Adobe has announced their new Premiere Pro 23.6 version. This August release focuses on the optimization of the workflow with ARRIRAW, and introduces improved color management for this demanding footage format. The company recommends the update for all users, but let’s take a look at the specifics of what you can now do with ARRIRAW in Adobe Premiere Pro. Let’s face it: Premiere Pro is rarely the software of choice when it comes to color management and grading. More often than not, users choose other options available on the market or get specialized plugins like the zero-cost Colourlab Freelab, which we described here. Yet, Adobe knows the drill and is constantly working to improve in this area. Since they included the support of ARRIRAW in their editing software last autumn, a few other iterations followed. Among them were, for example, GPU acceleration and performance boost for the workflow, which allowed ARRIRAW to be played back in real-time without transcoding or proxies (and to export it up to 15x faster). Now, the company also promises new features that will make every sequence in your ARRI footage look great. Color management for ARRIRAW in Adobe Premiere Pro 23.6 The new color management features for your workflow with ARRIRAW, added in the 23.6 update, are optional. To access them, go to “Interpret Footage” – “Color”. Now, in the “Color Settings”, you can either use the automatically detected Log C media color space, change it, or apply an input LUT. No matter which color...
Published By: CineD - Thursday, 17 August, 2023