We just awarded the Panasonic LUMIX GH7 as one of our Cameras of the Year 2024 and for a good reason. This advanced filming tool is a good example of how video-centric cameras should be constructed. We have had the camera at our office since it was released and have used it extensively on many occasions. As the camera is not new, I will hardly touch on the specifications but concentrate on usability and picture quality. So, let’s dive into exploring Panasonic’s most recent Micro Four Thirds mirrorless camera. The heritage heart of the LUMIX GH line of cameras is catering to the filmmaking community. Back in 2009, as an early adopter of the GH1, I clearly remember how astonished I was to be able to (almost) fit such a powerful filming tool into my pocket. The specs and quality were remarkable for those early days of mirrorless cameras. Fast forward, and like me, who has aged and gained some weight, LUMIX’s latest camera model is also a bit bigger and bulkier. Many (myself included) feel it’s time for a major facelift to introduce the next generation of camera bodies in a more modern housing. However, looks aside, it’s proving extremely capable in terms of video specification and general usage. Its predecessor, the GH6, was a fine camera that was let down by not being good enough when it came to autofocus performance (you can read the review here). If you’re a Panasonic user, you’re likely familiar with the frustration...
Published By: CineD - Thursday, 19 December