Editors http://personal-view.com/talks/categories/editors/feed.rss Sun, 30 Aug 15 20:29:10 -0600 Editors en-CA Adobe Premiere Pro CC and other CC Suite 2014 products http://personal-view.com/talks/discussion/6597/adobe-premiere-pro-cc-and-other-cc-suite-2014-products Thu, 04 Apr 2013 01:28:52 -0600 Vitaliy_Kiselev 6597@/talks/discussions http://success.adobe.com/en/na/programs/events/1303_30759_nab.html?sdid=KEYJL

Information files:

After Effects CS topic http://personal-view.com/talks/discussion/6596/after-effects-cs-topic Thu, 04 Apr 2013 00:53:27 -0600 shian 6596@/talks/discussions Top new features in the next version of After Effects

  • CINEMA 4D Lite and live 3D pipeline between CINEMA 4D and After Effects
  • Refine Edge tool, Roto Brush & Refine Edge effect, and Refine Soft Matte effect
  • Warp Stabilizer VFX, improvements to the Warp Stabilizer effect
  • improvements to the 3D Camera Tracker effect
  • ability to find instances of missing fonts, effects, and footage
  • snapping to layer features, including anchor points and masks
  • bicubic resampling
  • Pixel Motion Blur effect

We don't yet know what it will be called yet, but here's a preview, sort of...


What's the best DVD Authoring software for Windows http://personal-view.com/talks/discussion/4252/whats-the-best-dvd-authoring-software-for-windows Wed, 15 Aug 2012 12:18:17 -0600 peternap 4252@/talks/discussions I couldn't find anything here about it, but I've been making my DVD's straight out of Avid. I'm not using Avid anymore so I need to find a good authoring tool.

Any suggestions? Thanks!

Adobe Creative Suite 6, CS6 topic http://personal-view.com/talks/discussion/2841/adobe-creative-suite-6-cs6-topic Thu, 12 Apr 2012 01:50:27 -0600 sohus 2841@/talks/discussions CS6 Production Premium applications:

  • Adobe Encore CS6
  • Adobe Media Encoder CS6
  • Adobe Story Plus
  • After Effects CS6
  • Audition CS6
  • Photoshop CS6
  • Prelude CS6
  • Premiere Pro CS6
  • Speedgrade CS6

  • An optimized Mercury Playback Engine that is faster than before in software-only mode, and also sports a broader range of choices in graphics cards.

  • Adobe Mercury Transmit gives Adobe I/O hardware partners, such as AJA, Black Magic Design, Bluefish444, Matrox, and MOTU direct access to the Mercury Playback Engine. Using external monitors, you’ll get full-screen playback while maintaining all the real-time performance benefits of the Mercury Playback Engine.
  • Warp Stabilizer and Rolling Shutter Repair, which were previously only in Adobe After Effects.
  • Unlimited cameras in Multicam.
  • New and enhanced editing tools such as adjustment layers very reminiscent of After Effects, trimming directly in the Program Monitor, and a redesigned Audio Mixer. You can now double click to apply effects to selected clips.
  • Three-Way Color Corrector effect, that uses GPU acceleration
  • Adobe Media Encoder is now fully 64 bit software with a much expanded preset list and more efficient batch encoding that makes multiscreen delivery a breeze.

After Effects part

  • Native support for Adobe SpeedGrade .Look files, cineSpace .csp files, and overrange IRIDAS .cube files.
  • Not only is Mocha still there, but you can launch it directly from within After Effects.
  • Global RAM cache. This is a vastly improved frame caching system that allows you to try different options and Undo without a penalty in productivity, as well as render and cache a comp’s work area in the background.
  • Persistent Disk Cache. Previews done in a previous session are saved and immediately available the next time you open a project.
  • New graphics pipeline. With more efficient use of OpenGL, the work environment in After Effects is more highly responsive and smoother. You’ll get faster manipulation of layers with graphical overlays such as masks, motion tracker points, and motion paths. Depending on the hardware, functions may be speeded by anywhere from 1.5 to 16 times!
  • Intelligent 3D Camera Tracker effect.
  • Ray-traced 3D rending engine giving you the capability to quickly design fully ray-traced geometric text and shape layers in 3D space. Pair this engine with, say an nVidia Quadro 2000, and you’ll see over 10 times the performance over CPU-only rendering by a stock Intel i7 3960X processor!
  • Variable mask feather lets you set any number of points along a closed maks and define the width of the feather on a per-point basis
  • Pro Import, previously available as a separate product from Automatic Duck, is now included with After Effects CS6.
  • Effects that were previously 8bpc now support 16bpc or 32 bit float including all of the HD plug-ins of the included CycoreFX HD Suite.







Moire http://personal-view.com/talks/discussion/13410/moire- Sat, 18 Jul 2015 19:46:22 -0600 peternap 13410@/talks/discussions Probably the wrong catagory so please move it if necessary. I was hoping 4k was going to cut down on moire but it really hasn't. The AX100 gets stunning video but I still have the psydillic shirt (power line, building edge, etc) issue and can't figure how to correct it in post. I'm using cs5.5 mostly. Any guidance.

FCP7 Editing 4K in smaller resolution and conforming it later. http://personal-view.com/talks/discussion/12826/fcp7-editing-4k-in-smaller-resolution-and-conforming-it-later. Sun, 19 Apr 2015 00:19:41 -0600 tomasawyer 12826@/talks/discussions Hi everyone, I have a question regarding editing my 4K footage on my FCP7.

What I do now is I transcode the 4K footage (H264) to 4K (ProRes) and edit away on a 1080 sequence - if the delivery asks for 1080.

The problem is that once I render the sequence and decide to change some small things around or add/trim clips, I have to render again for every step that I change and overall it can be very time consuming.

Is there a way to for example transcode the 4K original footage to a 720p small files JUST FOR THE EDIT and then once the sequence is a lock, conform the clips in the sequence back to their original size (4K) and export the sequence in 1080 and 4k?

Thank you so much.

Edius 8 and old Pro 7 http://personal-view.com/talks/discussion/7471/edius-8-and-old-pro-7 Tue, 09 Jul 2013 11:16:49 -0600 Vitaliy_Kiselev 7471@/talks/discussions

EDIUS is a proven, industry-leading solution for editors working on fast turn production in broadcast news, newsmagazine, and studio program content, as well as professional video editors working on organizational, documentary, and 4K theatrical productions. EDIUS 7 is now a native 64-bit application for Windows 7 and Windows 8 64-bit operating systems, taking full advantage of up to 512 GB (dependent upon Windows version) of installed memory for super-intensive media operations, such as multilayer 4K and 3D editing.


  • Superior 4K workflow, including support for Blackmagic Design's DeckLink 4K Extreme and EDL import/export color correction interchange with DaVinci
  • Open to third-party I/O hardware from Blackmagic Design, Matrox, and AJA
  • Editing media files with different resolutions—from 24x24 to 4Kx2K, as well as real-time conversion of frame rates on the same timeline delivers more efficient editing into the hands of editors
  • Fast, flexible user interface, including unlimited video, audio, title, and graphics tracks
  • Support for the latest file formats (Sony XAVC/XVAC S, Panasonic AVC-Ultra, and Canon 1D C M-JPEG) as they are released
  • Work natively with many different video formats, such as Sony's XDCAM, Panasonic's P2, Ikegami's GF, RED, Canon's XF format and EOS movie format
  • Fastest AVCHD editing in the market (up to 3+ streams in real time)
  • Multicam editing of up to 16 different sources simultaneously, with video output support
  • Improved MPEG encoder speed and quality
  • Improved H.264/AVC decoder
  • Optimized for fourth-generation Intel Core i architecture
  • 64-bit native processing with maximum memory access for streamlined real-time editing
  • Proxy mode workflow for slower computers helps extend their usability and increase ROI
  • Supports Intel Ivy Bridge/Sandy Bridge for extremely fast hardware for export and Blu-ray Disc burning
  • Fast handling of large quantities of still image files (JPG, TGA, DPX, and others)
  • 3D stereoscopic editing
  • Built-in loudness meter
  • Image stabilization
  • Direct to Blu-ray Disc and DVD timeline export


Downscale ???? http://personal-view.com/talks/discussion/13129/downscale- Sat, 06 Jun 2015 01:30:28 -0600 jclmedia 13129@/talks/discussions So basically I watched on youtube ect. How to downscale my godamn footage from my fasf80ey*()# gh4, so im really frustrated and upset that I cant even figure this out right now.

What do i have to do correctly to do this????????????

I Import the 4K file from Desktop to Adobe Creates New 4K timeline, Then I Goto seq. settings change it to 1920 x 1080 it seems to work fine then I goto Ad a LUT with lumetri or what ever and add other s*%t and the whole thing gets messed up. Meaning Its zoomed in wayyyyyy too much .

Shotcut http://personal-view.com/talks/discussion/4082/shotcut Sun, 29 Jul 2012 17:59:17 -0600 karl 4082@/talks/discussions Dan Dennedy, the primary author of MLT (the Media Lovin' Toolkit) recently revealed that he is working on yet another free, open-source non-linear video editor called "Shotcut": http://www.shotcutapp.com/bin/view/Shotcut

As of today, Shotcut is in a very early development stage not doing much beyond playing files.

I must say that I really wonder why Dan decided to start yet another editor based on MLT, given that at least three other NLE's are already based on his MLT framework (kdenlive, OpenShot and Flowblade). But he did not say what he was missing from those existing editors... ;-)

Editing and Sharing on iMovie http://personal-view.com/talks/discussion/13056/editing-and-sharing-on-imovie Tue, 26 May 2015 13:09:10 -0600 MikeLinn 13056@/talks/discussions

How to Virtualdub with GH4 MOV footage -- for NeatVideo? http://personal-view.com/talks/discussion/12850/how-to-virtualdub-with-gh4-mov-footage-for-neatvideo Wed, 22 Apr 2015 06:12:02 -0600 thegizzard 12850@/talks/discussions Is anyone using Neatvideo with GH4 .MOV UHD footage? I would like to create de-noised files before I start editing (in premiere pro cc) but I cannot get MOV files to show up in virtualdub. I downloaded the Quicktime 64bit filter and I still get NO VIDEO. Is anyone else using this process or have tips on how to make it work? My goal is not necessarily to use Virtualdub, but to use NeatVideo to create de-noised files before I start my edit. Thanks.

Media Composer First , Free lite editor http://personal-view.com/talks/discussion/12780/media-composer-first-free-lite-editor Sun, 12 Apr 2015 11:06:59 -0600 Vitaliy_Kiselev 12780@/talks/discussions

The software is designed to be easy to use yet powerful, and a great introduction to professional video editing software. Media Composer | First has all the tools to create a project from start to finish and to deliver a finished movie in professional formats and to popular web outlets, unlike some freeware products that disable critical features like saving or delivering finished projects. It includes many of the same features as industry-standard Media Composer. It also lets you expand those tools and feature sets through additional purchases including plug-ins, options, and additional applications. You’ll also be able to buy stock footage and music. All Media Composer | First projects are stored in the cloud; some projects and cloud storage space are included,, with the opportunity to purchase more. Additionally, users have the opportunity to upgrade to a full version of Media Composer without losing any options, plugins, projects, add-ons etc. that were purchased with Media Composer | First.

Media Composer | First is still in development, and won’t be available until later in 2015. It will also offer limited functionality.


Magix Pro X7 http://personal-view.com/talks/discussion/12744/magix-pro-x7 Sat, 04 Apr 2015 14:44:52 -0600 tida 12744@/talks/discussions The most important features:

  • Native 64-bit application with amazing performance
  • Professional format support (ProRes, AVC-Intra etc.)
  • Scalable proxy video editing
  • Primary and secondary 3-way color correction
  • Multicam editing on up to nine tracks
  • Comprehensive action cam support
  • Surround sound editing in broadcast quality
  • Hardware-based decoding for HD and UHD
  • proDAD Mercalli 4 (image stabilization)



Automatic Video Editing - Magisto http://personal-view.com/talks/discussion/12637/automatic-video-editing-magisto Wed, 18 Mar 2015 23:03:07 -0600 Xenocide38 12637@/talks/discussions I think this has been around for awhile but I just came across it so thought I'd share. And first off, I have nothing to do with this app, just thought it was cool and hadn't been mentioned on the forum yet.

It's an app called Magisto (iPhone, iPad, Android, Chrome, etc) that automatically edits your videos into highlight style videos with effects and music. It's certainly not a "pro" application and there's not much you can do to customize the videos it makes but it's perfect for quick and dirty edits of footage that might end up sitting on a hard drive forever.

I personally shoot a lot on my iPhone that I think I'll get around to editing but I never do :-) There is a free versions of the app so it doesn't cost anything to give it a try. The paid tier subscriptions are a little pricey but the free version works well enough.

Adobe premiere AUDIO DROP OUTS http://personal-view.com/talks/discussion/9925/adobe-premiere-audio-drop-outs- Wed, 19 Mar 2014 21:00:01 -0600 tylerknight 9925@/talks/discussions I have searched far and wide to the far reaches of the internet and came up with nothing.

This has been a problem with adobe premiere as long as I can remember and still in the brand new CC version I am still getting audio drop outs randomly.

It is very random and can happen at any time the audio will drop out, then come back in and then go out again. If I stop playback and re-start, it will play for a little while and do it again.

I have tried changing every setting I possibly can within premiere and within my system and I am at a complete loss.

It is making it impossibly to do any editing


UK: Seeking FCPX editors in East London area http://personal-view.com/talks/discussion/12538/uk-seeking-fcpx-editors-in-east-london-area Fri, 06 Mar 2015 07:13:28 -0700 tubefingers 12538@/talks/discussions Hi,

we're a production company based in Hackney Wick, seeking efficient FCPX editors for a variety of ongoing projects, PM me if your within commuting distance as you will be working from our studio,



Corel VideoStudio X7 and X8 http://personal-view.com/talks/discussion/9804/corel-videostudio-x7-and-x8 Fri, 07 Mar 2014 02:58:49 -0700 Vitaliy_Kiselev 9804@/talks/discussions


Today Corel announced the availability of VideoStudio® Pro X7 and VideoStudio® Ultimate X7. Thanks to performance gains achieved through the addition of 64-bit architecture, the updated creative library and the new touch-friendly instant movie creator, FastFlick™, X7 upholds VideoStudio’s promise to provide the fastest and easiest way to create a broad range of professional quality videos, regardless of editing proficiency.

“VideoStudio has built a reputation for innovation by bringing users of all skill levels cutting-edge tools like 4K support, motion tracking, HTML5 authoring and a wide variety of creative editing tools in one affordable package,” said Greg Wood, Senior Product Manager, Digital Media. “But first and foremost, we strive to provide a program that is fast and easy and that addresses the growing enthusiasm for video in every walk of life, from personal, to sports, to school, to business, and the best way to ensure this is to go straight to the source” added Wood. “VideoStudio X7 was developed based on our extensive customer research. The result – a uniquely powerful, intuitive, fun and relevant editor.”

The enhancements and additions seen in VideoStudio X7 originate from an in-depth study. Corel researchers drew from a wide base of VideoStudio users, learning that performance, speed and even more easy-editing tools were the enhancements users most wanted to see in X7. As a result, VideoStudio introduces the following new features:

New 64-Bit Architecture Brings Dramatic Performance Gains

The new powerful 64-bit architecture removes memory limitations, resulting in dramatic performance gains in a wide variety of scenarios. For example, benchmark testing indicates, rendering HD multitrack projects can be up to 200% faster and rendering 4K projects can be up to 800% faster.

New FastFlick Makes Creating and Sharing Videos a Snap

Creating stylish movies and slideshows is as easy as 1-2-3 with the new FastFlick instant movie maker. Users can launch the touch-friendly app independently of VideoStudio to quickly create their project of choice by simply selecting a template, adding their media, and sharing. Users can upload their videos directly to Facebook, YouTube, Flickr or Vimeo, or they can save them for further editing in VideoStudio.

Updated Content Library Helps Users Explore New Creative Possibilities

VideoStudio X7 includes fresh new templates, frames, and objects as well as two new types of media, backgrounds and color patterns, to give videos a fresh and polished look.

And for special effects enthusiasts, VideoStudio Ultimate X7 includes a powerful, updated-to-64-bit collection of advanced special effects with plug-ins from proDAD, Boris Graffiti and NewBlue, providing over $500 in additional value. With 64-bit power, effects run faster than ever before.

New and Enhanced Tools Streamline the Editing and Sharing Process

User experience was a top priority for VideoStudio X7 development, resulting in more efficient ways to make and share video projects. Key usability enhancements include:

  • Enhanced! Smarter and faster 4K: The Smart Render option now works with UltraHD files resulting in rendering speeds are up to 200% faster than with X6. Users with the latest Intel chips can expect to see performance gains of 170-500% when working with 4K.
  • Enhanced! One-step online sharing: VideoStudio X7 lets users share their videos online in one simple step, no need to leave the program. Users simply select a social media property, choose the settings and post.
  • New! Favorite filters list: Like transitions, filters can now be added to a My Favorites list, saving users’ time when applying specific corrective filters or special effect filters.
  • Enhanced! Batch conversion custom profiles: Custom profiles in Batch Convert allows users to render multiple projects or files at the same time, exactly the way they want.
  • New! Intuitive profile management and customization: Custom profiles are the ideal tool to streamline workflows while still achieving great results. VideoStudio X7 makes it easy for users to create and save custom profiles to match the video properties for each of their cameras. This ensures the best results possible when rendering.
  • Enhanced! Transitions for overlay tracks: By popular request, VideoStudio X7 includes a new transitions category that makes it easier for users to find transitions that work best with their overlay tracks.

Pricing and Availability

VideoStudio Pro X7 and VideoStudio Ultimate X7 are available now in English, German, French, Dutch, Italian, Chinese Traditional and Japanese. Suggested retail pricing of VideoStudio Pro X7 is $79.99 (USD/CAN/AUD) / €69.99/ £59.99, VideoStudio Ultimate X7 is $99.99 (USD/CAN/AUD)/ € 89.99/ £79.99. Upgrade pricing is available.


GH2 post-production workflows http://personal-view.com/talks/discussion/1888/gh2-post-production-workflows Sat, 31 Dec 2011 16:46:53 -0700 sohus 1888@/talks/discussions
Main NLE software:
Avid 6.0
Premiere Pro 6.0
Sony Vegas


I have been working with FCPX for a while now and while it worked fine in the beginning, it really became very slow in a big project till the point of being unusable. I am currently trying out Avid. I have worked with Premiere but I hate it. Bad UI, still weird errors after all those years, cluttered interface, dynamic link has many issues, not many keyboard shortcuts, strange tool behaviour... it is a marketing hype but it sucks. I am on a mac so other tools (Lightworks, Vegas) are out of scope for me now. ]]>
Official Final Cut X topic http://personal-view.com/talks/discussion/260/official-final-cut-x-topic Tue, 21 Jun 2011 13:52:02 -0600 Vitaliy_Kiselev 260@/talks/discussions

Look here - http://www.apple.com/finalcutpro/

You can buy it online and download instantly.

Apple also released new ProApps codecs (including ProRes codec) - http://support.apple.com/kb/DL1396

System requirements:
Processor - Intel Core 2 Duo processor or better
RAM - 2GB, 4GB is recommended
Card - OpenCL-capable or Intel HD Graphics 3000 or later
VRAM - 256MB or more
Display - 1280x768 resolution or higher
Mac OS X - v10.6.7 or later
Disk space- 2.4GB for Final Cut Pro, 2GB for Motion, 700MB for Compressor
C4K footage from GH4 is too wide for various FCPX plugins http://personal-view.com/talks/discussion/12200/c4k-footage-from-gh4-is-too-wide-for-various-fcpx-plugins Sun, 18 Jan 2015 03:30:55 -0700 dial 12200@/talks/discussions Hi all, here are two scaled down examples of the issue.

image image

About 5-10% of left and right of the frame doesn't have the plugin applied to it. I have found this issue exists with Hycolor and various plugin sets from FCP effects, Pixel Film Studios and Red Giant.

I have been having this issue since day one owning a GH4 and assumed that the issue would be fixed in a Final Cut update or updates to the plugins. I have tried various scaling, crops and trims while trying to keep the existing aspect radio with no luck. I know I can crop it away after the fact but that's the last thing I would want to do.

Anyone else having this issue?

Avid Media Composer 7 and 8 http://personal-view.com/talks/discussion/6676/avid-media-composer-7-and-8 Fri, 12 Apr 2013 08:54:48 -0600 Vitaliy_Kiselev 6676@/talks/discussions


VLMC - VideoLAN Movie Creator http://personal-view.com/talks/discussion/4081/vlmc-videolan-movie-creator Sun, 29 Jul 2012 17:51:39 -0600 karl 4081@/talks/discussions The VideoLan organization (best known for its VLC media player) has started a project called "VLMC" or "VideoLAN Movie Creator", aiming at implementing yet another free, open-source non-linear video editor: http://www.videolan.org/vlmc/

I downloaded the source code, compiled and tried the software briefly. It is not yet at a point where it would make sense to test it for actual usability, as of today, it is at a very early stage of development, and seeking for attention from potential code contributors.

CyberLink PowerDirector http://personal-view.com/talks/discussion/6916/cyberlink-powerdirector Wed, 08 May 2013 23:13:00 -0600 Vitaliy_Kiselev 6916@/talks/discussions Features

  • 4K support
  • Multiple GPUs support
  • Content-Aware Editing
  • Separate grading app with tracking in Ultimate
  • Separate audio app with filters and spectrum based artifacts removal
  • From $50 to $184

Please note that it app mostly suited for beginners and people who want to quickly get results.

See more at http://www.cyberlink.com/products/powerdirector-ultimate-suite/features_en_US.html

Hardcoding Subtitles. http://personal-view.com/talks/discussion/3220/hardcoding-subtitles. Tue, 15 May 2012 17:49:46 -0600 SuryA 3220@/talks/discussions Since Vimeo doesn't have the option to add subtitles, and Premiere can't import actual subtitle files (only closed caption files which no free software can do), I'm looking for software that will hardcode my .srt subtitles into my Premiere export for Vimeo. It seems there's a lot of software that do that but they all appear pretty non-pro. Idea's?

Magix FastCut http://personal-view.com/talks/discussion/11779/magix-fastcut Mon, 17 Nov 2014 08:11:41 -0700 Vitaliy_Kiselev 11779@/talks/discussions

  • Designed to work with all standard action cams
  • Easy-to-use controls: Start the program and you're ready to go
  • Extremely fast: Automatic video editing mode with special action templates
  • Extremely precise: Switch modes for custom editing
  • Cinema-quality effects: Animated transitions and templates
  • Spectacular music suitable for different video lengths
  • Proxy video editing optimized for GoPro: Smoothly edit 4K & HD action cam videos
  • Automatic image enhancements such as image stabilization and distortion correction
  • Audio filter for removing wind noise
  • Present videos anywhere: On TV, mobile devices or online


Pinnacle Studio http://personal-view.com/talks/discussion/11639/pinnacle-studio Sun, 26 Oct 2014 09:54:20 -0600 Vitaliy_Kiselev 11639@/talks/discussions

The Pinnacle team today introduces the new Pinnacle Studio 18, Pinnacle Studio 18 Plus and Pinnacle Studio 18 Ultimate, now offering native 64-bit performance and enhanced productivity across your entire video editing experience. Select the version that’s right for your workflow and take advantage of a new 64-bit architecture, Intel Quick Sync optimizations, a streamlined interface and new music from Triple Scoop Music. For users looking for maximum video editing power, Pinnacle Studio 18 Ultimate also offers new 4K Ultra HD Smart Encoding, support for XAVC S (HD and 4K HD), enhanced Live Screen Capture and valuable extras from NewBlue.

“No matter which version you choose, the new 64-bit Pinnacle Studio 18 product family offers unprecedented power and control to create amazing video projects. Looking for an editing app that can take anything you throw at it? Pinnacle Studio 18 Ultimate stands out as a premium prosumer editor. Not only can you take advantage of an unlimited number of tracks, pro-level video effects and native 64-bit performance under the hood, Ultimate also extends its 4K HD capabilities with Smart Encoding and support for the latest XAVC S cameras. For anyone who wants to create their own spectacular HD and 4K HD movies, this is an incredibly powerful editing environment,” said Michel Yavercovski, Director of Product Management for Pinnacle.

The Pinnacle Studio 18 product family offers three levels of video editing power:

Pinnacle Studio 18

Complete with a streamlined interface, Pinnacle Studio 18 offers a faster, more responsive movie-making experience. Now with a native 64-bit architecture, Pinnacle Studio makes the most of your computer’s processing power and memory for fast multi-track rendering, smoother file handling and more. Easily import and edit your clips right inside the built-in media organizer. Try SmartMovie to make a movie in minutes or dive into editing on the 6-track timeline. Add excitement with over 1,500 2D/3D effects and 17 royalty-free music tracks from Triple Scoop Music. Integrated cloud access and support for Pinnacle Studio for iPad means you can make movies anywhere. When it's time to share, it's easy to send your movies to Facebook, YouTube, Vimeo, iPad, Apple TV and Xbox.

Pinnacle Studio 18 Plus

Take your video editing power even further Pinnacle Studio 18 Plus. Record directly from your screen — including system audio and microphone sound — to add dynamic content to movies and demo videos with Live Screen Capture. Easily organize and tag all your content in the built-in media library. Make sophisticated movies with 24-track frame-accurate editing. Add polish with 1,800+ 2D/3D effects, titles and templates, and 17 royalty-free tracks from Triple Scoop Music

Pinnacle Studio 18 Ultimate

Take on any video-editing challenge with Pinnacle Studio 18 Ultimate. Ultimate builds on its native 64-bit power to help you create breathtaking movies with new 4K Ultra HD video Smart Encoding and support for the XAVC S format. Record directly from your screen with the enhanced Live Screen Capture. Get creative with advanced 3D features, edit on unlimited tracks, and energize your videos with 700+ presets and over 55 plugins from industry leader NewBlue. Add the perfect soundtrack with 17 royalty-free tracks from Triple Scoop Music and enhance audio with iZotope Music & Speech Cleaner. Easily share your movie on Blu-ray disc and your favorite social sites and devices.


Pinnacle Studio™ 18, Pinnacle Studio™ 18 Plus, and Pinnacle Studio™ 18 Ultimate are available now in 13 languages. Suggested retail pricing of Pinnacle Studio 18 is $59.95 (USD/CAN/AUD)/ EUR 59.95/ £49.95, Pinnacle Studio 18 Plus is $99.95 (USD/CAN/AUD)/ EUR 99.95/ £79.95 and Pinnacle Studio 18 Ultimate is $129.95 (USD/CAN/AUD)/ EUR 129.95/ £99.95.

Adobe Premiere Clip, Video editor for iPhone and iPad http://personal-view.com/talks/discussion/11513/adobe-premiere-clip-video-editor-for-iphone-and-ipad Tue, 07 Oct 2014 16:30:25 -0600 PauloTeixeira 11513@/talks/discussions




Might as well release it on Android as well.

MAGIX Movie Edit Pro 2015 http://personal-view.com/talks/discussion/11495/magix-movie-edit-pro-2015- Mon, 06 Oct 2014 05:19:12 -0600 Vitaliy_Kiselev 11495@/talks/discussions

Key Features:

  • Genuine 64-bit application with amazing performance
  • Easy operation: New, clearer interface
  • 32 Multimedia tracks
  • Complete 4K and HD support for import and export
  • Over 1,000 templates for effects and interactive menus
  • Automatic wizards for video editing, audio dubbing, and image optimization
  • Wirelessly transfer mobile movie projects from Movie Edit Touch
  • Output to DVD, Blu-ray Disc, YouTube, Facebook, Vimeo, and as files
  • Edit XAVCS video files


Lightworks topic http://personal-view.com/talks/discussion/4804/lightworks-topic Wed, 03 Oct 2012 18:49:02 -0600 goanna 4804@/talks/discussions

Our solution was to avoid rewriting the Windows-specific code at all (it was, after all, tried, tested and optimized). Instead, we decided to move it to a new operating-system dependent layer which we engineered to have an OS independent interface.

Once this was complete, we were then able to begin work on a Linux implementation of that same layer. In essence, the Lightworks code is now split in two - the OS-independent code (eg. editing, play-engine, etc) which uses the OS-dependent code (eg. file access, threading, etc).

The OS independent code accounts for about 97% of the total codebase. The bulk of the work in porting to Linux was actually in re-engineering the existing code, not in writing the Linux-specific layer.

Linux of course doesn't have [Windows'] Direct3D, so we had to reimplement all the Linux GPU specific code using OpenGL.

This development has been long-awaited. Once again, risk-averse developers are showing us how OSes, once the mainstay of IT revenue, are losing relevance.

What's next - Lightworks for Android? -only a few lines of code away.

Exporting to tape on Adobe Premiere http://personal-view.com/talks/discussion/11233/exporting-to-tape-on-adobe-premiere Tue, 09 Sep 2014 11:33:12 -0600 abraham1307 11233@/talks/discussions Hello all,

I am currently attempting to implement a new workflow at the work place using Adobe Premiere as we begin to stray away from FCP 7. Well my dilemma now is that I can't seem to figure out how to export my sequence to tape/deck (HDCAM,DVCPROHD,XDCAM) like we do on FCP 7. We have a Matrox MX02 LE setup to handle this task; it works with FCP 7 but not Premiere. I updated the drivers to support our specific version of Premiere as well. The problem is when I go to File>Export the selection for tape is grayed out. Does anyone here have an idea on what I am doing wrong?

Thanks, Abraham