Press release:

JVC launches 4KCAM product line

London, 12th November 2014 – JVC Professional has today launched its new 4KCAM product line, comprising three new handheld camcorders and a camera system. The GY-HM200 is a versatile, full-featured 4K Ultra HD camcorder with HD streaming and the compact GY-HM170 delivers 4K Ultra HD images in an economical, palm-sized camera with professional features. The GY-LS300 handheld 4K camera and GW-SP100 camera system – previewed at the recent IBC2014 show – each offer 2K/4K recording; the GY-LS300 is a Super 35mm 2K/4K camcorder that accepts a variety of interchangeable lenses, while the GW-SP100 is a 2K/4K mini camera system featuring remote head and recorder.

When JVC launched its ProHD product line, JVC made professional HD production affordable. The new 4KCAM product line follows that same tradition, with new cameras that make ultra-high definition 4K economical for cinematographers, webcasters and broadcasters, corporate and live event production teams and independent filmmakers.

GY-LS300 Super 35mm camcorder

The GY-LS300 records to non-proprietary SDHC and SDXC media cards in a variety of image formats including 4K Ultra HD, full HD with 4:2:2 sampling, SD and web-friendly proxy formats. It features JVC's 4K Super 35mm CMOS sensor combined with industry standard Micro Four Thirds (MFT) lens mount. JVC’s unique Variable Scan Mapping technology maintains the native angle of view for a variety of lenses, including Super 35, MFT and Super 16. As a result, lens options for the camera are almost limitless.

“The combination of a Super 35 sensor and MFT mount is a brilliant solution to accommodate the largest variety of lenses and adapters without compromising image quality and lens characteristics,” said Gustav Emrich, European product manager. “It gives filmmakers the flexibility to use high-end cinema lenses or affordable glass to capture 4K/HD footage.”

In summary

The 4KCAM product line is an ideal complement to JVC’s successful ProHD product line. All the new cameras feature dual SDHC/SDXC card slots for dual, backup and continuous recording. The camcorders also include a 3.5-inch LCD display and 1.56 megapixel colour viewfinder, each with smart focus assist functions, and offer two-channel audio recording. An ideal complement to JVC’s successful ProHD product line, the new 4KCAM cameras will be available by Spring 2015, with European pricing still to be confirmed.

Panasonic has announced the AG-CX350, a 4K 1.0-type handheld camcorder that offers both creativity and connectivity for live events, IP Production, sports, and news gathering.

The CX350 is a handheld camcorder that is optimized for 4K/HD production with live broadcasting capabilities. With its integrated lens design, the CX350 brings impressive new features including 4K 10-bit 60p capture, HDR recording, and is equipped with the RTMP/RTSP/RTP protocol for live streaming and NDI | HX-ready IP connection. At only 4.2-lbs. (body only), the CX350 is also the lightest 4K 10-bit fixed-lens camcorder in its class.

The 1.0-type MOS sensor (approx. 15.03-megapixels in UHD/FHD) provides exceptional depth-of-field and offers a great balance between image quality and sensitivity (F12/F13 in High Sensitivity Mode). The CX350 can capture in UHD (3840x2160), Full HD (1920x1080), HD (1280x720), and SD (720x480). Like the EVA1, the CX350 offers 10-bit 4:2:2 color sampling with ALL-Intra (400-Mbps) and LongGOP (150Mbps) and can be recorded in UHD up to 29.98p/25p and FHD up to 59.97p/50p. It also supports the 10-bit HEVC codec at UHD up to 59.97p/50p with a low bit rate of 200Mbps. The HEVC 10-bit codec can be natively decoded and played by computers with 7th Generation (or later) Intel Core i7 chips. All of these formats and compression rates can be recorded internally to lower cost SD cards.

The CX350 offers multiple forms of IP connectivity. It is the first handheld camcorder with in-camera NDI | HX compatibility (requires license purchase), allowing for high-quality IP video connectivity with live production switchers, including the Panasonic AV-HLC100 Stream Studio. The CX350 contains the RTMP (Real Time Messaging Protocol) function, which enables video streaming to key social platforms like Facebook Live and YouTube Live. Internal HD recording (MOV) while streaming content is also available. The CX ROP app for iOS/Android tablets enables IP remote control of the CX350 with Gigabit Ethernet LAN connector (RJ45), or wireless module (AJ-WM50). With the app, you can control functions such as camera settings, picture quality adjustment, REC start/stop, menu settings and more.

The CX350’s integrated lens contains a wide angle of 24.5mm at the wide-angle setting with minimal distortion. The 20x optical zoom lens covers the range from 24.5mm to 490mm (35mm film equivalent at 4K/HD). It also has the 35x(HD) / 24x(4K) Intelligent Zoom function. In both 4K and HD shooting modes, the CX350 uses 5-axis hand-shake correction that combines the effects of both optical and electronic image stabilization, providing a steadier image in unstable shooting conditions.

In addition to capturing conventional gamma modes (HD, SD, FILMLIKE 1/2/3 FILM-REC, VIDEO-REC), the CX350 now supports HLG (Hybrid Log Gamma) to capture a wider dynamic range. The HLG standard was developed jointly by the BBC (British Broadcasting Company) and NHK (Japan Broadcasting Corporation) and is currently supported by both TV stations and streaming services. When shooting HLG, the CX350 can be set to HDR or SDR Color Setting on each output – LCD/EVF, SDI and HDMI.

For sports shooters, Variable Frame Rate (VFR) recording can be set in the range of 1-fps to 60-fps (59.94Hz). In FHD mode, Super Slow motion can be achieved at 120-fps/100-fps (59.94Hz, 50Hz). The CX350 can also capture 720p AVCHD 8-Mbps, for a video analysis and compatibility with DV Sports and XoS Digital, plus an interchange format.

Additional key features of the CX350 include support for AVCHD, simultaneous SDI and HDMI output (UHD video via HDMI and output of HD video via 10-bit, 4:2:2 SDI), two audio channels from the built-in stereo mic or two XLR audio inputs, and low power consumption at 17 W. Two toggle switches for GAIN and WHITE BALANCE are available, as well as two Accessory Shoes for additional versatility.

The CX350 will be available in late February 2019 with a suggested list price $3,995.

• 11.8M pixels CMOS sensor
• Enhanced compared to S1H
• 4K 120P, Netflix approved
• Improve low light performance (not much)
• Improved DFD, but again no phase AF
• 4K 120P HDR 12 Bit Raw external recording,
• Coming later this year

Specs

• APS-C 35mm 5.7K sensor
• Dual Native ISO
• Electronic Image Stabilization (no real stabilizer)
• Canon EF mount
• V-Log / V-Gamut
• IR Cut filter
• 2K at 240fps
• records 4K 10bit
• 4K 60fps at 422 10bit, up to 400Mbit
• ND filter at 2/4/6 stops
• 5.7K raw output using future update.
• Two XLR inputs
• Dual SD cards
• SDI, HDMI outputs
• 2.64lbs
• 6.69" x 5.31" x 5.23"
• $7999 price
• Available - Fall 2017

Note that we will have online realtime report from press event on PV telegram channel at https://t.me/personal_view , make sure to join!

Also will make separate interview, make sure to post here questions you have.

PR

Panasonic announced that its new AJ-CX4000, a 4K/HDR shoulder-mount camcorder with B4 lens mount and interchangeable lens, will be available at the end of December at a suggested list price of $25,000. Ideal for network news, sports, blue-chip nature films and travel documentaries, the AJ-CX4000 follows the handheld AG-CX350 to expand the CX Series of 4K camcorders.

Offering many of the features and formats of the AG-CX350, the AJ-CX4000 shoulder-mount also shares key imaging features with Panasonic’s AK-UC4000 flagship studio camera system. Like the AK-UC4000, the AJ-CX4000 is equipped with a large-sized 4.4K image sensor that facilitates ultra-high-definition resolution (horizontal, 2000 TV lines), high sensitivity, low noise and a wide dynamic range. Also common with the studio camera system is LSSIEL technology, allowing a 2/3 lens to be used without an external adapter, with the internal lens specially designed for large sensors.

The AJ-CX4000 features HLG (Hybrid Log-Gamma) for recording of HDR (High Dynamic Range) video in compliance with BT.2100 and BT.2020 standards, and is equipped with such HLG recording assist functions as SDR Monitoring Gamma, HDR/SDR Parallel Output, VF/LCD HDR/SDR Selector and eight-mode Gamma selection.

The AJ-CX4000 has a fast, connected workflow, including RTMPS and RTSP for live streaming and NDI/HX* for live production. In addition, its HEVC codec offers extended recording with 4K/10-bit high image quality, all while keeping bitrate and storage size low. The AJ-CX4000 records MOV files that are highly compatible and easy to use. This file format is the same as that used on the AG-CX350 and Panasonic's AU-EVA1 compact cinema camera, and supports long file names with up to 20 characters, allowing recorded video clips to be easily managed. The AJ-CX4000 also supports the MXF P2 file format for broadcasting, enabling AVC-Intra or AVC-LongG HD recording with fast, reliable expressP2 cards, cost-effective microP2 cards, or low-cost SDXC memory cards.

The camera supports high-quality 24-bit/48 kHz four channel digital audio recording. The audio source for each channel can be selected, choosing from mic-in, line-in and wireless receiver. A LAN terminal with a lock mechanism is provided, enabling IP remote control. The AJ-CX4000’s NDI|HX mode allows video transmission and camera control via IP connection, without using an external converter. When connected to a system configured with Panasonic’s AV-HLC100 Live Production Center and HN/UN series PTZ integrated cameras, the AJ-CX4000 realizes end-to-end live video production as well as web distribution.

The standard 12G-SDI output terminal delivers high-image-quality UHD 60p (50p) 10-bit 4:2:2 output. Also provided are XLR audio input (2CH) terminals compatible with +48-V phantom power supply, as well as HDMI OUT, TC IN/TC OUT, GENLOCK IN, USB3.0 (DEVICE) and USB2.0 (HOST, wireless module) terminals.

The AJ-CX4000 can be controlled remotely and wirelessly using the tablet/smartphone app “CX ROP” (downloadable for free from the App Store** or Google Play), allowing the user to display camera information and change camera settings. The CX ROP provides a wealth of remote functions for output signal selection, USER button setting, REC S/S and many others. The app can also be used to select which camera to control from up to eight cameras in the CX Series.

The camera’s standard 3.5-type color LCD with approximately 2.76 M pixels allows for high-definition color monitoring, with a touch panel enabling easy operation. The 2.4-type black-and-white organic EL display offers high brightness and clearly shows the status information—such as the timecode and audio input level--even in outdoor environments.

The AJ-CX4000’s shooting assist functions encompass: two optical filters, ND and CC, with four positions each; Chromatic Aberration Compensation; Dynamic Range Stretch; Advanced Flash Band Compensation; 2x/3x/4x digital zoom boost; Focus Assists--“Expand”, “Peaking” and “Focus Square”; Shockless Automatic White Balance (AWB); simplified WFM/Vectorscope display on LCD and VF; High-Brightness Zebra Display; Y-GET to measure brightness at center and display numerical data; Lens Files to store settings for interchangeable lenses; Setup Files; Mode Check to display a list of the camera settings on VF and LCD; Rec Check; and five assignable User Buttons.

For more information about the AJ-CX4000, visit https://bit.ly/2P9gANk.

• NDI|HX, a technology of NewTek, Inc. To use this function, an activation keycode from NewTek is required.
• The Apple App Store is a trademark of Apple Inc. registered in the United States and other countries

Specs

• 1.0-inch 4K UHD CMOS Image Sensor
• 15x Optical 4K UHD Zoom Lens with Optical Image Stabilization
• Dual DIGIC DV 6 Image Processors
• 4K UHD 59.94p 4:2:2 10-bit Recording
• Dual Pixel CMOS AF
• HDR Recording with HLG/PQ Shooting Assist
• Canon Log 3
• Wide DR Gamma (800%)
• 4.0-inch Rotating Touch Panel LCD and 0.46-inch OLED Electronic Viewfinder
• HDMI 2.0 Terminal with 4K UHD 60p Output Support
• 12G-SDI, Genlock SMPTE Time Code and Other Terminals
• Live IP Streaming
• Flexible Audio Inputs with Linear PCM 4-channel Support
• RC-V100 Remote Controller Support
• Compact, Lightweight and Ergonomic Design
• Network Connections for FTP Transfer and Browser Remote (Wired and Wi-Fi® Connectivity)
• Available for $6999 at
  • https://www.adorama.com/caxf705.html

I took the info from nofilmschool.com:

• 1000fps in 4k (4096×2160) for ~5 seconds (64gb internal memory) / 3.2 minutes @ 24fps
• Uncompressed RAW on CineMag IV cards, with optional compressed ‘industry standard codec’ (TBA)
• Super 35 CMOS Sensor size, 4096×2304 (16:9)
• 12+ stops of Dynamic Range
• Optional 1920×1080 shooting mode in 23.976 with a Super 16mm sensor crop (up to 2,000 frames per second)
• Lens mounts come in PL, PV, Nikon F/G & Canon EF
• Weighs in at 13 lbs
• $140,000 with a 2 Terabyte CineMag
• Expected to be delivered by October, from AbelCine

• 6K Super35 sensor
• IBIS
• 16-17 stops DR
• 1080p up to 180 frames per second
• UHD at 50-60 frames per second
• UHD high speed mode at 120fps
• Internal RAW recording (compressed)
• External RAW output (at 6K)
• Around 20% price premium compared to previous model
• Around $18000-19000 price

Specs

• E-mount
• 4K S35mm CMOS Sensor
• S-Log3/S-Gammut3
• XAVC QFHD/HD, MPEG2 HD 4:2:2, ProRes HD 4:2:2
• RAW recording w/ Ext.Unit like HXR-IFR5, AXS-R5
• 2 XQD slots
• 3.5" LCD panel and EVF
• up to 180fps, 240fps raw (for external recording)
• XLR connectors - 2, HDMI, HD-SDI connectors - 2, LANC, DC-In
• Magnesium body
• Dust & Moisture sealed

Available at:

• Body - http://www.adorama.com/SOPXWFS7.html
• Kit - http://www.adorama.com/SOPXWFS7K.html

Introduces 8K Organic Sensor innovation

Panasonic will also be demonstrating its latest 8K Organic Sensor technology at IBC 2019. Designed for wide camera angle shots with high resolution, the sensor is set to revolutionise commercial sports and live event coverage.

With first commercial use anticipated at the 2020 Olympic Games in Tokyo, the organic sensor technology has a number of competitive advantages. It comes with a wide dynamic range delivering more colours and higher quality images than ever before. Its Electronic Neutral Density Filter (ENDF) can reduce or introduce light more smoothly than its traditional Optical Neutral Density (OND) counterparts and its innovative Global Shutter delivers advantages over current Rolling Shutters by removing the skew when shooting fast moving images and eliminating flashband from still camera lighting at live events and press conferences.

8K ROI camera available later this month

Panasonic is also showcasing its new 8K ROI (Region of Interest) multi camera system that promises to change the landscape of broadcast production. This system includes a 8K multi-purpose camera (AK-SHB800), a processing unit (AK-SHU800) and framing control software (AK-SFC101) and goes on sale in Europe later this month at an RRP* of 130.000 €.

The 8K ROI system is able to produce 4 different HD signals or “virtual cameras” from a single 8K camera system. The 8K sensor produces a wide angle, large canvas, out of which four separate “crops” can be generated out of the processing unit.

The system improves operational efficiency, reducing operating costs on a multitude of potential production applications such as sports broadcasting, staging and studio applications. Featuring automated picture correction technology, the camera system also ensures that any distorted images are corrected and cropped with a natural, cut out, Full HD image from within the main 8K image.

Multiple cameras can be integrated across the system, with a main operator controlled camera linked to further sub-cameras, which can also be pre-programmed prior to the event. As a result, a single operator can control multiple cameras each with several pre-set crops for versatile, yet cost effective multi-camera operation.

• 9.84 megapixels total/8.85 megapixels effective S35 CMOS sensor
• Dual Pixel CMOS AF with touch control and extensive shooting functions
• Dual DIGIC DV6 LSI
• Cheap 1.77M dots EVF
• Cheap 1.23M dots LCD
• Internal 4K recording with Cinema RAW Light and MP4 format
• Bitrates - 4K Cinema RAW Light 1Gbps VBR, MP4 4K 150Mbps, MP4 1080p 35Mbps
• Wave Form, Peaking, Zebra
• Continuous 120fps (maximum) High Frame Rate with no cropping at Full HD
• Up to 15-stops dynamic range (Cinema RAW Light), 13 Stops (Canon Log3)
• Professional High Quality image and audio
• Easy operation and flexible configuration
• ND filter - Clear, 2, 4 ,6, 8, 10-stop
• Price is $7,499 in US and £7,699 in the UK

Preorders

• C200 - https://www.bhphotovideo.com/c/product/1340800-REG/canon_2215c002_eos_c200_ef_camera.html
• C200B - https://www.bhphotovideo.com/c/product/1340802-REG/canon_2216c002_eos_c200b.html
• C200 kit - https://www.bhphotovideo.com/c/product/1340801-REG/canon_2244c002_eos_c200_24_105_kit.html

Also exist C200B - stripped down version without monitor, viewfinder, grip or handle. It will retail for $5,999 US.

More specs at http://cvp.com/index.php?t=product/canon_eos_c200_ef_camcorder

Offering exceptional creativity and flexibility, the new 4K compact digital cinema camera is perfect for a broad range of imaging professionals.

As the first Cinema EOS camera to support the new RAW recording format – Cinema RAW Light – the EOS C200 provides the same flexibility in colour grading as Cinema RAW in a smaller file size, enabling filmmakers to record internally to a CFast 2.0™ card.

Newly developed Canon Dual DIGIC DV6 processors provide the ability to record internally 4K UHD/50P MP4, 4K DCI RAW and continuous 120fps High Frame Rate (HFR) in Full HD without crop. At the same time, advances in Dual Pixel CMOS Auto Focus (AF) technology and a new touch screen LCD monitor provide smooth AF operation and effective tracking.

Capability drives creativity

The EOS C200 features Canon’s 4K Super 35mm CMOS sensor with an effective pixel count of 8.85MP, along with the newly developed Dual DIGIC DV6 image processors. As a result, it can deliver Cinema RAW Light recording at 4K DCI 50P internally to a CFast 2.0™ card. It can also deliver 4K UHD recording at 150Mbps, and 2K or Full HD at 35Mbps to SD cards in MP4 format.

Supporting up to 15-stops of dynamic range with Cinema RAW Light and up to 13-stops of dynamic range in MP4 (Canon Log / Log 3), the camera is perfect for capturing highlight and shadow details.

The EOS C200 is also capable of delivering both slow and fast motion recording at up to 120fps with no crop in Full HD/MP4, ideal for those wanting creative slow motion capture.

An ISO range of 100 to 102,400 guarantees excellent performance, even in difficult lighting conditions, such as when quickly switching between locations. The built-in optical ND filters of up to 10 stops provide further flexibility and convenience, allowing filmmakers to shoot in bright light and expand the depth of field control.

Advanced operability and ergonomic design

Built for professionals and ideal for single shooters, the EOS C200 features an advanced AF system that provides reliability and accuracy when shooting 4K, as well as a touch screen LCD panel for filmmakers to easily select their subject. For those who need to switch effortlessly between several subjects in a single shot, the Dual Pixel CMOS AF enables smooth AF operation whilst the Manual Focus Assist Function, Face Detection with Face Priority and Face-Only options provide greater creative focus control.

The EOS C200’s lightweight body of just 1.4kg is designed for comfortable hand-held shooting and will benefit those who are filming for long periods. The compact size also makes the camera suitable for mounting onto a drone or gimbal.

Built-in Wi-Fi and Ethernet connectivity allows for browser remote control and the ability to transfer files via FTP, whilst the camera’s compatibility options mean new and existing accessories can be used, including Canon’s electronic viewfinder - the EVF-V70.

Cinema RAW Light for next generation workflows

Canon has worked with several partners to ensure Cinema RAW Light is integrated with various software programs[i]. As a result, editing and grading of the Cinema RAW Light video format will be supported in DaVinci Resolve of Blackmagic Design. Editing will be possible in Media Composer from Avid Technology, using Canon RAW Plugin for Avid Media Access[ii]. This format can also be processed using a Canon application, Cinema RAW Development[iii].

Support for Cinema RAW Light is also scheduled for EDIUS Pro, Grass Valley’s editing software, during 2017. Additionally, a future version of Final Cut Pro X from Apple Inc. will support Canon’s Cinema RAW Light, using Canon RAW Plugin for Final Cut Pro X[iv].

I guess it's a luxury problem. I've seen amazing stuff from both cameras!

Specs

• Full-Frame CMOS Sensor, 24.7M (total), 24.4M (effective)
• Lot of Built-In ND Filters - Clear, 0.3(1/2), 0.6(1/4), 0.9(1/8), 1.2(1/16), 1.5(1/32), 1.8(1/64), 2.1(1/128), 2.4(1/256)
• Native ISO 500
• PL Mount or E-mount (lever lock type, without supplied PL lens mount adaptor)
• Latitude - 15+ Stop
• Modes - 3.8K 16:9, 4K 17.9: 1-60FPS, 4K 4:3: 1-48FPS, 4K 6:5, 5.7K 16:9, 6K 17:9, 6K 1.85:1, 6K 2.39:1: 1-30FPS, 6K 3:2: 1-24FPS
• S-Log3
• Record formats
  • XAVC 4K Class480: 23.98p, 24p, 25p, 29.97p
  • XAVC 4K Class300: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
  • XAVC QFHD Class480: 23.98p, 25p, 29.97p
  • XAVC QFHD Class300: 23.98p, 25p, 29.97p, 50p, 59.94p
  • MPEG HD422(1920x1080): 23.98p, 24p, 25p, 29.97p, 50i, 59.94i
  • HD ProRes 422HQ*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 60i
  • HD ProRes 422*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i
  • HD ProRes 422 Proxy*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i
• BNC×4, (12G, 3G, 1.5G-SDI) connectors
• HDMI Output
• ExpressCard/34 slot×2, SD card slot ×1
• 133 x 159 x 172 mm
• Approx. 3.9kg (8lb 10oz)

Sony Electronics is announcing plans for its next-generation CineAlta digital motion picture camera system. This latest addition to the CineAlta family is being developed through careful research and close collaboration with creative professionals including Directors, Cinematographers and Digital Imaging Technicians. Through the implementation of features demanded by the industry, Sony is demonstrating its commitment to innovation and the creative freedom needed for feature filmmaking and production.

Technology highlights and key benefits:

• Full Frame 36x24mm sensor exclusively designed for this Digital Motion Picture Camera
• Aspect ratio-agnostic – including Full Frame, Super35 4K 4-perf 4:3 Anamorphic and 4K spherical 3-perf 17:9
• New image sensor enabling exceptional picture quality
• Maintains the workflow established with Sony’s 16bit RAW/X-OCN and XAVC
• Compatible with current and upcoming hardware accessories for CineAlta cameras (DVF-EL200 Full HD OLED Viewfinder, AXS-R7 recorder, AXS-CR1 and AR1 card reader, AXS and SxS memory cards).

Sony CineAlta Background:

Sony pioneered high-end digital motion picture production technology, with the first 24p digital camera system (HDW-F900), the first RGB recording system (HDC-F950 and SRW-1) and the Super 35mm image sensor camera (F35).

CineAlta raised the standard of motion picture production with cutting-edge digital imaging technology, greatly contributing to 3D, 4K, HDR; and will continue to innovate in the future.

Specs

• 14+ stops of dynamic range with V-Log.
• Dual native 800/5000 ISO
• Weight: under 6 lb.
• Formats: 4K, UHD, 2K and HD.
• Apple ProRes 4444 (up to 30p), ProRes 422 HQ (up to 60p), HD, Panasonic’s AVC-ULTRA family of video codecs.
• Support for the Academy Color Encoding System (ACES)
• ND filters: CLEAR, 0.6, 1.2, 1.8
• Optional OLED EVF with optical zoom
• 24-bit LPCM audio in-camera
• Focus Assist
• Hot swap for power (on-board and external power)
• IR (for scenes even darker than ISO 5000 can handle).
• Anamorphic lens de-squeeze
• Special REC functions (PreRec, interval, one-shot)
• IP control via Panasonic’s AK-HRP200 camera remote controller
• Built-in GPS
• 3G-HD-SDI x 3 (SDI-OUT X 2 and VF)
• LAN
• Genlock in
• timecode in/out
• USB2.0 Host and USB2.0 Device (mini B)
• three XLR inputs (one 5-pin, two 3-pin) for four channels of 24-bit, 48KHz audio
• tough magnesium body

old

Seams like a new camera is about to be revealed.

• Super 35mm CMOS Sensor
• Breech-Lock PL Mount
• Up to 15 Stops of Dynamic Range
• 4K up to 60 fps, 2K/HD up to 240 fps at up to 810Mbps
• Proxy Recording to SD Cards
• Selectable Gamma and Log Curves
• XF-AVC and ProRes Recording to CFast 2.0
• Intuitive User Interface
• Raw Recording Option
• Internal 10/12-bit XF-AVC or ProRes recording
• 3 versions, one with global shutter
• $28000 at https://www.bhphotovideo.com/c/product/1278096-REG/canon_1454c002_eos_c700_cinema_camera.html

At the BSC Expo in London, Arri (www.arri.com) unveiled a new large-format camera system. Based on a large-format 4K version of the Alexa sensor, the system comprises the Alexa LF camera, Arri Signature Prime lenses, LPL lens mount, and PL-to-LPL adapter. It is also compatible with existing lenses, accessories and workflows.

Featuring a sensor slightly bigger than full frame, Alexa LF records native 4K with Arri’s best overall image quality. Filmmakers can explore a large-format aesthetic while retaining the sensor’s natural colorimetry, pleasing skin tones and proven suitability for HDR and WCG workflows. Versatile recording formats, including efficient ProRes and uncompressed, unencrypted ArriRaw up to 150fps, provide total flexibility.

“The larger Alexa LF sensor has the same optimal pixel size as other Alexas, resulting in a 4,448 x 3,096 image,” says Marc Shipman-Mueller, Arri product manager for camera systems. “This doesn’t just add definition, it creates a whole new look — one that is truly immersive, with a three-dimensional feel. The various recording formats and sensor modes make this look available to all productions and satisfy any possible deliverable requirement.”

Accompanying the Alexa LF camera are 16 large-format Arri Signature Prime lenses, ranging from 12mm to 280mm and fitted with the Arri LPL mount. While the Signature Primes exemplify state-of-the-art optical precision, they render organic, emotionally engaging images, gently softening and texturizing the large format. A fast T-stop of T1.8 facilitates shallow depth of field and the smooth focus fall-off gives subjects heightened presence in the frame.

Optimized for large-format sensors, the new LPL lens mount has a wider diameter and shorter flange focal depth, allowing the Signature Primes and all future large-format lenses to be small and lightweight, with a fast T-stop and pleasing bokeh—a combination of features that would not be possible with the PL lens mount. The LPL mount will also be available for other cameras and is being licensed to third-party lens and camera manufacturers.

Although the camera, lens mount, and lenses are new, full compatibility with existing PL mount lenses and Alexa accessories is a cornerstone of the system's design. A PL-to-LPL adapter offers backwards compatibility with all PL mount lenses, whether Super 35 or full frame.

The first Alexa LF cameras will be shipped at the end of March 2018. The initial set of four Signature Prime lenses (35mm, 47mm, 75mm, and 125mm) will be shipped in early June 2018. The remaining lenses will be available over the course of the year.

https://www.arri.com/largeformat/

[Image and PR added by VK]

Canon, in cooperation with Miyazaki Prefecture, has produced a new, ultra-high-resolution 8K video highlighting some of the prefecture’s most iconic sightseeing locations and cultural elements. The project, entitled “Origins of Japan’s Mythology,” aims to promote tourism to Miyazaki and to preserve its natural beauty and cultural heritage. Using a Canon 8K camera equipped with the Company’s rich lineup of EF Cinema Lenses covering the full range from wide-angle to telephoto, this video features such scenes as Takachiho Shrine and ritual Kagura dancing, Amanoyasugawara cave and sake making at a brewery in the town of Hinokage. Watch the video and experience the majesty of Miyazaki in exquisite detail!

LAS VEGAS, NV (April 18, 2016) – Panasonic today announced a new UX series of professional 4K camcorders, successor to the company’s AVCCAM series of professional AVCHD camcorders. Two models are currently under development and scheduled for release in the fall of 2016: the UX Premium Model AG-UX180, with a 1-inch (effective size) MOS sensor, optical 20x zoom and UHD 60p recording capability; and the UX Standard Model AG-UX90, featuring a 1-inch (effective size) MOS sensor, optical 15x zoom and UHD 30p recording. “With an increasing demand for 4K video content, Panasonic is introducing the UX series to make 4K acquisition even more accessible to video professionals,” said Steven Cooperman, Senior Product Manager, Panasonic System Communication Company of North America. “UX camcorders will provide high-mobility shooting and workflow equivalent to our existing professional integrated-lens handhelds.” The UX series will support recording up to 4K (4096x2160, 24p only) and UHD (3840x2160). (The AVCCAM series allowed recording up to FHD/1920x1080.) UX camcorders will use the SD Memory Card1 as recording media. The UX Premium Model AG-UX180 supports, in addition to 4K and UHD, dual codec recording (UHD2/FHD), IR recording in low light, and 3G SDI/HDMI2.0 output. The UX camcorders’ 1-inch (effective size) MOS sensor ensures sensitivity equivalent to that of conventional handheld cameras. Variable frame rate (VFR) recording functionality (2-60 fps) is planned in FHD mode. The suggested list price (SLP) of the AG-UX180 is expected to be under $4,000.00, and the SLP of the AG-UX90 under $3,000.00. The availability of these new UX models later this year will bring the company’s line-up of professional 4K cameras to six, including the flagship VariCam 35 and VariCam LT cinema cameras for HDR production in 4K resolution, the AG-DVX200 4K, 4/3” large-sensor camcorder and AK-UC3000 4K camera system.

Specs:

• Super35 Exmor® CMOS image sensor with 14 stops of dynamic range and 8.4 million effective pixels
• 4K 30fps XAVC recording
• Up to 960 fps Super Slow Motion with high sensitivity; burst mode recording at up to 240 fps in HD, 480 fps at reduced resolution and 960 fps at reduced-resolution Center Crop
• S-Log3, S-Log2 and S-Gamut3
• Continuously variable Neutral Density filter, a first in Super35 imaging, enables you to blur the background even in sunlight; also offers conventional presets at 1/4, 1/16 and 1/64 ND
• XAVC proxy recording captures frame-accurate lightweight proxy video suitable for faster file transfers and convenient file sharing
• Two SD memory card slots
• Wireless Android® and iOS® remote control
• $6099 with lens - http://www.bhphotovideo.com/c/product/1185425-REG/sony_pxw_fs5k_pxw_fs5_xdcam_super_35.html
• $5599 without lens - http://www.bhphotovideo.com/c/product/1185424-REG/sony_pxw_fs5_xdcam_super_35.html

Brochure - https://pro.sony.com/bbsccms/assets/files/micro/xdcam/brochures/V-2626_PXW-FS5FS5K.pdf

Modes

• 4096x2160 24.00p 100 Mbit/s (VBR)
• 3840x2160 59.94p/50.00p 150 Mbit/s (VBR)
• 3840x2160 29.97p/25.00p/23.98p 1 100 Mbit/s (VBR)
• 1920x1080 59.94p/50.00p/29.97p/25.00p/23.98p 200M ALL-Intra 200 Mbit/s
• 1920x1080 59.94p/50.00p 100 Mbit/s (VBR)
• 1920x1080 59.94p/50.00p/29.97p/25.00p/23.98p/59.94i/50.00i 50 Mbit/s
• 1920x1080 59.94p/50.00p 25 Mbit/s (VBR)
• 1920x1080 59.94i/50.00i/23.98p : Moyenne 21 Mbit/s (VBR)
• 1280x720 59.94p/50.00p : Moyenne 8 Mbit/s (VBR)

Available for preorder: https://www.bhphotovideo.com/c/product/1277528-REG/panasonic_hc_x1_4k_ultra_hd.html

Panasonic is proud to introduce the HC-X1 (X1), a light, compact 4K Ultra HD professional camcorder that meets and exceeds professional video production needs. It supports 4K 24p, UHD 60p/50p, FHD 60p/50p multi-format recording and HD super slow-motion. The X1 includes desirable professional features such as 2-channel XLR Audio, Wired/Wireless remote control, triple manual rings, a user switch, timecode, ND Filters and twin SD card slots. Additionally, the X1 offers Live HDMI output along with a wide 24mm angle LEICA DICOMAR 4K Lens and optical 20x zoom. The X1 has amazing 5-Axis O.I.S. for 4K 24p recording, UHD 60p/50p recording, dual codec recording (UHD and FHD) and IR shooting. While offering high image quality and advanced functions allowing the user record images exactly as intended, it boasts high mobility and operational ease only a handheld camcorder can provide and streamlines workflows to support professional video production. In response to the rising demand for 4K video content, the Panasonic HC-X1 4K camcorder helps create attractive and beautiful 4K videos.

Newly Developed LEICA DICOMAR 4K Lens with the Industry’s Widest Angle 24mm and Optical 20x Zoom

The newly developed integrated lens system boasts the industry’s widest angle at 24mm. It allows low-distortion, wide-angle shooting without the use of a wide conversion lens, thus supporting professional video production. It is also equipped with a 1.0-type (inch) sensor to realize the world’s first optical 20x zoom. Quick zooming is possible from wide-angle to telephoto. The 4-Drive Lens System individually drives each of the four lens groups to minimize the drive range of each lens group and provide optical 20x zoom with its small body.

Panasonic HC-X1 Ultra HD Professional Camcorder

Equivalent to 35mm under 4K 24p (aspect ratio of 17:9). Wide angle 24mm is the widest in the industry for a camcorder with integrated lens. (As of 31st August 2016, according to Panasonic survey.) World’s first for a camcorder with integrated lens having a 1-type (inch) or larger sensor. (As of 31st August 2016, according to Panasonic survey)

High-image-quality, High-sensitivity 1.0-type (inch) 4K Sensor

The effective 1.0-type (inch) MOS Sensor (9.46 megapixels at 4K24p/8.79 megapixels at UHD, FHD) offers an appropriate depth of field and excellent balance between image quality and sensitivity. The HC-X1 can record in 4K24p (4096 x 2160), UHD 60p/50p (3840 x 2160) or FHD 60p/50p (1920 x 1080). For the global business of professional users, the system frequency can be flexibly selected from 59.94 Hz, 50.00 Hz and 24.00 Hz. The file format can be selected from versatile and easy-to-use MOV (QuickTime), MP4 and AVCHD. The variety of recording modes with selectable image quality, frame rate and bit rate settings respond to a wide range of applications from cinema production to online distribution.

Functions and Design to Support Professional Camera Work

The lens barrel features Triple Manual Rings for zoom, focus and iris operations. There are a total of 13 user buttons, nine on the body and four on the LCD touch panel. These user buttons can be allocated with desired functions. The 3.5-type (inch) monitor built into the handle section can be pulled out and turned 270 degrees in the vertical direction for high-angle, low-angle and selfie shooting. The EVF is a high-resolution (approx. 1,769,000 dots) color OLED display with superb color reproduction. What’s more, the HC-X1 is equipped with a wealth of focus assist functions to support quick and accurate manual focusing, such as MF Assist, One-Push AF, Expand/Peak, Focus Transition and Area Function.

The ND filter can be set to OFF, 1/4, 1/16 or 1/64. Gain selector and AWB selector are also provided. The controls are designed and engineered to meet the needs of video professionals.

Advanced Optical Image Stabilizer (O.I.S.)

The correction area was expanded to approximately 900%* of the conventional area to strongly correct low- and high-angle shots (compared with Panasonic’s AG-AC160). In FHD mode, a 5-Axis HYBRID O.I.S. + that adds electronic image stabilization to optical image stabilization detects and corrects 5 axes, including the roll rotation.

High-speed, High-precision Intelligent AF

The Micro Drive Focus Unit has achieved stable and high-speed AF with excellent tracking performance to ensure accurate focusing, which is extremely important in 4K shooting. The AF operation settings are customizable. By adjusting the speed, tracking sensitivity and area width, the user can program the AF operation exactly as intended in accordance with the subject type and application.

Super Slow Motion and VFR (2 to 60 fps)

The Super Slow Motion function records HD images at a high speed of 120 fps (59.94 Hz)/100 fps (50 Hz) to provide a slow-motion effect. The HC-X1 is also newly equipped with a VFR (variable frame rate) recording function that allows the change of frame rate setting in ten steps from 2 to 60 fps. This lets the user produce creative and expressive videos using techniques such as overcranking for a slow-motion effect and undercranking for a quick-motion effect.

Professional Interfaces for Smooth System Operation

The HC-X1 is equipped with two channel XLR audio inputs with switchable +48V phantom power supply/MIC/LINE and manual volume. It records high-quality sound in two channels using either a 16-bit linear PCM system (MOV/MP4) or Dolby Digital system (AVCHD). When mounted with the wireless module (AJ-WM50/AJ-WM30, sold separately),* an iPad installed with the AG ROP can be used for wireless remote control of camera settings, lens control and others.

The HC-X1 also offers expandability for users in commercial video production, such as the wired remote terminal, OSD level meter, 1-kHz test tone output and headphone output (3.5-mm-diameter stereo mini jack).

Double SD Card Slot and UHD/FHD Dual Codec Recording

Two SD memory card slots are provided. The recording media switches automatically and seamlessly from Slot 1 to Slot 2. By changing a full SD card with a new SD card, images can be recorded continuously for many hours.

Unlimited* Relay Recording: Data is recorded continuously by automatically switching the recording SD card from Slot 1 to Slot 2. By changing the full SD card with a new SD card, images can be recorded continuously for many hours. Simultaneous Recording: Identical data is recorded onto cards in both slots in this highly redundant recording mode. Background Recording: One SD card can be set in Slot 2 to record continuously, and another SD card can be set in Slot 1 to record necessary scenes by turning REC on and off. Dual Codec Recording: Records images simultaneously in two different formats, such as Main (UHD/FHD) and Sub (FHD), etc. This achieves an efficient workflow.

Broadcast-grade Camera Image Adjustment Functions

16-Axis Independent Color Correction Function: Allows color matching of multiple cameras under the same lighting condition as well as creative image rendering. Soft Skin: Makes skin colors appear soft and beautiful. Especially effective when recording a person up close. Master Detail: Adjusts the overall degree of contour enhancement. Scene File: Six sets of image quality settings are preset in scene files. Parameters in each set can be changed flexibly. One set can be saved in the main unit, and up to eight sets can be stored on an SD memory card. 8-Mode Gamma: Gamma setting can be selected from seven modes including two types of CINE-LIKE gamma. This allows the user to achieve the most suitable gradation according to the specific video production needed.

LCD/EVF Displays That Assist Shooting

• Waveform and Vectorscope Display: WAVE (Waveform) and VECTOR (Vectorscope) can be easily displayed on a sub screen of the LCD monitor.
• ZEBRA: Two zebra patterns are built in. The level can be changed from 50% to 105% in 5% steps.
• Marker (Y Level): The brightness level in the center of the image is displayed in percentage.
• Level Gauge: Horizontal or vertical tilting of the camcorder can be checked on the LCD and viewfinder.
• A Safety Zone Marker and Center Marker can be displayed.
• The HC-X1 will be available in December for $3,199.99.

Specs

• 5952x3140 38.1x20.1mm FF sensor
• 15 stops DR (with Canon Log2), support for BT.2020 color space
• Dual Pixel CMOS AF technology and Dual Pixel Focus Guide support (for EF version)
• FF, Super 35mm, Super 16mm and anamorphic modes
• All C700 can be updated to C700 FF by sending it camera to Canon Professional Services
• EF and PL mounts
• Records 4K or 2K only to build in CFast
• 5.9K 60p raw, 4K 72p raw, 4K ProRes 60p and 2K ProRes 168p record to Codex CDX-36150
• ACESproxy support
• Log profiles - Canon Log3, Canon Log2 and Canon Log
• Available in July 2018
• $33,000, available at
  • https://www.bhphotovideo.com/c/product/1399823-REG/canon_3042c002_eos_c700_full_frame.html
• Product page - https://www.usa.canon.com/internet/portal/us/home/products/details/cameras/cinema-eos/eos-c700-ff

Specs

• 12x optical zoom, 29 - 348mm a F1.8-F11
• 1" 14.2Mpix CMOS Sensor
• XAVC S 4K (3840 x 2160) at 25p, 100Mbps / 60Mbps
• Build in ND filters
• Cheap 1.56Mpix viewfinder
• 17.13 x 18.78 x 37.13 inches.
• 2.1kg
• Price is not set yet
• Will start shipping in october