possible to down-convert from HD to SD. There is also an HDMI interface making it possible to link to consumer products, including a standard consumer TV. SDI and HDMI interfaces are available in the same time.

Wide range of frame rates

The camcorder has standard recording modes of 1920 x 1080/25P or 50i and can additionally record at 59.94i, 23.98P and 29.97P in MPEG-2 HD 422 mode. At 1280 x 720, the camcorder can record 25P as well as 23.98P, 29.97P, 50P and 59.94P. Further recording modes are also possible at MPEG-2 HD 420 and DVCAM.

Slow and quick motion from 1 fps to 60 fps

Slow motion shooting is possible with up to 60 frames per second (fps) recording in 720P or 30 fps recording in 1080P, when used with the SxS Pro or SxS-1 memory card. Quick motion can be obtained by slowing the frame rate down to 1 fps.

Semi-shoulder robust design with metal body

The PMW-300K1features an innovative semi-shoulder design with an extendable chest pad mechanism and rotary hand grip, allowing comfortable recording over long periods of time. Its magnesium metal body ensures the camcorder is robust and, like its predecessor, the PMW-EX3, can withstand even the harshest production environments.

Wi-Fi remote control with optional Wi-Fi adaptor

In addition to the 8-pin remote control interface, Apple iPads or Android mobile devices can be used as simple remote controllers. By attaching the optional CBK-WA01 Wi-Fi adaptor, the remote can control zoom, focus, iris and white balance as well as the recording functions such as recording trigger.

Cache recording

Utilising a 15 second cache recording function, the PMW-300K1 can help prevent the loss of important scenes or events that occur up to 15 seconds before the camcorder’s REC start button is pressed.

Two SxS Memory Card slots plus Memory Stick, SD card and XDQ card options

There are two SxS Memory Card slots, which allows for around four hours of continuous recording, with two hours of HD 422 50 Mbps recorded on each 64GB SxS Memory Card. Content can be copied between the two slots.The PMW-300K1 can use either SxS Pro or SxS-1 cards. It will also accept consumer recording media, including Memory Stick, SD card and XDQ card with an appropriate adaptor for emergency use.

4 channels 24-bit 48 kHz audio recordings

The PMW-300K1 is equipped with two XLR connectors, which connect to Sony’s range of professional microphone products.24-bit 48kHz audio can be recorded in HD 422 50 Mbps, with up to four channels of audio recorded.

4 Neutral Density filters

The PMW-300K1 is equipped with four built-in ND (Neutral Density) filters – Clear, 1/4, 1/16, 1/64 – that help to vary the depth of field with iris control.

More details at: http://www.sony.co.uk/pro/product/xdcamcamcorders/pmw-300k1/overview#overview

The Sony FDR-AX1 Digital 4K Video Camera Recorder is the first consumer 4K video camera from Sony. They've used the technology developed for their professional video cameras to create a compact, easy-to-operate 4K consumer model that's designed to make 4K video and professional-quality audio available to the masses. The FDR-AX1's powerful image processor is identical to the high-performance processors found in Sony's professional video cameras. By incorporating an image processor that can handle 4K video at 60 fps into a consumer camcorder, everyone will be able to document important family moments, get creative with friends, record sporting events and capture the world around them in lifelike detail. The FDR-AX1's native 3840 x 2160 4K resolution enables you to create movies with four times as much detail and quadruple the image quality of a Full HD 1080p camcorder. Plus, this model features a back-illuminated 8.3MP Exmor R CMOS image sensor that works in concert with the processor so you can record at the maximum frame rate - even when shooting 4K video. This means that even your high-speed action shots and sports videos will be clear, sharp and detailed.

In order to provide 4K video recording in a consumer model, Sony designed the FDR-AX1 to support the XAVC-S 4K/HD recording format which is usually reserved for professional applications. However, since the XAVC-S codec will save as an MP4 wrapper, you can still create web-friendly videos that can be easily shared on social media sites like YouTube. Another highlight of the XAVC-S recording format is its ability to record images at 150 Mbps in 4K. In fact, it can record images at 50 Mbps even when you're shooting in Full HD 1920 x1080 resolution. The FDR-AX1 has also adopted a more professional-type of recording media thanks to the inclusion of dual next-generation XQD media card slots. Both XQD card slots support fast 4K/HD writing and reading rates. Plus, you can use the relay recording function to switch between XQD slots and lengthen your recording time. You'll also be able to quickly transfer footage via SuperSpeed USB 3.0 from your XQD cards to your PC by using an optional XQD reader/writer with a USB 3.0 connection.

Another feature that makes the FDR-AX1 a professional-class consumer video camera is its audio recording capability. It records 2-channel Linear PCM audio with a built-in high-performance stereo microphone. However, the camera also features dual integrated professional-class XLR audio inputs for connecting external microphones. You'll even be able to mix audio tracks from the internal microphone with the audio recorded from any connected external mics. There are a variety of shot-enhancing functions and manual control options as well. More experienced videographers will be able to take advantage of the independent zoom, focus and iris rings. Plus, the camera's viewfinder and LCD monitor employ Peaking, Zebra and Center Marker functionality for more advanced shot setup and autofocus options.

Other image-enhancing features include three ND filters and five unique Paint functions, which will help you achieve a more cinematic aesthetic with your movies. The FDR-AX1 has flexible connectivity options as well. Besides the XLR audio inputs, the camera is equipped with a headphone jack, an HDMI output that will transfer 4K footage to compatible 4K Bravia TVs, a USB 2.0 port for fast data transfers, an analog A/V output, an accessory shoe and more. With the flexible connectivity options, professional-class features, 4K recording capability and ease-of-use, the FDR-AX1 bridges the gap between consumer and professional-class. While experienced videographers will be able to really produce great video and audio with this model, even ambitious beginners will be able to master this camera and capture professional looking, cinematic 4K video with ultra-clear stereo audio.

Capture 4K 3840 x 2160p Video at 60 fps

This model supports 4K 3840 x 2160 resolution. With four times better than Full HD 1080p image quality, you'll be able to capture the finest details at high resolution and produce vibrant, realistic images. Plus, the fast image processor is the same one employed in professional Sony models, making it possible to record 60p movies at the camera's full resolution for smooth playback with no loss in realism - even when panning the camera and shooting moving subjects.

Sony G Lens with 20x Zoom

The Sony G Lens is an aspheric lens with special low-dispersion glass. It's specially tuned to capture subtle qualities of definition and color. In addition, the lens offers a broad 20x optical zooming range with a 31.5 - 630mm (35mm equivalent) focal length that enables an expansive range of video expression.

1/2.3" Back-Illuminated 8.3MP Exmor R CMOS Image Sensor

Sony's unique Exmor R CMOS sensor has a back-illuminated structure with wiring layers on the back of a photodiode (light receiving element) that dramatically boosts low-light sensitivity for shooting more lifelike images - even in dim lighting. This Sony technology also makes the camera nimble, so it can read massive 4K data at 60 fps.

Professional Image Processor for Real-Time 4K / 60 fps Recording

The FDR-AX1's image processor is identical to those in 4K camcorders used by professionals. It rapidly processes signals transmitted from the CMOS sensor and finalizes images. In processing the vast 4K data in real-time at 60p, the processor achieves four times the resolution of the Full HD 1080p format. This processor also features high-performance noise reduction for truer images, while image quality adjustment functions support greater freedom of expression. It is also specially tuned for the FDR-AX1 to deliver accelerated image processing performance.

XAVC-S Consumer-Use 4K/HD Recording Format

The FDR-AX1 records 4K/HD movies in the XAVC-S codec, which was developed for consumer usage based on the professional XAVC 4K/HD codec. XAVC-S uses MPEG-4 AVC/H.264 long GOP for video and LPCM for audio compression, while saving files in MP4 format. The XAVC-S codec also allows longer recording times within a given media capacity than XAVC, making 4K recording easier and more convenient.

XAVC-S 150 Mbps 4K Video & 50 Mbps HD Video

With the FDR-AX1, high-quality XAVC-S video can be recorded at up to 150 Mbps. Additionally, there is also an option to record high-quality Full HD 1080p video at 50 Mbps.

Dual XQD Media Card Slots for High-Speed 4K Recording & Playback

The FDR-AX1 features two XQD media card slots. XQD media cards provide smooth, high-speed reading and writing of 4K/HD video. Plus, a relay recording feature makes it possible to lengthen recording by automatically switching between two or more media options. You can quickly transfer data to a PC as well, by using an XQD reader/writer with a USB 3.0 connection. The FDR-AX1 is compatible with S-Series, H-Series and N-Series XQD media card types.

View 4K/60p Video on Compatible BRAVIA TVs with Supplied HDMI Cable

The FDR-AX1 supports playback of your recorded 4K content on a 4K TV by simply connecting the two devices using the supplied HDMI cable. Thanks to the camera's original function, you'll be able to transmit 4K/60p (4:2:0, 8-bit) signals to a Sony BRAVIA 4K TV, which is specially tuned to bring out the full quality of your 4K/60p video recordings. Even fast-moving sports and action footage will be clear and smooth. To enjoy this content on a Full HD monitor, simply change the menu HDMI output settings to 1920 x 1080. If you have a 4K monitor, you can use the supplied HDMI cable to transmit 4K/30p signals from the camera to the monitor.

TRILUMINOS Color Technology

The FDR-AX1 supports Sony's TRILUMINOS Color technology, which allows you to view photos and movies in rich, natural colors on any TRILUMINOS-equipped television. The expanded color gamut ensures lifelike, vivid colors when you playback your recorded video and still shots.

Save 4K Video Content to Your PC

The FDR-AX1 provides two methods for connecting and transferring footage to a PC. You can use a USB cable or insert your XQD memory card into an XQD reader/writer that is connected to your PC. You can also save data from the camera to other media sources like external HDDs. Once you've download data onto your PC, you can use Sony's PlayMemories Home software to manage and play your videos. You can edit video with the XAVC-S-compatible non-linear editing software as well. After your footage is edited, you'll be able to upload and share your 4K movies on social media sites like YouTube.

Built-In Microphone & Professional-Class Audio XLR Terminals

In addition to a high-performance internal microphone, the FDR-AX1 features two external XLR jacks for connecting external microphones that can also be used to record superior-quality audio together with your movies. You can also mix audio from recordings made using the internal microphone and externally connected microphones, respectively.

Three ND Filters & Five Paint Functions for Expressive Cinematic Looks

The FDR-AX1 features three ND filters for adjusting the amount of light entering the image sensor from the lens. There are also four filter settings: Clear, 1/4 filter, 1/16 filter and 1/64 filter. These filters and settings give users the ability to match shooting conditions, as well as adjust the shutter speed and aperture even on bright, sunny days. There are also five paint functions (white balance, gamma, detail, skin detail, matrix) that can be combined and adjusted in the paint menu to create expressive movie styling such as cinematic looks.

Seven Assignable Buttons & Three Independent Control Rings

The FDR-AX1 was designed with two start/stop buttons. One is located on the side of the camera grip, while the other is located on the handle. This affords ease-of-use while shooting. The handle also features a zoom button that enables convenient access while shooting from low angles. There are seven assignable buttons as well, which can be programmed with functions that enable users to quickly access them without using menus. Assign functions include: Marker, Zebra, Peaking, Focus Magnifier, Auto Exposure Level, SteadyShot, Color Bars, Rec Lamp [F], Rec Lamp [R] and more. Having seven assignable buttons will allow you to adjust to varying shooting conditions on-the-fly. There are also three manual control rings on the camera for focus, iris and zoom.

Zebra, Peaking, Center Marker & Guide Frame

Shooting tools such as Zebra, Peaking, Center Marker and Guide Frame are designed to assist you in shot setup. They'll help you get the cinematic expression you are after. Zebra highlights overly bright areas with stripes in the LCD and viewfinder. This feedback helps users adjust brightness and prevent whiteout, especially on the subject. Peaking simplifies focusing by highlighting in the LCD and viewfinder the areas most sharply in focus. Users can finely adjust the peaking level and choose white, red, yellow or blue peaking to clearly contrast with the subject. By making it easier to know where the shot is in focus, this feature helps users achieve the desired manual focus setting. Determine the center of your image at a glance using the Center Marker feature in the LCD or viewfinder, while the Guide Frame works as a guide for aligning horizontal and vertical lines.

Specs:

• 1/2.3" back-illuminated Exmor R CMOS sensor
• 18.900,000 pixels
• Sony G Lens with Optical SteadyShot image stabilization
• 4.1 - 82 mm F/1.6 -F/3.4 (31.5 - 630 mm )
• Filter Diameter - 72 mm
• Minimum Focus Distance - 0.4" (1 cm), tele - 31.5" (80 cm)
• 6 aperture blades
• ND Filters - Off, 1/4, 1/16, 1/64
• Rings - Focus ring Iris ring Zoom ring
• Video modes
  • 4K: 3840 x 2160p at 60 fps (150 Mbps)
  • 4K: 3840 x 2160p at 30 fps (100 Mbps)
  • 4K: 3840 x 2160p at 30 fps (60 Mbps)
  • 4K: 3840 x 2160p at 24 fps (100 Mbps)
  • 4K: 3840 x 2160p at 24 fps (60 Mbps)
  • 4K: 3840 x 2160p at 50 fps (150 Mbps)
  • 4K: 3840 x 2160p at 25 fps (100 Mbps)
  • 4K: 3840 x 2160p at 25 fps (60 Mbps)
  • HD: 1920 x 1080p at 60 fps (50 Mbps)
  • HD: 1920 x 1080p at 30 fps (50 Mbps)
  • HD: 1920 x 1080p at 24 fps (50 Mbps)
  • HD: 1920 x 1080p at 50 fps (50 Mbps)
  • HD: 1920 x 1080p at 25 fps (50 Mbps)
• Dimensions - 7.44 x 7.6 x 14.25" (189 x 193 x 362 mm) including NP-F970 battery
• Weight - 5.38 lb (2.44 kg) camera only , 6.1 lb (2.77 kg) camera and NP-F970 battery

Available at:

• http://www.amazon.com/Sony-FDRAX1-Camcorder-Camera-Optical/dp/B00EVIJXBO

• Wi-Fi capability allows you to connect with a variety of Android and iOS devices.
• Records video in the AVCHD 2.0 format, including 1080/60P
• 60i and 24p modes provide playback compatibility with Blu-ray players
• HDMI connector provides uncompressed 8-bit 4:2:2 while shooting and allows users to record high-quality images on an external video recorder
• Dual media slots allow simultaneous recording to two SD memory cards in ‘Simul’ mode

Sony plans to release the HXR-NX3 camcorder in January 2014 for a suggested list price of $3,495.

Main features:

• 1280 x 800 resolution imaging
• Image-Based Auto-Trigger
• 10Gb Ethernet port
• Internal Mechanical Shutter
• SMPTE & IRIG timecode, Genlock, Ready, and Strobe Outputs
• Frame Synchronization to internal or external clock (FSYNC)
• HD-SDI video outputs
• Component Viewfinder Port
• Nikon F-mount lens connection with Canon EOS, PL, and C mounts available
• Shipping in early February 2014.

http://www.visionresearch.com/blog/vision-research-unveils-phantom-v2010/

http://www.visionresearch.com/uploads/Docs/Products/DS_WEB-vxx10-Family.pdf