Specs

• 13 elements in 10 groups
• 0.88m minimum focus distance
• 82mm filters thread
• Ring-type ultrasonic motor
• Floating focus mech
• Focus distance limit
• Sealed
• Dedicated hood supplied
• 91mm x 115mm
• 1130g
• Preorder https://www.bhphotovideo.com/c/product/1321303-REG/sigma_135mm_f_1_8_dg_hsm.html

2020

• 24mm F1.8 FE
• 36mm F1.8 FE
• 50mm F1.8 FE
• 23mm T1.5 MFT
• 33mm T1.5 MFT
• 56mm T1.5 MFT

2021

• 13mm F1.4 APS-C
• 28mm F1.8 FE
• 216mm F1.8 FE

• Canon RF 24-105mm f/4-7.1 IS STM
• Canon RF 100-500mm f/4.5-7.1L IS USM
• Canon RF 1.4x Extender
• Canon RF 2.0x Extender

Coming

• Canon RF 10-24mm f/4L USM
• Canon RF 35mm f/1.2L USM
• Canon RF 50mm f/1.8 MACRO IS STM
• Canon RF 85mm f/1.8 IS STM
• Canon RF 70-135mm f/2L USM ​​​

I'm buying the Tokina 11mm - 16mm f/2.8 with the Nikon mount to use it with the GH2 and after July with the BMC for the GH2.

Would it be any pros and cons buying the Canon mount EF instead, which will be mount native for the BMC?

Thanks in advance.

Available at:

• http://www.amazon.com/Tokina-11-16mm-Digital-Zoom-Lens/dp/B0014Z5XMK/ ($699)
• DX II - http://www.amazon.com/Tokina-11-16mm-AT-X116-Digital-Cameras/dp/B007ORX8ME/
• http://www.ebay.com/ctg/Tokina-ATX-PRO-116-1116mm-F-28-DX-Lens-For-Nikon-Ultrawide-angle-/99689042?_refkw=Tokina+11-16mm&_pcatid=783&_pcategid=3323&_dmpt=Camera_Lenses (from $620)

Will be available at all major stores soon.

http://www.mkgrip.com/english.php?m=product&a=product_view&tpid=242&tid=245&id=131&nid=482

Specs

• 8 elements in 7 groups, 1 aspherical and 3 HR LD elements
• Leica M mount
• Minimum aperture is F16
• 49mm filters
• 55 x 76mm
• 400g
• 120,000 yen excluding tax

Specs

• 12 elements in 9 groups
• 1 DSA, 1 Super HR, 2 HR, 2 aspherical, 2 ED elements + ZERO coating
• 0.12m min focus distance
• 7 diaphragm blades
• Min aperture F22
• Filter Size:58mm
• Weather sealed
• Comes with hood
• Dimensions: 63.4x70mm
• Weight: 254 g

High-performance standard zoom lens

Effective placement of special lenses in the M.Zuiko Digital ED 12-45mm F4.0 PRO lens allow for the world’s most compact, lightweight design covering a focal length from wide angle 24mm to telephoto 90mm (35mm equivalent). A small and lightweight focusing lens enables high-speed, precise AF for any subject. The lens features a dust-, splash- and freezeproof construction with sealing in 9 places to keep out dust and rain, providing peace of mind when shooting on the go.

Superb macro capabilities

Enjoy intense macro shooting with a maximum magnification of 0.25x (0.5x 35mm equivalent) across the entire zoom range. The closest focusing distance is 12 cm at the wide-angle end, and 23 cm at the telephoto end, delivering a wide range of macro shooting effects such as wide-angle macro shots that emphasize a sense of perspective by capturing vast backgrounds, and telephoto macro shots for more significant background defocusing effects. Diverse macro effects are possible, such as Focus Stacking , which generates a single image on the camera with a large depths of field in focus from the foreground to the background.

Fixed aperture value across the entire zoom range

Effective placement of aspherical lenses and ZERO (Zuiko Extra-low Reflection Optical) coating – which provides clear depictive performance – drastically reduces aberrations, ghosts, and flares for sharp, high-definition image quality. Suppressing loss of light at the edges of images makes it possible to obtain bright, clear depictive performance up to the very edges. Because the aperture value is fixed across the entire focal length, it is easy to control the exposure when zooming and recording video.

Canon U.S.A. Inc., a leader in digital imaging solutions, today announced the launch of a remarkable new addition to its UHDxs series of 4K UHD broadcast portable zoom lenses: the CJ20ex5B. Within this category of portable zoom lenses, Canon presently has two models that are very wide-angle (4.3mm at their wide end) and four models that are telephoto (and consequently constrained in their wide-angle settings). Between these two groupings, Canon applied the latest in contemporary optical design technologies to empower the creation of a dynamic and versatile new lens that would simultaneously extend both extremes of the focal range – a wide 5mm and a telephoto 100mm – a game-changing focal range that is tailor-made for coverage of modest-sized sports venues such as basketball, boxing and more. Documentary capture and newsgathering will also be further empowered.

“As the demand for high-quality 4K UHD lenses for sports and newsgathering continues to grow, Canon strives to develop and implement the best possible optical design technologies to meet the needs of end-users,” said Tatsuro “Tony” Kano, Executive Vice President and General Manager of Canon U.S.A.’s Imaging Technologies & Communications Group. “The new CJ20ex5B lens provides the optical excellence that makes Canon a leader in broadcast lenses, and helps to round out a seamless lineup of 4K UHD portable broadcast lenses. We look forward to seeing the multitude of ways professionals will use this versatile lens.”

The new lens, which is designed to be used with broadcast cameras that have 2/3-inch sensors, delivers outstanding 4K UHD image quality in a lightweight (4.76 lbs.) and compact form factor (9.9 inches long) that empowers agility in shooting. The lens also features a built-in 2x extender that can expand the zoom range up to 200mm. The ergonomics and digital servo operational controls of the lens are similar to Canon’s current lineup of portable zoom lenses, providing users with maximum mobility in a variety of shooting situations.

The CJ20ex5B lens achieves a high-level 4K UHD performance across the entire zoom range thanks to Canon’s proprietary optical design technology and coatings, which incorporate materials such as UD and Super-UD lens elements, and a fluorite coating, that help to reduce chromatic aberration and minimize ghosting and flaring. Focusing fluctuation has also been decreased due to an improved inner focusing system that improves resolution in the periphery areas of the screen. In addition, the lens supports the wide color gamut approved by the ITU-R BT.2020 UHD broadcasting standard – all features that are essential to HDR/WCG imaging.

The CJ20ex5B lens also boasts enhanced operational control over its previous models. The quick power-on button allows the value encoder to initialize at the same time the lens is turned on, enabling users to operate the lens more quickly. The lens also features an on-board display that provides users with the ability to access and adjust various settings rapidly. It is also compatible with Canon’s recently announced G-Series zoom and focus controllers, which deliver increased control of zoom and focus speeds and range.

Availability

The Canon CJ20ex5B 4K UHD Portable Zoom Lens is scheduled to be available early in 2021*. For more information about the CJ20ex5B, and Canon’s complete line of innovative broadcast lenses, please visit, usa.canon.com/broadcast.

• Minimal Focusing Distance - 48cm
• 77mm filters
• 12 Elements in 10 Groups
• Aperture Range: T2.1-T22 ** 11 Iris Blades
• 270 Degree Focus Rotation
• PL: 80 × 98.5 mm, EF: 80 × 106.5mm

$109

https://www.amazon.com/dp/B08BLKYN4G/

Specs

• 20 elements in 15 groups
• One flourite element and two UD elements for high image quality.
• Highly resistant to dust and water, and improved durability even in harsh conditions.
• Flexible 70-200mm zoom range
• Fixed maximum aperture f/4
• Optimized lens placement and coatings minimize ghosting and flare.
• Circular aperture (9 blades) for beautiful soft backgrounds.
• Ring-shaped USM focus
• Optical image stabilization at up to 5 stops of shake correction.
• Three image stabilization modes for outstanding results.
• IS mode 3 effective when tracking moving subjects and assists when panning.
• Minimum focusing distance shortened from 3.9ft to 3.3ft (1.2m to 1m).
• Lightweight, weighs only 780 g
• 80mm x 176mm
• 72mm
• USD price of $1299, 14,990 SEK
  • https://www.bhphotovideo.com/c/product/1414598-REG/canon_2309c002_ef_70_200mm_f_4l_is.html
  • https://www.adorama.com/ca7020042.html
• Available - June 2018

PR Translation

Canon upgrades two of its most popular and well-known L series lenses, and is now launching the EF 70-200mm f/4L IS II USM and EF 70-200mm f / 2.8L IS III USM. For many years, both models have been important instrument for professional photographers and photo enthusiasts. The two new lenses can be used for many different objects, from portrait to wildlife, and confirms the main role of the 70-200mm lens photographers equipment bag.

Michael Burnhill is European Product Specialist for Consumer Imaging Group at Canon Europe, and commenting on the launch of the two lenses: “Following feedback from our global network of photographers can we now proudly launch these two lenses. We always strive to deliver products with the best quality and performance for today’s visual storytellers. And to have a wide selection to respond the photographers’ needs in the best possible way. EF 70-200mm f/4L IS II USM represents the finest in L series optical technology. It has a compact size, is sturdy and lightweight. Lens EF 70-200mm f/2.8L IS III USM is unbeatable in terms of performance, flexibility and durability. ”

Superior quality, robust and compact design – EF 70-200mm f/4L IS II USM

EF 70-200mm f/4L IS II USM builds on the predecessor’s high standard. There it is superior design, durability and ergonomic design that Canon’s wide lens range is renowned for. The lens weighs only 780 grams and is perfect for anyone on the move. Fluorine coating prevents dirt and water drops on the front lens and anti-reflex treatment Super Spectra eliminates reflexes and light bulbs. The fluorite lenses available in the lens can correct color defects and guarantees high resolution and contrast images. The amazing and reliable

Image quality is invaluable when it comes to reducing time spent in post-processing. The lens aperture f/4 provides consistent exposure in many varying light conditions. EF 70-200mm f/4L IS II USM has a 9-leaf circular aperture that creates an attractive backdrop, makes the background blurred and reinforces the subject itself. The new image stabilizer is based The design of Canon EF 100-400mm f/4.5-5.6L IS II USM. It delivers the corresponding effect as with a 5 step shorter shutter speed, compared to the previous three steps of the previous lens *.

EF 70-200mm f/4L IS II USM uses a combination of an annular ultrasonic engine and third generation technology with new high performance CPU and newly developed firmware for higher speed and Accuracy and fast auto focus. The focus can also be adjusted manually and allows a close-up of 1m, to compare with the predecessor’s 1.2 m. All these features make the EF 70-200mm f/4L IS II USM perfect for discreet and accurate photography, something that is needed for street photography to be really good

Press release in Sweden

https://drive.google.com/file/d/11LQ3q5KEKwPHOQJ0XSiYOGikIlFRJ5YV/view

http://www.sigma-global.com/en/cine-lenses/products/

Seems Sigma has done the homework.
The high speed zooms look very interesting. I am curious for the pricing

PR

The SIGMA CORPORATION is pleased to announce that it will enter into the cinema lens market with the release of its SIGMA CINE LENSES, designed specifically for cinematography. In the world of digital film production, there is an increasing demand for higher resolution, and SIGMA’s new lineup of high-performance lenses is compatible with the latest, high-resolution digital cinema cameras. SIGMA has developed its own production system by establishing the required technology for mass production of high-performance lenses for ultra-mega-pixel shooting. The company feels this valuable new lens line could create a fundamental change in digital film production, and provide a new solution for cinematographers.

• Unbeatable value – the highest optical performance in its class and outstanding compact design
• Wide range of lenses for professional use
• Optimized for the latest digital moviemaking technology

For the first phase, SIGMA will release two zoom lenses in Japan and the USA for EF and E mount camera systems. Furthermore, another zoom lens and five prime lenses will be released to the market in sequence from 2017 onward. SIGMA plans to develop additional zoom and prime lenses as well as add support for PL mount camera systems. The latest release information will be sequentially updated on its official website.

High Speed Zoom Line

High Speed Zoom Line offers the constant aperture of T2 throughout the zoom range, and the optical performance is ready for high-resolution shooting such as 6K - 8K. Furthermore, while offering the highest image quality in its class, the High Speed Zoom Line has a compact construction and offers amazing value.

FF Zoom Line

FF Zoom Line is compatible with a full-frame image circle, and the optical performance is ready for high-resolution shooting such as 6K - 8K. It provides a rare option for cinematographers since very few lenses can cater to the requirements of the latest digital cinema cameras' image sensor, which is larger than Super 35, and expand the range of compatible cameras. This is the cinema zoom lens offering the highest image quality and compact design. This lens is not available in PL mount.

FF High Speed Prime Line

The lineup ranges from 20mm to 85mm, and all five lenses are T1.5. They are compatible with full-frame sensors and, while being more compact, can offer superior resolution than other high-end prime sets do. With the five prime lenses from FF High Speed Prime Line, there is no need to change the lighting to shoot a variety of cuts. These lenses bring a consistent level of light to the production and offer greater consistency with regards to the film’s look and color/contrast before it enters post-production.

Each CINE lens model is weatherproof and has luminous paint markings to aid in changing and operating the lens in the dark. It touts a long focus rotation of 180 degrees and is guided by cams for smooth operation and accuracy. The CINE lens design features standardized essentials such as an 82mm front for ND filters* and a 95mm front diameter for matte box use and standard gear positions for accessories like follow focus. They also include a manual linear iris control and electronic mounts that provide vital camera metadata. Each lens is manufactured and inspected in the Sigma factory located in Aizu, Japan.

Availability/Pricing

Availability: toward the end of 2016 (in Japan and USA in the first phase)
Pricing: TBD

• Aperture Range from f/2.8 to 22
• 1:1 Magnification Ratio
• Internal Focus
• Aspherical, ED and Super ED Elements
• Nano AR Coating
• Direct Drive Super Sonic Wave AF Motor
• Optical SteadyShot Image Stabilization
• 602 g
• $1100
• http://www.amazon.com/Sony-SEL90M28G-2-8-22-Standard-Prime-Cameras/dp/B00U29GNEG

Designed to produce crisp, high-impact close-ups and portraits, the new FE 90mm F2.8 Macro G OSS lens delivers an impressive blend of clarity, detail and smooth background

The first mid-telephoto macro lens for the α E-mount line, the FE 90mm F2.8 Macro G OSS features built-in Optical SteadyShot (OSS) image stabilization, allowing for pin-sharp images at up to 1:1 magnification, even when shooting handheld. The smooth, quiet Direct Drive SSM (DDSSM) mechanism drives two ‘floating' focus groups independently, ensuring extremely precise focus positioning that's crucial for macro photography.

The new macro lens maintains the same overall length at all focal distances – very helpful for macro shooting – and has a focus hold button and sliding focus ring that can instantly switch between manual and auto focus1. It is also dust and moisture resistant.

SLR Magic expands the micro four thirds lens lineup with the new SLR Magic HyperPrime CINE 10mm T2.1 wide angle lens. With this latest addition, the portfolio of lenses for the micro four thirds system is now comprised of thirteen focal lengths. The product will be officially introduced during upcoming Photokina 2014 fair in Cologne.

The field of view of this new HyperPrime Lens corresponds to a 20mm lens in 35mm format and this fast wide angle of view opens up many new creative composition opportunities, particularly in the fields of interior, architectural and landscape cinematography and photography. Additionally, a fast max aperture of T2.1 makes the SLR Magic HyperPrime CINE 10mm T2.1 ideal for available-light photography.

We place our highest priority in the development on our lenses to fulfill the demands of professional cinematographers and photographers. The design and build of the SLR Magic HyperPrime CINE 10mm T2.1 is solid and reliable.

The SLR Magic HyperPrime CINE 10mm T2.1 (MSRP: $799 US) will be available from authorized SLR Magic dealers starting end of October 2014.

The SLR Magic HyperPrime CINE 10mm T2.1 will be first presented at Photokina 2014 fair. The SLR Magic stand would be in (No. L-011, Hall 5.1) during the fairs which are to be held in Cologne from 16th to 21st of September 2014. For all those who want to visit Photokina 2014 fairs.

Available at:

• 35mm - http://www.ebay.com/sch/i.html?_trksid=p5197.m570.l1313&_nkw=rokinon+T1.5&_sacat=0
• 14mm - http://www.ebay.com/sch/i.html?_nkw=rokinon+T3.1&_sacat=0&_odkw=rokinon+T1.5&_osacat=0
• 85mm - http://www.ebay.com/sch/i.html?_trksid=p5197.m570.l1313&_nkw=rokinon+T1.5+85mm&_sacat=0
• 16mm - http://www.bhphotovideo.com/c/buy/16mm_T2_2_Cine_Lens/Ntt/16mm+T2.2+Cine+Lens/N/0

Specs

• Designed for FF sensor cameras
• Min focusing distance - 9.6cm
• 1.8x lens
• 86mm filters
• 175mm x 95mm
• 1.5kg
• late August shipping
• $8000 at https://vzlens.com/product/vazen-85mm-t2-8-1-8x-ff-anamorphic-lens/

Specs

• 9 elements in 6 groups
• AF
• 58 mm filter thread
• 81 x 79.5 mm size
• 460g
• Canon FE mount, later will be Nikon F
• $177 at https://www.amazon.com/YONGNUO-YN85mm-F1-8-Standard-Telephoto/dp/B01N7DIMEZ/
• or https://www.bhphotovideo.com/c/product/1318133-REG/yongnuo_yn85mm_f1_8_af_mf_medium.html

Specs

• Focal length - 135mm
• Maximum aperture - F1.4, F16 is minimum
• Minimum focusing distance - 1.6m
• 11 elements in 5 groups, 3pcs are ED elements
• 11 aperture blades
• Min shooting distance is 1.6m
• Smooth aperture ring
• Length 160 mm
• Diameter 111 mm
• Filter diameter 105 mm
• 3kg
• Price - $2999
• Available - November 2017

http://weibo.com/u/2111141390

CES announcement.

Specs

• 20 lenses in 13 groups
• Weather sealed
• 72mm thread filter
• 83x172mm
• 985g
• Cheaply available at http://www.personal-view.com/deals/lenses/panasonic

Panasonic is developing the first LEICA DG 100-400mm / F4.0-6.3 telephoto zoom lens (35mm camera equivalent: 200-800mm) for the Micro Four Thirds system standard to expand the lineup of DSLM (Digital Single Lens Mirrorless) digital interchangeable lenses.

The LEICA DG lenses are designed and developed under the stringent quality standard certified by Leica that boast excellent optical performance. Four single focal length LEICA DG lenses have already introduced to the market and have been highly acclaimed by users worldwide.

The new telephoto zoom achieves exceptional imaging performance over the entire zoom range. It also features high speed digital signal exchange at 240 fps to comply with the high-speed, high-precision AF (Auto Focus) with DFD (Depth From Defocus) technology on LUMIX G cameras. Together with the POWER O.I.S.(Optical Image Stabilizer), it lets users to focus on the target quickly to capture crisp, clear images. In addition, the new lens is both light and small and is splash/dust-proof to withstand heavy field use. As the new telephoto zoom lens excels in size and weight, it enables handheld 800mm (35mm camera equivalent) telephoto shooting without using a tripod.

Specs

• 14 elements in 10 groups, 1 ED, 4 HR, 1 aspherical
• F16 minimum aperture
• 9 diaphragm blades
• 50cm min focusing distance
• 62mm filters
• stepper motor autofocus
• full time manual override
• 410 g
• 70mm * 85mm
• Magnesium alloy
• Weather sealed
• Lens hood included
• Available late November 2017
• $1,199.99
  • https://www.amazon.com/Olympus-Zuiko-45mm-f1-2-Black/dp/B0767NDXY5/
  • https://www.bhphotovideo.com/c/product/1366997-REG/olympus_v311090bu000_m_zuiko_digital_ed_45mm.html

Specs

• 5 elements in 5 groups
• 52mm filters
• 0.5m minimum focus distance
• 60mm x 60mm size
• 248g
• $169
• Sony E - https://www.amazon.com/Kamlan-Aperture-Standard-E-Mount-Mirrorless/dp/B06XTBNBK6/
• Canon M - https://www.amazon.com/SainSonic-Kamlan-Aperture-Standard-Mirrorless/dp/B06XTLP56P/

Specs

• $896 at
  • https://www.bhphotovideo.com/c/product/1546137-REG/nikon_nikkor_z_24_200mm_f_4_6_3.html
  • https://www.adorama.com/nkz24200.html

• http://www.ephotozine.com/article/samyang-85mm-f-1-4-as-if-umc-lens-review-19628
• http://theonlinephotographer.typepad.com/the_online_photographer/2011/10/rokinon-85mm.html
• http://www.pentaxforums.com/reviews/vivitar_85mm_f14_review.php
• http://www.photozone.de/canon-eos/610-samyang8514apsc
• http://www.focus-numerique.com/test-1109/objectif-samyang-85mm-f1-4-test-review-prise-en-mains-2.html

Available at:

• http://www.ebay.com/sch/i.html?_trksid=p5197.m570.l1313&_nkw=rokinon+85mm&_sacat=0
• http://www.ebay.com/sch/i.html?_nkw=samyang+85mm&_sacat=0&_odkw=rokinon+85mm&_osacat=0

I've seen this lens mentioned in other topics but couldn't find anything specific for it.

I want a faster, longer lens and this one looks good (I assume it's a Samyang). It sure looks like a bargain.

Any issues with it for video?

https://www.bhphotovideo.com/c/product/1282165-REG/sigma_321955_85mm_f_1_4_dg_hsm.html

“We are thrilled to announce three state-of-the-art additions to the Global Vision line. The Sigma 85mm 1.4 Art has been a highly requested lens and we are very confident those customers who have been waiting for us to deliver this lens will be more than pleased with the superior optical performance and zero compromise,” states Mark Amir-Hamzeh, president of Sigma Corporation of America. “In addition, the re-engineered 12-24mm F4 and highly competitive 500mm F4 Sport lens both embody the world-class performance our Global Vision lenses are known for. We look forward to seeing the incredible images our customers will create using these new Sigma lenses.”

Sigma 85mm F1.4 DG HSM Art – The Ultimate Portrait Lens

Delivering the ultimate in creative expression, the new Sigma 85mm F1.4 Art lens is engineered to support the highest resolution sensors on the market with an exceptional degree of sharpness. The high-performance optical system is purpose-built by Sigma R&D to produce the attractive bokeh effect sought after by discerning photographers. The lens’ advanced architecture features two SLD (special low dispersion) glass elements and one glass element with a high rate of anomalous partial dispersion and refraction. A re-engineered AF system brings 1.3X the torque of its predecessor, while other features such as a full-time manual focus override have been added, which can be controlled when the focus ring is rotated, even during continuous AF.

The Sigma 85mm F1.4 DG HSM Art lens supports Canon, Nikon and Sigma mounts. The Nikon mounts feature a brand new electromagnetic diaphragm.

The Sigma 85mm F1.4 Art lens will be available in late October and retails for a recommended street price of $1199.00 USD.

Specs: 

• 7 elements in 5 groups
• 9 Diaphragm Blades
• F1.8-F16 Aperture Range
• 49mm Filters
• Min Focusing Distance is 0.25m
• 61*41mm
• 170g
• Mounts - EF-M / X / MFT / E / N1 / Z-mount
• $75 at https://meikeglobal.com/products/meike-25mm-f1-8-for-nikon-z-mount-cameras-fast-delivery

• 35mm lens available - http://www.yasuhara.co.jp/anthy/anthy35/index.html
• 50mm and 85mm lenses upcoming
• Mounts - Canon RF, Nikon Z and Sony E mount.

Laowa OOOM Cine lightweight zoom is the first professional cinema style zoom lens offered by Venus Optics.
The lens features a wide 25-100mm zoom range, making it a one-size-fits-all lens for different types of productions.

Unlike some cine lens in the market which were re-engineered from a photo zoom lens, Laowa OOOM Cine series is designed for digital cinematography in the first place. It is truly parfocal, meaning the focus will never shift when you zoom in or zoom back out. It is designed to have nearly zero focus breathing throughout the whole zoom range. The aperture remains fixed at t/2.9 at all focal lengths.

It is built with the true cinema level mechanics. It comes with a stepless, t-stop independent aperture ring with an industry standard 0.8 mod /32 pitch gears.  The 270° rotation flow provides room or precise focus pulls and the iris is clickless, enabling smooth iris pulls. The lens weighs only 2.16 pounds, which is fairly light for a cinema zoom that holds focus and aperture throughout the focal length range.