The Supreme Court on Thursday ruled that internet retailers can be required to collect sales taxes even in states where they have no physical presence.

The decision, in South Dakota v. Wayfair Inc., was a victory for brick-and-mortar businesses that have long complained they are put at a disadvantage by having to charge sales taxes while many online competitors do not. And it was also a victory for states that have said that they are missing out on tens of billions of dollars in annual revenue.

Writing for the majority in the 5-to-4 ruling, Justice Anthony M. Kennedy said the Quill decision caused states to lose annual tax revenues of up to $33 billion.

“Quill puts both local businesses and many interstate businesses with physical presence at a competitive disadvantage relative to remote sellers,” he wrote. “Remote sellers can avoid the regulatory burdens of tax collection and can offer de facto lower prices caused by the widespread failure of consumers to pay the tax on their own.”

https://www.nytimes.com/2018/06/21/us/politics/supreme-court-sales-taxes-internet-merchants.html

Samsung Electronics, SK Hynix and Micron Technology - the world's top-3 DRAM vendors - could be fined up to US$8 billion in China over alleged price fixing, according to industry sources.

Regulators launched investigations into Samsung, SK Hynix and Micron, which collectively hold an over 90% share of the global DRAM market, the sources said.

Samsung, SK Hynix and Micron have all confimed the visits of China's antitrust regulators to their local offices. The companies said they would cooperate but did not elaborate.

According to China's antitrust law, Samsung, SK Hynix and Micron could be fined between US$800 million and US$8 billion if found to have engaged in price fixing, the sources noted. The estimated fines are based on their DRAM sales to China in 2016-2017.

Nice news.

A certain level of light is required when shooting with a digital camera or camcorder, and without it, images cannot be captured due to insufficient sensitivity.

In the pursuit of further improving the sensitivity of imaging elements, Canon has embraced the challenge of achieving higher levels of sensitivity and larger element sizes while maintaining high-speed readout performance, and has succeeded in developing the world's largest class of CMOS image sensor measuring approximately 20 cm square. At present, the standard diameter of the silicon wafers on which CMOS sensors are fabricated is 12 inches (approx. 30 cm). As such, a 20-cm-square sensor is the largest size that can be manufactured based on these dimensions, and is equivalent to nearly 40 times the size of a 35 mm full-frame CMOS sensor.

Increasing the size of CMOS sensors entails overcoming such problems as distortion and transmission delays for the electrical signals converted from light. To resolve these issues, Canon not only made use of a parallel processing circuit, but also exercised ingenuity with the transfer method itself. As a result, the sensor makes possible the shooting of video at 60 frames per second with only 0.3 lux of illumination (approximately the same level of brightness as that generated by a full moon).

Possible applications for this ultrahigh-sensitivity CMOS sensor include the video recording of celestial objects in the night sky, nocturnal animal behavior and auroras, and use in nightwatch cameras.

When installed in the 105 cm Schmidt camera at the Kiso Observatory operated by the University of Tokyo's Institute of Astronomy, the ultrahigh-sensitivity sensor made possible the world's first video recording of meteors with an equivalent apparent magnitude of 10, a level so dark that image capture had not been possible until now. As a result, the sensor provided proof that the frequency with which faint meteors occurred coincided with theoretical estimates to date. By supporting more detailed recording and statistical analysis of meteors, the technology could lead to an increased understanding of the influence that meteors may have exerted on the development of life on Earth.

Other firms can follow within 1-2 months.

Specs

• 8T global shutter pixel with true Correlated Double Sampling (true-CDS)
• Resolution of 7920×6004 at 30 frames per second
• Low noise (8.8e) and high sensitivity (QE=60%), with on-chip noise reduction
• Capable of using standard optics
• 35mm full frame optical format sensor
• Capture fast moving objects
• Designed for high performance applications
• Use in low light conditions

PR

Premstaetten, Austria (12 June, 2018) — ams (SIX: AMS), a leading worldwide supplier of high performance sensor solutions, today announced its CMV50000, a high-speed 48Mpixel global shutter CMOS image sensor for demanding machine vision applications, has gone into mass production.

It is available for purchase in high volumes now.

The CMV50000, which features a 35mm-format 7920 x 6004 array of 4.6µm-sized pixels based on a patented eight-transistor pixel architecture, is a breakthrough in CMOS image sensor performance. It operates at a fast 30 frames/s with 12-bit pixel depth at full resolution or a binned 4K and 8K modes, and even faster – up to 60 frames/s – with pixel sub-sampling at 4K resolution.

This means the CMV50000 can provide the detailed views of a large surface area that are required in factory automation applications such as automated optical inspection (AOI) equipment and systems for the inspection of displays of mobile phones, tablets, laptops and TVs. The combination of high frame rate and high resolution enables manufacturers to increase their already high throughput rates at consumer product assembly plants.

The low-noise ams pixel architecture offers excellent electronic shutter efficiency, and the global shutter operation produces distortion-free images of fast-moving objects. The sensor offers 64dB optical dynamic range at full resolution and up to 68dB in binned 4K mode. The image sensor benefits from the implementation of sophisticated new on-chip noise-reduction circuitry such as black-level clamping, enabling it to capture high-quality images in low-light conditions.

The outstanding performance of the CMV50000 lets manufacturers replace the charge-coupled device (CCD) image sensors which have traditionally been used in applications requiring ultra-high resolution. Now they can use a CMOS image sensor which is easier to implement in camera systems, uses less power and operates at higher frame rates.

The superior imaging performance of the CMV50000 was recognized earlier in 2018 when it was named the Biggest Breakthrough Development at the Image Sensors Europe Awards 2018.

“During recent months, ams has seen great demand for the CMV50000 from design teams developing new automated optical inspection systems and vision systems for testing flat panel displays,” said Wim Wuyts, Marketing Director for Image Sensors at ams. “The CMV50000 is now fully qualified and available to these manufacturers in production volumes. It is also about to be supported by a full demonstration system for evaluating the sensor’s performance.”

Both the monochrome and color versions of the CMV50000 are available in production volumes now. The per unit pricing is €3,450.

For sample requests and for more technical information, go to www.ams.com/Image-Sensor/CMV50000.

Ronkonkoma, NY -- June 19, 2018 -- Sigma Corporation of America, a leading still photo and cinema lens, camera, flash and accessory manufacturer, today announced availability of five of its interchangeable Art prime lenses for Sony E-mount camera systems -- Sigma 20mm F1.4 DG HSM ($899 USD), Sigma 24mm F1.4 DG HSM ($849 USD), Sigma 35mm F1.4 DG HSM ($899 USD), Sigma 50mm F1.4 DG HSM ($949 USD) and Sigma 85mm F1.4 DG HSM ($1199 USD).

Offering the same high-performance optical design as other lenses in the Art line, the new Sony E-mount models feature a newly developed control algorithm that optimizes the autofocus drive and maximizes the data transmission speed. In addition, these lenses are compatible with Sony's Continuous AF (AF-C) and high-speed autofocus, which are not addressed by Sigma Mount Converter MC-11. Like MC-11, the lenses are compatible with in-camera image stabilization and in-camera lens aberration correction, which includes corrections for peripheral illumination, chromatic aberrations and distortion.

Key Features and Benefits

Autofocus Tuned for Each Lens

Thanks to an autofocus drive control program tuned for each lens and high-speed data transmission, the lenses offer a high-speed autofocus at the same performance level as that of a lens designed exclusively for mirrorless cameras. In particular, in E-mount cameras offering Sony's Fast Hybrid AF, AF-C mode delivers exceptional subject following performance. Autofocus remains\ extremely precise even in those E-mount cameras offering only contrast AF.

Compatible with In-Camera Image Stabilization

The lenses are compatible with in-camera image stabilization. The Sony E-mount camera senses the focal length of the lens and automatically optimizes image stabilization performance.

Data Loaded for Compatibility with In-Camera Aberration Correction

The lenses are fully compatible with in-camera aberration correction, which includes corrections for peripheral illumination, chromatic aberrations and distortion. By matching corrections to the optical characteristics of the lens, this function takes image quality to an even higher level.

Native Mount for a More Rigid and Stable Feel

Making the mount native to the lens means a more rigid and stable feel to the lens. Featuring a special surface treatment to enhance strength, the brass bayonet mount offers a high-precision fit and exceptional durability. The mount connection area incorporates rubber sealing for dust- and splash-proof construction.

Available Mount Conversion Service

This service converts the mount of Sigma lenses to that of a different camera body, allowing photographers to continue using their favorite lenses over the long term regardless of camera system.

The Mount Conversion Service is different from a normal repair. In order to apply for the service, please contact your nearest authorized Sigma subsidiary or distributor: http://www.sigma-global.com/en/about/world-network/.

This service is performed exclusively by Sigma.

PHILADELPHIA--(BUSINESS WIRE)--Jun. 13, 2018-- Comcast Corporation (Nasdaq: CMCSA) issued the following statement:

Today, Comcast Corporation (“Comcast”) delivered a letter to the Board of Directors of Twenty-First Century Fox, Inc. (“21CF”) setting forth the terms of a superior proposal by Comcast to acquire the businesses that 21CF has agreed to sell to The Walt Disney Company (“Disney”) for $35.00 per share in cash, which represents a premium of approximately 19% to the value of Disney’s all-stock offer as of 12:00 p.m., noon (Eastern Time) on June 13, 2018. The structure and other terms of Comcast’s proposal, including with respect to the spin-off of “New Fox” and the regulatory risk provisions and related termination fee, are at least as favorable to 21CF shareholders as the Disney offer.

https://www.cmcsa.com/news-releases/news-release-details/comcast-makes-superior-all-cash-proposal-acquire-twenty-first

Actually all Zeiss does not like is similar exterior design. Pure shame on Zeiss who start losing lower end market lately to the likes of Samyang.
Rumors are that it is form of threat as Samyang did not wanted to participate in private price fixing talks that Zeiss and Japan firms are doing privately, mostly in one on one format.

ARRI is enabling owners and operators of AMIRA cameras to record in ARRIRAW.

The change will involve the installation of the new Software Update Package SUP 5.3, and the purchase of a license. It will give cinematographers the option to record ARRIRAW 2.8K up to 48fps, which increases the versatility of their AMIRA even further, and gives them more options to offer clients.

“It’s a response to an increasing demand”, said Markus Duerr, the ARRI AMIRA product manager. “With the growing popularity of ARRIRAW more and more AMIRA users have been asking us to make it available to them”.

The move has been well received by AMIRA users, with wildlife filmmaker Tom Rowland giving it an enthusiastic welcome. "With the onset of ARRIRAW to the Amira it will certainly strengthen its place in the wildlife filmmaking game,” he said. “It will certainly add a whole new level of post-production flexibility to rushes.”

ARRIRAW data produced from an ARRI AMIRA can be considered a digital version of a camera negative. It is the only format that retains the camera's natural color response and great exposure latitude as uncompressed and unencrypted sensor data. The originally recorded raw data remains pristine, providing flexibility in postproduction and raw data archiving.

The ARRI AMIRA is a versatile camera system that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, AMIRA is tough enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion. It is suitable for a great variety of production types, from reportage and corporate films, to TV drama and low-budget movies.

Simple software unlock key cost is 3,180 € or around $3,730 USD.

Make sure to subscribe and never miss lot of remaining Cinegear videos and new reviews.

It'll be lot of interesting things in upcoming months.

https://www.youtube.com/channel/UC-Pj7yx6F1TdNJ36eRlZgcA?sub_confirmation=1

Electric charge generated by incident light are increased by avalanche multiplication phenomenon inside the photoelectric conversion film. The film can be overlaid on a CMOS circuit with a low breakdown voltage because avalanche multiplication occurs at low voltage in crystalline selenium, which can absorb a sufficient amount of light even when thin.

https://www.nhk.or.jp/strl/open2018/tenji/15_e.html

Adresse :
3 RUE Nationale
92100 Boulogne Billancourt
Annonce légale publiée dans le Bodacc n°20170082 du 27/04/2017
20 décembre 2017
Modification de représentant
Enterprise (s) issuer (s) of the advertisement
Name : DXO LABS
Code Siren : 444 777 577
Legal form : Limited Company
Company officers : Alternate Auditor: BEAS represented by Pierre Victor; Statutory Auditor: DELOITTE & ASSOCIES in office on March 23, 2006; President: MENIERE Jerome on 15 December 2017
Legal notice published in the Bodacc n ° 20170244 of 20/12/2017
March 16, 2018
Judgment
Activity : design and marketing of image processing software, design, marketing of electronic components.
Comment : Judgment declaring the opening of a bankruptcy proceeding, date of cessation of payments on January 15, 2018 appointing administrator Selarl Fhb Mission Conducted By Me Hélène Bourbouloux 16 PLACE IRIS TOUR CB21 92040 Paris Defense Cedex with powers : assist, legal representative Selarl C. Low Mission Conducted By Me Christophe Bass 171 AVENUE CHARLES DE GAULLE 92200 Neuilly-sur-Seine. The claims are to be declared, within two months of this publication, to the Judicial Agent or on the electronic portal at www . Creditors-services. com.
Date of effect : 07/03/2018
Company (s) issuing the listing
Denomination : DXO LABS
Siren Code : 444777577
Legal form : Limited Joint Stock Company

Check all video

http://www.toshiba.co.jp/about/ir/en/news/20180605_2.pdf

Microsoft Corp. has agreed to acquire GitHub Inc., the code repository company popular with many software developers, and could announce the deal as soon as Monday, according to people familiar with the matter.

GitHub preferred selling the company to going public and chose Microsoft partially because it was impressed by Chief Executive Officer Satya Nadella, said one of the people, who asked not to be identified discussing private information. Terms of the agreement weren’t known on Sunday. GitHub was last valued at $2 billion in 2015.

The acquisition provides a way forward for San Francisco-based GitHub, which has been trying for nine months to find a new CEO and has yet to make a profit from its popular service that allows coders to share and collaborate on their work. It also helps Microsoft, which is increasingly relying on open-source software, to add programming tools and tie up with a company that has become a key part of the way Microsoft writes its own software.

https://www.bloomberg.com/news/articles/2018-06-03/microsoft-is-said-to-have-agreed-to-acquire-coding-site-github

https://twitter.com/stroughtonsmith/status/1002893737037582336/photo/1

Initially it shows as Err 70 or Err 80 messages, and later camera stops to turn on.

Such cameras will be repaired for free (PR of Canon JP)

Sony Corporation today announced the upcoming release of the ECX339A OLED Microdisplay featuring UXGA (1600 x 1200 resolution), the highest in class for a 0.5-type. This product achieves the world's smallest pixel pitch of 6.3μm by leveraging Sony's OLED display technology and miniaturization technology, enabling a resolution 1.6x higher than the previous model1. By employing a new drive circuit design that operates on half the voltage of the previous model1, the new product achieves the same level of low-power operation as its predecessor but with much higher resolution. When paired with Sony's original driving system2, a frame rate up to 240 fps is supported—double that of previous product1.

ECX339A 0.5-type OLED Microdisplay will start shipping January 2018, mass production at November 2018.

Specs

• 0.5 type (12.6 mm Diagonal length)
• UXGA（1600×RGB×1200） resolution
• 6.3μm pitch
• 120 fps (progressive) / 240 fps (dual-line progressive) max framerate
• 310 mW @ 60 fps (progressive) / 120 fps (dual-line progressive) consumption
• LVDS/Sub-LVDS interface
• 1,000cd/m2 max brightness
• 100,000:1 or higher contrast
• 110% sRGB coverage

Enhancing the resolution on microdisplays has traditionally presented problems such as deteriorating image quality due to decreased pixel pitch and inferior viewing angle properties. The new product features optimized transistors layout and process to address uneven characteristics and loss of withstand voltage, the issues associated with transistor miniaturization. The Sony original variation compensation circuit also enhances picture quality. Additionally, the color filter is deposited directly on the silicon substrate, reducing its distance from the light emitting layer, and the filter's color array has been modified. This helps to secure the viewing angle properties while achieving high resolution.

OLED Microdisplays are widely used in digital camera electronic viewfinders (EVF) for their superior high contrast, high color gamut, and high-speed responsiveness. Sony, having achieved this high resolution and high frame rate, now offers even more realistic image display and accurate capture of subjects for use in high-end cameras that demand extremely high image quality.

Going forward, Sony expects this high-definition OLED Microdisplay to be employed in a diverse range of fields and applications such as AR (augmented reality) and VR (virtual reality) head-mounted displays.

High-resolution UXGA in a 0.5-type

The new product has achieved the world's smallest pixel pitch of 6.3μm by leveraging Sony's proprietary OLED display technology and miniaturization technology, and has superior resolution 1.6x higher than the previous model*1. Generally, transistor miniaturization results in characteristic variation and reduced withstand voltage. This product uses a Sony original compensation circuit and optimized layouts and process for each individual transistor to address these adverse effects. Furthermore, the color filter is deposited directly on the silicon substrate, reducing its distance from the light emitting layer, and the filter's color array has been modified to secure the viewing angle properties while achieving high resolution.

High-speed frame rate

A new drive circuit design supports a high frame rate of up to 240 fps2, nearly double that of its predecessor1. This has made it possible to capture fast-moving subjects in the viewfinder with higher accuracy, so users will not miss a photo opportunity, delivering a more comfortable shooting experience. In head-mounted display devices, this will help to improve image delay issue for items superimposed on real-world vision of AR and to avoid motion sickness during usage of these kinds of devices.

Low power consumption

By employing newly-designed peripheral circuits that operate on half the voltage of previous model*1, the new product delivers the same low-power operation as its predecessor when operating at the same frame rate, despite the nearly 1.6x increase in the number of pixels.

• June 15 - 17, 2018
• https://www.nabshow.com/content/nab-show-shanghai-2

The RED WEAPON and EPIC-W cameras are no longer available.

Only three main bodies will be available

• DSMC2 with MONSTRO 8K VV sensor offers cinematic full frame lens coverage, produces ultra-detailed 35.4 megapixel stills, and delivers 17+ stops of dynamic range for $54,500.
• DSMC2 with HELIUM 8K S35 sensor is the recipient of the highest DxO score ever, delivers 16.5+ stops of dynamic range in a Super 35 frame, and is available now for $24,500.
• DSMC2 with GEMINI 5K S35 sensor leverages dual sensitivity modes to provide creators with greater flexibility using Standard Mode for well-lit conditions or Low Light mode for darker environments priced at $19,500.

And here is example of perfect corporate bullshit:

“RED was founded with the desire to democratize the digital cinema camera industry by making trailblazing technology accessible to shooters everywhere,” said Jarred Land, President of RED Digital Cinema. “And that mission has never changed. With that in mind, we have been working tirelessly to become more efficient, as well as align with strategic manufacturing partners to optimize our supply chain. As a result, today I am happy to announce a simplification of our lineup with a single DSMC2 brain with multiple sensor options, as well as an overall reduction on our pricing.”

Rumors are that RED is having big problems with sales and extreme cooling of attention from people. So strategy chosen is exactly same that Japanese corporations are using. Focus on very high margin product, cut working people, force many to become contractors, and hope that such margins will allow management to still fly on personal jets and have multiple mansions.

Adobe (Nasdaq:ADBE) today announced it has entered into a definitive agreement to acquire Magento Commerce, a market-leading commerce platform, for $1.68 billion, subject to customary purchase price adjustments. The addition of the Magento Commerce Cloud will enable commerce to be seamlessly integrated into the Adobe Experience Cloud, delivering a single platform that serves both B2B and B2C customers globally. The Magento Platform brings together digital commerce, order management and predictive intelligence into a unified commerce platform enabling shopping experiences across a wide array of industries.

Adobe is the leader in designing and delivering digital experiences through content and data. At the core of every great experience are content and data, which enable the consistent, personal, intuitive experiences consumers have come to expect. Commerce is also integral to the customer experience. Consumers and businesses now expect every interaction to be shoppable – whether on the web, mobile, social, in-product or in-store.

Magento brings Adobe Experience Cloud digital commerce enablement and order orchestration for both physical and digital goods across a range of industries, including consumer packaged goods, retail, wholesale, manufacturing and the public sector. The Magento Platform is built on proven, scalable technology supported by a vibrant community of more than 300,000 developers. The Magento partner ecosystem provides thousands of pre-built extensions, including payment, shipping, tax and logistics. This level of flexibility gives businesses the ability to quickly ramp and iterate their commerce capabilities for their unique business needs.

Current Magento customers include brands like Canon, Helly Hansen, Paul Smith and Rosetta Stone. Adobe and Magento share joint customers including Coca-Cola, Warner Music Group, Nestlé and Cathay Pacific.

“Adobe is the only company with leadership in content creation, marketing, advertising, analytics and now commerce – enabling real-time experiences across the entire customer journey,” said Brad Rencher, executive vice president and general manager, Digital Experience, Adobe. “Embedding commerce into the Adobe Experience Cloud with Magento enables Adobe to make every moment personal and every experience shoppable.”

“Adobe and Magento share a vision for the future of digital experiences that brings together Adobe’s strength in content and data with Magento’s open commerce innovation,” said Mark Lavelle, CEO, Magento. “We’re excited to join Adobe and believe this will be a great opportunity for our customers, partners and developer community.”

Upon close, Magento CEO Mark Lavelle will continue to lead the Magento team as part of Adobe’s Digital Experience business, reporting to executive vice president and general manager Brad Rencher.

The transaction, which is expected to close during the third quarter of Adobe’s 2018 fiscal year, is subject to regulatory approval and customary closing conditions. Until the transaction closes, each company will continue to operate independently.

Monster is rising bigger.

Sony Corp (6758.T) said on Tuesday it would pay about $2.3 billion to gain control of EMI, becoming the world’s biggest music publisher in an industry that has found new life in streaming services.

The acquisition, which gives Sony a catalogue of more than 2 million songs from artists such as Kanye West, Sam Smith and Sia, is the biggest so far by new CEO Kenichiro Yoshida.

The deal seeks to take advantage of the rapid growth in streaming music services like Spotify (SPOT.N) and Apple Music (AAPL.O) which has driven a recovery in the music industry.

EMI currently commands 15 percent of the music publishing industry which with the current Sony ATV business would make the Japanese entertainment and electronics giant the industry leader with market share of 26 percent, a company spokesman said.

Under the deal, Sony, which already runs EMI Music Publishing, will lift its ownership to roughly 90 percent from 30 percent currently by buying Mubadala Investment Company’s holding.

https://www.reuters.com/article/us-sony-outlook-emi/sony-to-become-worlds-no1-music-publisher-with-23-billion-emi-deal-idUSKCN1IN01F

Use code COMEBACK for free Exhibits Pass.

https://www.nabshow.com/

• First Place - Sony a9
• Second place: Nikon D850
• 3rd place: Panasonic LUMIX G9 PRO
• 4th place: Fuji Film X-H1
• 5th place: Sony a7 III

Lenses

• 1st - M. ZUIKO DIGITAL ED 17 mm F1.2 PRO
• 2nd and 3rd - Canon "EF 85mm F1.4L IS USM and Sony "FE 16-35 mm F 2.8 GM (the same score for 2 products)
• 4th place: Tamron "18-400 mm F / 3.5 - 6.3 DiII VC HLD" (Model B 028)
• 5th place: Olympus "M. ZUIKO DIGITAL ED 45 mm F1.2 PRO"

Web readers voting awards

• 1st place - Nikon D850
• 2nd place: Sony "α7 III"
• 3rd place: Sony "α7R III"
• 4th place: Sony "α9"
• 5th place: FUJIFILM "X-H1"

• Exhibition days - 1-4 march
• Tickets - free if pre-register
• Exhibition site - http://www.cpplus.jp/en/
• Coverage - PV Japan team
• Our Telegram channel - https://t.me/personal_view

Possible new cameras and lenses

• Sony A7III
• A5800 camera with 4K 30fps video
• Canon EOS M50
• PowerShot premium compacts
• EOS 3000D and EOS 4000D DSLRs
• Sony 135mm FE
• Sigma FF lenses - 70-200mm f/2.8 ART lens, and a 70-200mm f/4 CONTEMPORARY lens
• Laowa 9mm f/2.8 APS-C E-mount lens
• Zeiss 25mm f/2.4 FE

Sony and Samsung currently lead the global market for CMOS image sensors, with the Japanese rival holding a slight edge.

In 2016, Sony and Samsung took up 25.6 percent and 22.6 percent of the market, respectively, industry data showed.

The two companies held 28.3 percent and 25.4 percent, respectively, last year. SK hynix Inc., Samsung's smaller South Korean rival, accounted for roughly 8 percent to 9 percent over the cited period.

Industry watchers, however, claim Sony takes up 50 percent of the market in terms of sales, hovering far above Samsung's 20 percent.

So, due already control almost 54% of all unit sales or >70% of sensors value. Very similar to NAND market.

And here we also have cartel where one member to reach it even killed their own NX cameras division.

18 May 2018: Gathering some of the biggest brands and high profile names in the photographic and video industries under one roof, Wex Photo Video has revealed an exciting new event taking place from Friday 29 to Saturday 30 June 2018 at its flagship store and showroom in London E1: the Wex Photo Video Show.

Following the success of its annual London Lens Show, Wex has introduced a fresh new format spanning two complete days packed with practical workshops, hands-on demonstrations, inspiring expert talks and special guest appearances from some of the most prominent names in the business. Entrance is free, but attendees should register and confirm their place at the seminars and talks in advance to avoid disappointment.

Visitors will be able to view and try an extensive range of photographic and filmmaking equipment, while benefitting from numerous exclusive offers, photo opportunities and the chance to win a prize bundle worth over £3,500.

With more than 40 exhibitors showcasing their latest hardware and software solutions including Canon, Nikon, Fujifilm, Sony, Panasonic, Olympus, Hasselblad, DJI, Epson and Zeiss, plus a host of accessory specialists such as Profoto, Lee Filters, Billingham, Lowepro, Manfrotto and Wacom, the show is expected to attract approximately 3,000 visitors over the two-day period.

Providing a fascinating insight into their daily work, the contents of their kitbag and the inspiration behind their impressive careers, expert guest speakers will include renowned music photographer Peter Neill, event videographer Jeff Wood, content-production specialist Tom Martin, and fashion photographer Andy Hoang. Further speakers will be announced over the next few weeks.

In addition to experiencing in-depth product sessions and educational seminars, visitors to the show will have the opportunity to browse the 2018 AOP Student Awards Exhibition, which is being hosted at the Wex Photo Video showroom from 6 June to 31 July. The work of 60 finalists is on display at this outstanding exhibit -- a celebration of the best in photography from emerging talent across the UK. The categories in this year's competition are People, Places and Things.

Experts from Wex Photo Video's team, as well as specialists from each of the exhibiting companies, will be on hand throughout the event to provide camera, lens and accessories advice, technical tips, plus guidance on shooting and recording techniques for photographers and videographers of all levels of experience.

As an additional bonus, the first 50 visitors each day can collect a special goody bag on arrival, containing a complimentary Wex sensor-clean voucher.

Matt Devine, head of content at Wex Photo Video, said, "Over the last twelve months, we have witnessed a rapid transformation in the industry, so we have adapted our event to meet the growing professional demands and interests of our customers. Our extended show reflects the explosion of interest in filmmaking technology, videography, audio and blogging equipment, aerial and drone photography, as well as advanced photographic techniques, lighting and editing solutions. We look forward to welcoming visitors from London and further afield, and plan to expand and refresh the show in the future as our customer requirements continue to evolve."

Seminar programme:

Friday 29 June 2018

12.00-14.00 Film Structure and Stories A seminar by Jeff Wood -- sponsored by Sony.

14.00-16.00 More than an Image: Lens Choices when Creating Branded Content A seminar by Tom Martin -- sponsored by Canon.

Saturday 30 June 2018

12.00-14.00 Photography in the Music Industry A seminar by Peter Neill -- sponsored by Sony.

14.00-16.00 Fashion and Beauty Photography with Fujifilm XF Lenses A seminar by Andy Hoang.

To register for the seminars, and to find a complete exhibitor list and the latest programme of events, please visit: www.wex.co.uk/wexshow. Entrance is free of charge.

Venue and opening times:

The Wex Photo Video Show will be open on Friday 29 and Saturday 30 June from 09.30-17.00 each day at:

Wex Photo Video 37-39 Commercial Road London E1 1LF Tel: 020 7380 1144.  (Nearest tube: Aldgate East)

Valhalla, N.Y., May 15, 2018 -- FUJIFILM North America Corporation today announced the launch of its new website and mobile app for FUJIFILM digital camera users in the United States. The newly designed website brings together the latest FUJIFILM X Series and GFX system news, information about upcoming photography events, and inspiring features to help FUJIFILM photographers stay up to date and creatively energized.

Recent articles include a photographic trip to Antarctica with Dan Westergren and his FUJIFILM GFX 50S, a gallery of images shot by professional photographers using the new FUJIFILM X-H1 camera, and detailed rundowns of the exciting new featuresbeing added to FUJIFILM cameras via firmware updates.

Created by FUJIFILM North America Corporation, FUJIFILMXGFX.com brings together the finest photography, latest news, and essential techniques. It also helps visitors to find information on their nearest Authorized GFX system and X Series Dealers, including X Series Premier Dealers, making it the ultimate website experience for Fujifilm photographers.

As well as hearing about promotions and events, photographers who register on the website will be the first to learn about the regular competitions, sweepstakes and promotional offers that are featured in the Promotions & Giveaways section. These include photography gear giveaways, limited-time deals, Education Program information, and other great benefits that are not to be missed.

"We are excited to launch a platform that displays the image quality and creative possibilities of the GFX system and X Series line of digital cameras," said Yuji Igarashi, General Manager of the Electronic Imaging Division & Optical Devices Division at FUJIFILM North America Corporation. "It's basically a go-to website and app offering a range of resources, for all FUJIFILM photographers."

The mobile app, FUJIFILM X/GFX USA, encompasses all features of the FUJIFILM X/GFX USA website and formats them especially for smart devices. It is available for download on iTunes for Apple users and Google Play for Android users.

App users are able to activate notifications, so they'll never miss out on the latest news and promotions. Like the FUJIFILM X/GFX USA website, the app also includes FUJIFILM Focus, a special space dedicated to the latest information about Fujifilm-supported events, product announcements, FUJIFILM X-Photographer profiles, promotions, giveaways and much more.

And the next time you visit an Authorized X Series Dealer, keep your eyes open for your free copy of the FUJIFILM X/GFX USA Bulletin. This is a regularly printed newspaper featuring a selection of the best content from the FUJIFILM X/GFX USA website, including news, interviews and beautiful images to inspire you. Pick up your free copy of the FUJIFILM X/GFX USA Bulletin while stock lasts.